Äåòàëüíàÿ èíôîðìàöèÿ îá èçäàíèè

Àâòîð:

Çàãëàâèå:

Ten Days That Shook the World

Òèï íîñèòåëÿ:

Îäíîòîìíèê.

Ìåñòî èçäàíèÿ:

New York

Èçäàòåëüñòâî:

International publishers

Ãîä èçäàíèÿ:

1926

Îáúåì:

371 p.

Àííîòàöèÿ:

John Reed conveys, with the immediacy of cinema, the impression of a whole nation in ferment and disintegration. A contemporary journalist writing in the first flush of revolutionary enthusiasm, he gives us a record of the events in Petrograd in November 1917, when Lenin and the Bolsheviks finally siezed power. Containing verbatim reports both of speeches by leaders and the chance comments of bystanders set against an idealized backcloth of the proletariat soldiers, sailors, and peasants uniting to throw off oppression, Reed’s account is the product of passionate involvement.

ßçûê:

Àíãëèéñêèé

ÁÁÊ:

Ðàçìåðû èçäàíèÿ:

20 cì.

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