Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: "Chu Ci" (Chu Songs) is the first collection of romantic poetry in China and a unique poetic genre of the Chu state during the Warring States period, which laid the foundation for the parallel development of realism and romanticism in ancient Chinese poetry. Seventeen works have survived to this day. The collection is based on the works of Qu Yuan, in which the genre features and spiritual essence of Chu songs are concentrated. Qu Yuan was born in Danyang, Zigui, Chu state (modern Yichang, Hubei Province). He is a great patriotic poet in Chinese history and the founder of Chinese romantic literature. The appearance of Qu Yuan's works marked the entry of Chinese poetry into a new era — the transition from court odes "Da Ya" to romantic individual creativity. The Hubei Provincial Library possesses a phototype edition from the woodblock print by Lin Yunan of the 28th year of the Wanli reign of the Ming Dynasty (1600), printed in two colors (red and black ink). This edition is included in the "Catalogue of Precious Ancient Books of National Significance." It is distinguished by high-quality engraving and a clear separation of red and black colors, preserves classical commentaries and the typographic style of the Ming era, and possesses the highest artistic value of woodblock printing and value for textual verification.«×óñêèå ñòðîôû» — ýòî ïåðâûé â Êèòàå ñáîðíèê ðîìàíòè÷åñêîé ïîýçèè, à òàêæå óíèêàëüíûé ïîýòè÷åñêèé æàíð öàðñòâà ×ó ïåðèîäà Ñðàæàþùèõñÿ öàðñòâ, êîòîðûé çàëîæèë îñíîâó äëÿ ïàðàëëåëüíîãî ðàçâèòèÿ ðåàëèçìà è ðîìàíòèçìà â äðåâíåêèòàéñêîé ïîýçèè. Äî íàøèõ äíåé äîøëî 17 ïðîèçâåäåíèé. Îñíîâó ñáîðíèêà ñîñòàâëÿþò ïðîèçâåäåíèÿ Öþé Þàíÿ, â êîòîðûõ êîíöåíòðèðîâàííî ïðîÿâëÿþòñÿ æàíðîâûå îñîáåííîñòè è äóõîâíàÿ ñóòü ÷óñêèõ ñòðîô. Öþé Þàíü ðîäèëñÿ â Äàíüÿíå, Öçûãóé, öàðñòâî ×ó (ñîâðåìåííûé ãîðîä È÷àí, ïðîâèíöèÿ Õóáýé). Îí âåëèêèé ïîýò-ïàòðèîò â èñòîðèè Êèòàÿ è îñíîâîïîëîæíèê êèòàéñêîé ðîìàíòè÷åñêîé ëèòåðàòóðû. Ïîÿâëåíèå ïðîèçâåäåíèé Öþé Þàíÿ îçíàìåíîâàëî âñòóïëåíèå êèòàéñêîé ïîýçèè â íîâóþ ýïîõó — ïåðåõîä îò ïðèäâîðíûõ îä «Äà ÿ» ê ðîìàíòè÷åñêîìó èíäèâèäóàëüíîìó òâîð÷åñòâó. Áèáëèîòåêà ïðîâèíöèè Õóáýé ðàñïîëàãàåò ôîòîòèïè÷åñêèì èçäàíèåì ñ êñèëîãðàôà Ëèíü Þéíàíÿ 28-ãî ãîäà ïðàâëåíèÿ Âàíüëè äèíàñòèè Ìèí (1600 ã.), íàïå÷àòàííûì â äâå êðàñêè (êðàñíîé è ÷åðíîé òóøüþ). Ýòî èçäàíèå âêëþ÷åíî â «Êàòàëîã öåííûõ ñòàðèííûõ êíèã íàöèîíàëüíîãî çíà÷åíèÿ». Îíî îòëè÷àåòñÿ âûñîêèì êà÷åñòâîì ãðàâèðîâêè è ÷åòêèì ðàçäåëåíèåì êðàñíîãî è ÷åðíîãî öâåòîâ, ñîõðàíÿåò êëàññè÷åñêèå êîììåíòàðèè è òèïîãðàôñêèé ñòèëü ýïîõè Ìèí, îáëàäàÿ ïðè ýòîì âûñî÷àéøåé õóäîæåñòâåííîé öåííîñòüþ êñèëîãðàôèè è öåííîñòüþ äëÿ òåêñòîëîãè÷åñêîé ñâåðêè».

