Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Àííîòàöèÿ: The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Àííîòàöèÿ:  íàñòîÿùåì ñáîðíèêå ñîáðàíû ñàòèðè÷åñêèå ïðîèçâåäåíèÿ àìåðèêàíñêèõ ïèñàòåëåé îò Áåíäæàìèíà Ôðàíêëèíà äî íàøèõ äíåé. Êàê èçâåñòíî,þìîðèñòè÷åñêàÿ è ñàòèðè÷åñêàÿ ñòðóÿ âñåãäà áûëè ñèëüíû â àìåðèêàíñêîé ëèòåðàòóðå. Íå ãîâîðÿ óæå î ïðîôåññèîíàëüíûõ þìîðèñòàõ è ñàòèðèêàõ,â ÑØÀ íå íàéäåòñÿ,ïîæàëóé,íè îäíîãî êðóïíîãî ïèñàòåëÿ,êîòîðûé áû â òîé èëè èíîé ñòåïåíè íå îòäàë äàíü ýòîìó æàíðó.Ïðè ðàçìåùåíèè ðàññêàçîâ â êíèãå ñîáëþäàëîñü äâà óñëîâèÿ:ïðåäñòàâèòåëü àâòîðîâ â õðîíîëîãè÷åñêîì ïîðÿäêå è â òàêîì æå ïîðÿäêå-ðàññêàçû,â òåõ ñëó÷àÿõ,êîãäà èçâåñòíà äàòà èõ ïåðâîãî íàïå÷àòàíèÿ.Êàæäîìó àâòîðó ïîñâÿùåíà íåáîëüøàÿ ñïðàâêà, â êîòîðîé ñîîáùàþòñÿ êðàòêèå ñâåäåíèÿ î íåì è î åãî òâîð÷åñòâå è óêàçàíû åãî îñíîâíûå ïðîèçâåäåíèÿ. Êíèãà ñíàáæåíà êîììåíòàðèåì ñ îáúÿñíåíèåì îòñóòñòâóþùèõ â àíãëî-ðóññêîì ñëîâàðå Ìþëëåðà ðåàëèé,íåêîòîðûõ èìåí è èñòîðè÷åñêèõ äàò,à òàêæå ïåðåâîäîì îñîáî òðóäíûõ äëÿ ïîíèìàíèÿ àíãëèéñêèõ ïðåäëîæåíèé.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ ïðåäíàçíà÷åíî äëÿ îçíàêîìëåíèÿ ñòóäåíòîâ ñ ïðîäâèíóòûì çíàíèåì àíãëèéñêîãî ÿçûêà ñ ïðîèçâåäåíèÿìè àíãëèéñêèõ è àìåðèêàíñêèõ ïîýòîâ.

Àííîòàöèÿ: John Reed conveys, with the immediacy of cinema, the impression of a whole nation in ferment and disintegration. A contemporary journalist writing in the first flush of revolutionary enthusiasm, he gives us a record of the events in Petrograd in November 1917, when Lenin and the Bolsheviks finally siezed power. Containing verbatim reports both of speeches by leaders and the chance comments of bystanders set against an idealized backcloth of the proletariat soldiers, sailors, and peasants uniting to throw off oppression, Reed's account is the product of passionate involvement.

Àííîòàöèÿ: Today, more than half a century after John Reed's death, his writings still retain their freshness. His name and his work wii be remembered by the peoples of many nations in their long struggle for human freedom.

Àííîòàöèÿ: iez días que estremecieron el mundo (Ten Days that Shook the World, en inglés) es una obra publicada por John Reed en 1919 que narra los acontecimientos de la Revolución soviética de Octubre casi en clave de reportaje. Se citan las decisiones de los comisarios, los procederes de los miembros del ejército revolucionario, etc. en un estilo «panorámico», tratando de abarcar el mayor número posible de personajes de la Revolución rusa.

Àííîòàöèÿ: Ðèä íèêîãäà íå èñêàë ïðîòîðåííûõ, ëåãêèõ äîðîã. Âûõîäåö èç ñîñòîÿòåëüíîé ñåìüè, îí ñòàë êîììóíèñòîì. Ïî åãî ïóòè ïîøëè ïîòîì Ëèíêîëüí Ñòåôôåíñ, Òåîäîð Äðàéçåð, Óèëüÿì Äþáóà. Íå íóæíî áûòü ïðîâèäöåì, ÷òîáû ðàçãëÿäåòü â ñóäüáå Ðèäà ïðîðî÷åñêèé ïðèìåð äëÿ áóäóùèõ ìàñòåðîâ êóëüòóðû Çàïàäà.  èçâå÷íîì ñïîðå î òîì, êàêîâî íàçíà÷åíèå ïèñàòåëÿ, êàê ñîîòíîñÿòñÿ õóäîæåñòâåííîñòü è èäåéíîñòü, ïðîïàãàíäà è èñêóññòâî, Äæîí Ðèä âûñêàçàëñÿ ñàìîé ñâîåé æèçíüþ. Ó íåãî áóäóò ó÷èòüñÿ ìàñòåðñòâó ðåïîðòàæà, î÷åðêà, ïóáëèöèñòèêè. Íî ñâîåé ñóäüáîé îí âñåãäà áóäåò íàïîìèíàòü, ÷òî ïèñàòåëü äîëæåí áûòü ãðàæäàíèíîì, ïðàâäîèñêàòåëåì è ñûíîì ñâîåãî âðåìåíè.  êíèãó âîøëè ëó÷øèå ñòàòüè Ðèäà.

Àííîòàöèÿ: Ñáîðíèê èçáðàííûõ ïðîèçâåäåíèé îäíîãî èç îñíîâàòåëåé Êîììóíèñòè÷åñêîé ïàðòèè ÑØÀ, ïèñàòåëÿ è ïóáëèöèñòà Äæîíà Ðèäà (1887—1920).

Àííîòàöèÿ: John Reed conveys, with the immediacy of cinema, the impression of a whole nation in ferment and disintegration. A contemporary journalist writing in the first flush of revolutionary enthusiasm, he gives us a record of the events in Petrograd in November 1917, when Lenin and the Bolsheviks finally siezed power. Containing verbatim reports both of speeches by leaders and the chance comments of bystanders set against an idealized backcloth of the proletariat soldiers, sailors, and peasants uniting to throw off oppression, Reed's account is the product of passionate involvement.