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Dante, La divina commedia — 2019 (Italiano. Lettura classica)

Congedatosi da Virgilio alle soglie del Paradiso terrestre, Dante intraprende con Beatrice, I'amore terreno della sua gioventu ora simbolo dell'amore divino e della teologia, I'ascesa attraverso i nove cieli del Paradiso celeste fino all'Empireo, dove il suo viaggio spirituale si concludera con la visione di Dio, "L'amor che move il sole e I'altre stelle".

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Aciman A., Twitterature. The World's Greatest Books. Retold Through Twitter — 2009

Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

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Çàðóáåæíàÿ ïîýçèÿ â ïåðåâîäàõ Âàëåðèÿ Áðþñîâà. [ñá. ñòèõîâ ñ ïàðàë. òåêñòàìè íà ÿç. îðèã. — 1994

 èçäàíèè ðàçíîñòîðîííå ïðåäñòàâëåíà ïåðåâîä÷åñêàÿ äåÿòåëüíîñòü Âàëåðèÿ Áðþñîâà, îäíîãî èç êðóïíåéøèõ ïðàêòèêîâ è òåîðåòèêîâ ïîýòè÷åñêîãî ïåðåâîäà â íàøåé ñòðàíå. Îíî âêëþ÷àåò ïåðåâîäû Áðþñîâà èç äðåâíåðèìñêîé (Âåðãèëèé, Ãîðàöèé, Êàòóëë), èòàëüÿíñêîé (Äàíòå, Ïåòðàðêà), ôðàíêîÿçû÷íîé (Ðàñèí, Ãþãî, Áîäëåð, Âåðëåí, Âåðõàðí), àíãëîÿçû÷íîé (Øåêñïèð, Áàéðîí, Óàéëä, Ïî), íåìåöêîé (Ãåòå, Øèëëåð), ïîëüñêîé (Ìèöêåâè÷) ïîýçèè. Ìíîãèå ïåðåâîäû, õðàíèâøèåñÿ â àðõèâå Áðþñîâà, ïóáëèêóþòñÿ âïåðâûå.

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Alighieri D., La Divina Commedia. Paradiso — 2010

Congedatosi da Virgilio alle soglie del Paradiso terrestre, Dante intraprende con Beatrice, I'amore terreno della sua gioventu ora simbolo dell'amore divino e della teologia, I'ascesa attraverso i nove cieli del Paradiso celeste fino all'Empireo, dove il suo viaggio spirituale si concludera con la visione di Dio, "L'amor che move il sole e I'altre stelle".

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Dante, The Inferno — 1998

Translated by H.F. Cary With an Introduction by Claire Honess. Dante Alighieri (1265-1321) is one of the most important and innovative figures of the European Middle Ages. Writing his Comedy (the epithet 'Divine' was added by later admirers) in exile from his native Florence, he aimed to address a world gone astray both morally and politically. At the same time, he sought to push back the restrictive rules which traditionally governed writing in the Italian vernacular, to produce a radically new and all-encompassing work. The Comedy tells the story of the journey of a character who is at one and the same time both Dante himself and Everyman. In the Inferno, Dante's protagonist - and his reader - is presented with a graphic vision of the dreadful consequences of sin, and encounters an all-too-human array of noble, grotesque, beguiling, ridiculous and horrific characters.

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Antologia della letteratura Italiana: XII-XIX ss. — cop. 2006 (Ëèòåðàòóðà íà èíîñòðàííûõ ÿçûêàõ) (Àóäèîêíèãà)

Àíòîëîãèÿ èòàëüÿíñêîé ëèòåðàòóðû ÕII-ÕIÕ ââ.; ×èòàþò Àóðåëèî Ìîíòèíäæåëëè è Âåðîíèêà Ìàðåê

Ñîäåðæàíèå: Il Cantico della Creature / San Francesco d'Assisi. S'i' fosse... / Cecco Angiolieri. Tanto gentile e tanto onesta... / Dante Alighieri. Dalla "Commedia": Paolo e Francesca / Dante Alighieri. Il Canzoniere / Francesco Petrarca. Chiare, fresch e dolci acque... / Francesco Petrarca. Il Decamerone / Govanni Boccaccio. La novella di Chichibio / Govanni Boccaccio. La Gioconda / Torquato Tasso. Come la violetta / Gabriello Chiabrera. La locandiera / Carlo Goldoni. Il sacrificio della patria / Ugo Foscolo. Il cinque maggio / Alessandro Manzoni. I promessi sposi: Don Abbondio rende vano it tentativo di Renzo di sposare Lusia per sorpresa / Alessandro Manzoni. I promessi sposi: Una madre nella peste di Milano / Alessandro Manzoni. Il brindisi di Girella / Giuseppe Giusti. L'infinito / Giacomo Leopardi. A Silvia / Giacomo Leopardi. Il signor Conte di Fratta / Ippolito Nievo. Storie allegre / Carlo Collodi. San Martino / Giosue Carducci. Pianto antico / Giosue Carducci

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Dante.Chaucer. Great Books V.19

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Dante A., The Divine Comedy — 2008 (Oxford World s Classics)

The second volume of Oxford's new Divine Comedy presents the Italian text of the Purgatorio and, on facing pages, a new prose translation. Continuing the story of the poet's journey through the medieval Other World under the guidance of the Roman poet Virgil, the Purgatorio culminates in the regaining of the Garden of Eden and the reunion there with the poet's long-lost love Beatrice. This new edition of the Italian text takes recent critical editions into account, and Durling's prose translation, like that of the Inferno, is unprecedented in its accuracy, eloquence, and closeness to Dante's syntax. Martinez' and Durling's notes are designed for the first-time reader of the poem but include a wealth of new material unavailable elsewhere. The extensive notes on each canto include innovative sections sketching the close relation to passages--often similarly numbered cantos--in the Inferno. Fifteen short essays explore special topics and controversial issues, including Dante's debts to Virgil and Ovid, his radical political views, his original conceptions of homosexuality, of moral growth, and of eschatology. As in the Inferno, there is an extensive bibliography and four useful indexes. Robert Turner's illustrations include maps, diagrams of Purgatory and the cosmos, and line drawings of objects and places mentioned in the poem.

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