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: 982
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. ., . , 1961 - 1967 2021
" , 1963 . , - , - ..." "... , - . . , , , , . -, ..." . 1967.
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Lucian Freud. l`atelier. [catalogue de l`exposition, Paris, du 10 mars au 19 juillet, 2010 2010 (Connaissance des arts. hors-serie)
Lucian Freud (1922-2011) was interested in the telling of truths. Always operating outside the main currents of 20th-century art, the esteemed portrait painter observed his subjects with the regimen and precision of a laboratory scientist. He recorded not only the blotches, bruises, and swellings of the living body, but also, beneath the flaws and folds of flesh, the microscopic details of what lies within: the sensation, the emotion, the intelligence, the bloom, and the inevitable, unstoppable decay. Despite rejecting parallels between him and his renowned grandfather, the correlation between Lucian Freud's sitting process for portraiture and Sigmund Freud's psychotherapy sessions is a fascinating element to this figurative oeuvre. Despite the thickness of the impasto surfaces, Freud's portraits of subjects as varied as the Queen, Kate Moss, and an obese job center supervisor penetrate the physicality of the body with a direct and often disarming insight. The result is as much a psychological interrogation as it is an uneasy examination of the relationship between artist and model. This book brings together some of Freud's most outstanding and unapologetic portraits, to introduce an artist widely considered one of the finest masters of the human form. (1922-2011) , . 20- , . , , , , , : , , , , . , , . , , , , , . , . , , .
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. Vadim Fikin. Vadim Fishkin. 5 december12 januar 1996 1996
Vadim Fishkin, born in Penza in the Soviet Union in 1965, has been living and working in Ljubljana since 1992. Fishkin is not merely an artist working with a variety of different media, but also an architect who studied at the Moscow Institute of Architecture, a stage designer, an angel researcher, a botanist, a spiritualist, a photographer, a pyrotechnician, an engineer, an inventor, and a geologist. Most recently, he collaborated as a set designer with the Slovenian choreographers Mateja Bucar, NSKs theatre department Cosmokinetic Cabinet Noordung, and others.
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![. 1 28.01.2005-28.02.2005. [ ] 2005](/searchcat/covers/RGUB-BIBL-0000909678.jpg) |
. 1 28.01.2005-28.02.2005. [ ] 2005
: " . ". , . , , . , . , , -.
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Ars 01: Unfolding Perspectives. 30.9.200120.1.2002 2002
Ars 01 is the sxth exhibition in the ARS series, the first of which was held forty years ago. In a small countru such as Finland, each of these ezhibition has been an immense cultural undertaking. It is therrefore only natural for them to have taken on sommething of the status - or stigma - of an official aesthetic or conception of art.
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![Think With the Senses, Feel With the Mind: Art in the Present Tense. [Volume One] 2007](/searchcat/covers/RGUB-BIBL-0000909714.jpg) |
Think With the Senses, Feel With the Mind: Art in the Present Tense. [Volume One] 2007
The 52nd Bienalle di Venezia ended on November 21 but having visited rather late in its run we are still sorting through an onslaught of visual information, issues and ideas. Having returned from a three week visit including a week in Venice divided between visiting the Bienalle, for two full days at the Giardino and Arsenale, as well as, some of the numerous pavilions and special exhibitions scattered around a difficult to navigate and complex topography there is much to put in order. We also spent time in several churches to view works by Titian, Canova, and Tintoretto, an afternoon each in the Academia and the Peggy Guggenheim Museum, as well as exploring San Marco and the Doge's Palace and the fascinating Museo Fortuny.
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![Think With the Senses, Feel With the Mind: Art in the Present Tense, Participating Countries, Collateral Events. [Volume Two] 2007](/searchcat/covers/RGUB-BIBL-0000909717.jpg) |
Think With the Senses, Feel With the Mind: Art in the Present Tense, Participating Countries, Collateral Events. [Volume Two] 2007
The 52nd Bienalle di Venezia ended on November 21 but having visited rather late in its run we are still sorting through an onslaught of visual information, issues and ideas. Having returned from a three week visit including a week in Venice divided between visiting the Bienalle, for two full days at the Giardino and Arsenale, as well as, some of the numerous pavilions and special exhibitions scattered around a difficult to navigate and complex topography there is much to put in order. We also spent time in several churches to view works by Titian, Canova, and Tintoretto, an afternoon each in the Academia and the Peggy Guggenheim Museum, as well as exploring San Marco and the Doge's Palace and the fascinating Museo Fortuny.
