Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ:  ýòîì óíèêàëüíîì ñáîðíèêå âû íàéäåòå ëó÷øèå ïðîèçâåäåíèÿ ìàñòåðîâ áðèòàíñêîé ïîýçèè, à òàêæå èõ êëàññè÷åñêèå ïåðåâîäû íà ðóññêèé ÿçûê, âûïîëíåííûå ðîññèéñêèìè ïîýòàìè. Íåàäàïòèðîâàííûå òåêñòû ïîçâîëÿò ÷èòàòåëÿì â ïîëíîé ìåðå îöåíèòü ïðîèçâåäåíèÿ âåëèêèõ ïîýòîâ, à êëàññè÷åñêèå ïåðåâîäû ïîìîãóò ðàçðåøèòü âîçíèêàþùèå ïî õîäó ÷òåíèÿ âîïðîñû è òðóäíîñòè è íàó÷èòüñÿ ïåðåâîäèòü ñàìûå ñëîæíûå ôðàçû è îáðàçû. ×èòàÿ è ñëóøàÿ âåëèêîëåïíóþ ïîýçèþ íà àíãëèéñêîì ÿçûêå, îáðàùàÿñü ê ïðåêðàñíûì ïåðåâîäàì, âû óëó÷øèòå ñâîè íàâûêè ÷òåíèÿ è âîñïðèÿòèÿ íà ñëóõ èíîÿçû÷íîé ðå÷è.Êíèãà áóäåò èíòåðåñíà è ïîëåçíà øêîëüíèêàì, àáèòóðèåíòàì, ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: Fourteen of the best-loved and best-known of Burns`s poems are here available in a single pocket-sized volume with a Scots glossary and some of the poet`s own notes. From Tam o` Shanter to My Love is Like a Red Red Rose to To a Haggis - here is the essential Burns

Àííîòàöèÿ: Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative.

Àííîòàöèÿ: Èçäàíèå âêëþ÷àåò ëó÷øèå îáðàçöû àíãëèéñêîãî ñîíåòà, íà÷èíàÿ ñ òâîð÷åñòâà ïîýòîâ-åëèçàâåòèíöåâ è êîí÷àÿ íåîðîìàíòèêàìè êîíöà XIX â.Ïåðåâîäû íà ðóññêèé ÿçûê âêëþ÷àþò êàê êëàñèêó XIX-XX ââ., òàê è ðàáîòû ñîâðåìåííûõ ïîýòîâ è ïåðåâîä÷èêîâ. Êíèãà ïðåäíàçíà÷åíà øèðîêîìó êðóãó ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ: Èìÿ âåëèêîãî øîòëàíäñêîãî ïîýòà Ðîáåðòà Áåðíñà (1759-1796) õîðîøî èçâåñòíî ñîâåòñêîìó ÷èòàòåëþ. Íàñòîÿùèé ñáîðíèê äàåò âîçìîæíîñòü îöåíèòü òâîð÷åñòâî ïîýòà â îðèãèíàëå è ïîçíàêîìèòüñÿ ñ ïåðåâîäàìè ñòèõîòâîðåíèé è ïåñåí Áåðíñà, ñäåëàííûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè. Èçäàíèå ñîïðîâîæäàåòñÿ ïîñëåñëîâèåì è êîììåíòàðèÿìè ê òåêñòó è ïðåäíàçíà÷åíî äëÿ øèðîêîãî êðóãà ëþáèòåëåé ïîýçèè

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: As the poetry of Burns is his best biography, it has seemed only fair, in preparing the second edition of Carley's essays, to introduce representative poems.In connection with the chronological arrangement, brief introductions seem necessary, and it is hoped that the few comments will stimulate thought and encourage intelligent criticism. Carley's point of view is so admirable; his criticism is so comprehensive, so fair, so sympathetic; his introduction of biographical material is so effective in interpreting the life and the work of Burns, that if we read it and reread it, if we absorb it, we shall soon come to know the peasant poet.

Àííîòàöèÿ: Love and Liberty or The Jolly Beggars was a unique effort by Robert Burns. He did nothing similar to it ever again, and indeed, if he is to be believed, thought so little of it that he forgot its very existence. And yet it is surely one of the finest flowerings of his poetic genius.