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Pages in the wind: a reader texts chosen by the artists of the 52. International Art Exhibition 2007
The present publication consists of writings, whether entire or in excerpted form, chosen by the artists participating in the international exhibition of the 52nd International Art Exhibition. Although none of these texts specifically addresses the artists or the art in the exhibition, their value to those who pick through this volume lies - in addition to the condensed intellectual and literary pleasure they afford - in the insights they directly or obliquely offer into the minds and sensibilities of those who have created the work presented in the Padiglione Italia and the Arsenale
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3. Berlin-Biennale fur Zeitgenssische Kunst. 14.02 - 18.04.04r 2004
... Courtesy Marcelo Expsito, Gloria Matamala, Oriana Eliabe 143 Oben Top: Photos: Oriana Eliabe, Courtesy Marcelo Expsito, Gloria Matamala, Oriana Eliabe 144 Mitte und unten Centre and bottom: Photos: Gloria Matamala, Courtesy Marcelo Expsito, Gloria Matamala, Oriana Eliabe 144, 145 Photos: atelier d'architecture autogre (aaa), Courtesy atelier d'architecture autogre ( aaa) 146, 147 Photos: Akira Suzuki, Courtesy Akira Suzuki 161 Screen shots: Bernd Borchardt, ...
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51. International Art Exhibition: The Experience of Art. 2005
This is the catalogue of the exhibition presented in the Italian Pavilion of the 51st Venice Biennale. Artists from different generations and nationalities have been chosen. The aim of the exhibition is to create a relationship between the existing architecture and the content; to show those themes that disturb and worry contemporary society and that the artists' works express in a real, poetic and often visonary way.
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51. International Art Exhibition: Participating Countries, Collateral Events 2005
Details of the Asian participation in the 51st Venice Biennale can be found in the following sections of the present catalogue: Participating Countries in 'Special Project': Japan; Indonesia; Iran, Republic of Korea; People's Republic of China; Singapore; Thailand; Central Asian Academy of Art: Kazakhstan, Kyrgyzstan and Uzbekistan. Collateral Events: God is Great (British-Indian artist Anish Kapoor as one of the participating artists); iCon: India Contemporary (India); 'investigating of a journey to the west by micro + polo' (Hong Kong); Play the Glass (Japanese artist Hiromi Masuda); The Spectre of Freedom. Il Fantasma della Liberta (Taiwan)
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![. . [ . 12 10 2019] 2019](/searchcat/covers/RGUB-BIBL-0000909688.jpg) |
. . [ . 12 10 2019] 2019
. , , . - (1979 -1986). , , , , . , (MAMM), : , - , . , , , - .
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![Egofugal: Fugue from Egofor the Next Emergence. the 7th Internatonal Istanbul Biennial. 22 September - 17 November 2001. [ ] 2001](/searchcat/covers/RGUB-BIBL-0000909673.jpg) |
Egofugal: Fugue from Egofor the Next Emergence. the 7th Internatonal Istanbul Biennial. 22 September - 17 November 2001. [ ] 2001
Project documention of the 7th Internatonal Istanbul Biennial, curated by Yuko Hasegawa under the title Egofugal: Fugue from Egofor the Next Emergence, multiple venues (such as the Imperial Mint, Hagia Eirene Museum, etc.) (22.917.11.2001). Publication contains installation shots and images from the biennial, along with an introduction by the curator, reflecting on the 9/11 attacks (which took place shortly before the biennial opened), and other information. Exhibited artists included: Francis Alys, Hussein Chalayan, Stan Douglas, Isa Genzken, Rafael Lozano-Hemmer, Kemal nsoy, Ahmet Soysal, Sisley Xhafa, etc. See also the short guide
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![Poetic Justice. the 8the International Istanbul Biennial. 22 September - 17 November 2003. [ ] 2003](/searchcat/covers/RGUB-BIBL-0000909676.jpg) |
Poetic Justice. the 8the International Istanbul Biennial. 22 September - 17 November 2003. [ ] 2003
Project documentation accompanying the 8 the International Istanbul Biennial, curated by Dan Cameron under the title Poetic Justice, multiple venues including Antrepo No. 4, Tophane-i Amire Culture and Arts Center, Yerebatan Cistern, etc.) (20.916.11.2003). The publication contains installation shots and a short text by the curator reflecting on the exhibition. Exhibited artists included: Can Altay, David Altmejd, Kutlu Ataman, Txomin Badiola, Minerva Cuevas, Ersa Ersen, Emily Jacir, Julie Mehretu, Oda Projesi, Anri Sala, Fiona Tan, Pascale Marthine Tayou, etc. See also the exhibition catalog
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![Index. Manifesta 7. Catalogo della mostra (Trentino, 19 luglio-2 novembre 2008). [ ] 2008](/searchcat/covers/RGUB-BIBL-0000909669.jpg) |
Index. Manifesta 7. Catalogo della mostra (Trentino, 19 luglio-2 novembre 2008). [ ] 2008
Index raccoglie brevi introduzioni ai lavori di pi di 180 invitati a Manifesta 7. La settima edizione di Manifesta, Biennale Europea di Arte Contemporanea, si articola in quattro mostre: Scenarios, Il resto di ora, L'anima e Principio speranza, allestite in siti industriali e in edifici storici. Manifesta 7 ospitata dalla Regione Autonoma Trentino-Alto Adige, nelle quattro citt di Fortezza, Bolzano, Trento e Rovereto. Questo libro diviso in quattro parti, ognuna delle quali dedicata ad una mostra. Manifesta 7 curata da Adam Budak (Graz/Cracovia), Anselm Franke (Berlino/Anversa), Hila Peleg (Tel Aviv/Berlino) e Raqs Media Collective (Nuova Delhi).
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![Companion. Manifesta 7. Catalogo della mostra (Trentino, 19 luglio-2 novembre 2008). [ ] 2008](/searchcat/covers/RGUB-BIBL-0000909670.jpg) |
Companion. Manifesta 7. Catalogo della mostra (Trentino, 19 luglio-2 novembre 2008). [ ] 2008
Companion introduce le ide e i concetti che animano la Settima Edizione di Manifesta, l'itinerante Biennale Europea di Arte Contemporanea, che quest'anno avr luogo nella Regione Autonoma Trentino-Alto Adige. I curatori di Manifesta 7 - Adam Budak (Principio Speranza), Anselm Franke/Hila Peleg (L'anima) and the Raqs Media Collective (Il resto di ora) hanno collaborato rispettivamente con Nina Mntamann, Avi Pitchon and Rana Dasgupt nel raccogliere una selezione di testi, immagini, e saggi di testi-immagini in linea con i loro concetti di cura tela.
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![Scenarios. Manifesta 7. Catalogo della mostra (Trentino Alto Adige, 9 luglio-2 novembre 2008). [ ] 2008](/searchcat/covers/RGUB-BIBL-0000909671.jpg) |
Scenarios. Manifesta 7. Catalogo della mostra (Trentino Alto Adige, 9 luglio-2 novembre 2008). [ ] 2008
Il complesso fortificato di Fortezza, situato nei pressi del passo del Brennero che oggi unisce Austria e Italia, fu costruito dagli Asburgo negli anni trenta del Novecento. x stato fin da subito un luogo arcano: inaccessibile, temporaneamente abitato da duemila soldati, luogo di deposito dell'oro trafugato dai nazisti alla Banca d'Italia durante la Seconda Guerra Mondiale e deposito di munizioni. Nel 2008 il paese di Fortezza uno dei siti espositivi di Manifesta 7, La Biennale Europea di Arte Contemporanea, che si svolge in quattro luoghi dell'Alto Adige e del Trentino. I curatori e le curatrici, Adam Budak, Anselm Franke, Hila Peleg e il Raqs Media Collective, hanno elaborato per il sito un'esposizione intitolata Scenarios. La mostra evita volutamente di porre l'arte visuale in opposizione all'architettura fortificata. Scenarios si concentra piuttosto su suono e voce (e su un programma di film muti) utilizzando registrazioni di testi scritti appositamente per questa occasione da dieci autori molto conosciuti. I testi diventano la "voce" della fortezza. Questa pubblicazione raccoglie in versione integrale tutti i testi. Una serie di immagini fotografiche lascia intuire la peculiarit del luogo unitamente alla discreta presenza dell'esposizione.
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#1 2021 (70), - . . Deutschlan- Russland. Perrspektiven auf die Kunst-und Museumsszene 2021
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#1 2021 (70), - . . Germany - Russia. On the crossoads of cultures 2021
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., L : 1991- 1998 1998
L- 1991 , 26, 1986 . , . . 1990- , : , , , , . 1994 , .
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![. 1 28.01.2005-28.02.2005. [ ] 2005](/searchcat/covers/RGUB-BIBL-0000909678-large.jpg)
![Think With the Senses, Feel With the Mind: Art in the Present Tense. [Volume One] 2007](/searchcat/covers/RGUB-BIBL-0000909714-large.jpg)
![Think With the Senses, Feel With the Mind: Art in the Present Tense, Participating Countries, Collateral Events. [Volume Two] 2007](/searchcat/covers/RGUB-BIBL-0000909717-large.jpg)
![. . [ . 12 10 2019] 2019](/searchcat/covers/RGUB-BIBL-0000909688-large.jpg)
![Egofugal: Fugue from Egofor the Next Emergence. the 7th Internatonal Istanbul Biennial. 22 September - 17 November 2001. [ ] 2001](/searchcat/covers/RGUB-BIBL-0000909673-large.jpg)
![Poetic Justice. the 8the International Istanbul Biennial. 22 September - 17 November 2003. [ ] 2003](/searchcat/covers/RGUB-BIBL-0000909676-large.jpg)
![Index. Manifesta 7. Catalogo della mostra (Trentino, 19 luglio-2 novembre 2008). [ ] 2008](/searchcat/covers/RGUB-BIBL-0000909669-large.jpg)
![Companion. Manifesta 7. Catalogo della mostra (Trentino, 19 luglio-2 novembre 2008). [ ] 2008](/searchcat/covers/RGUB-BIBL-0000909670-large.jpg)
![Scenarios. Manifesta 7. Catalogo della mostra (Trentino Alto Adige, 9 luglio-2 novembre 2008). [ ] 2008](/searchcat/covers/RGUB-BIBL-0000909671-large.jpg)