Àííîòàöèÿ: "Chu Ci" (Chu Songs) is the first collection of romantic poetry in China and a unique poetic genre of the Chu state during the Warring States period, which laid the foundation for the parallel development of realism and romanticism in ancient Chinese poetry. Seventeen works have survived to this day. The collection is based on the works of Qu Yuan, in which the genre features and spiritual essence of Chu songs are concentrated. Qu Yuan was born in Danyang, Zigui, Chu state (modern Yichang, Hubei Province). He is a great patriotic poet in Chinese history and the founder of Chinese romantic literature. The appearance of Qu Yuan's works marked the entry of Chinese poetry into a new era — the transition from court odes "Da Ya" to romantic individual creativity. The Hubei Provincial Library possesses a phototype edition from the woodblock print by Lin Yunan of the 28th year of the Wanli reign of the Ming Dynasty (1600), printed in two colors (red and black ink). This edition is included in the "Catalogue of Precious Ancient Books of National Significance." It is distinguished by high-quality engraving and a clear separation of red and black colors, preserves classical commentaries and the typographic style of the Ming era, and possesses the highest artistic value of woodblock printing and value for textual verification.«×óñêèå ñòðîôû» — ýòî ïåðâûé â Êèòàå ñáîðíèê ðîìàíòè÷åñêîé ïîýçèè, à òàêæå óíèêàëüíûé ïîýòè÷åñêèé æàíð öàðñòâà ×ó ïåðèîäà Ñðàæàþùèõñÿ öàðñòâ, êîòîðûé çàëîæèë îñíîâó äëÿ ïàðàëëåëüíîãî ðàçâèòèÿ ðåàëèçìà è ðîìàíòèçìà â äðåâíåêèòàéñêîé ïîýçèè. Äî íàøèõ äíåé äîøëî 17 ïðîèçâåäåíèé. Îñíîâó ñáîðíèêà ñîñòàâëÿþò ïðîèçâåäåíèÿ Öþé Þàíÿ, â êîòîðûõ êîíöåíòðèðîâàííî ïðîÿâëÿþòñÿ æàíðîâûå îñîáåííîñòè è äóõîâíàÿ ñóòü ÷óñêèõ ñòðîô. Öþé Þàíü ðîäèëñÿ â Äàíüÿíå, Öçûãóé, öàðñòâî ×ó (ñîâðåìåííûé ãîðîä È÷àí, ïðîâèíöèÿ Õóáýé). Îí âåëèêèé ïîýò-ïàòðèîò â èñòîðèè Êèòàÿ è îñíîâîïîëîæíèê êèòàéñêîé ðîìàíòè÷åñêîé ëèòåðàòóðû. Ïîÿâëåíèå ïðîèçâåäåíèé Öþé Þàíÿ îçíàìåíîâàëî âñòóïëåíèå êèòàéñêîé ïîýçèè â íîâóþ ýïîõó — ïåðåõîä îò ïðèäâîðíûõ îä «Äà ÿ» ê ðîìàíòè÷åñêîìó èíäèâèäóàëüíîìó òâîð÷åñòâó. Áèáëèîòåêà ïðîâèíöèè Õóáýé ðàñïîëàãàåò ôîòîòèïè÷åñêèì èçäàíèåì ñ êñèëîãðàôà Ëèíü Þéíàíÿ 28-ãî ãîäà ïðàâëåíèÿ Âàíüëè äèíàñòèè Ìèí (1600 ã.), íàïå÷àòàííûì â äâå êðàñêè (êðàñíîé è ÷åðíîé òóøüþ). Ýòî èçäàíèå âêëþ÷åíî â «Êàòàëîã öåííûõ ñòàðèííûõ êíèã íàöèîíàëüíîãî çíà÷åíèÿ». Îíî îòëè÷àåòñÿ âûñîêèì êà÷åñòâîì ãðàâèðîâêè è ÷åòêèì ðàçäåëåíèåì êðàñíîãî è ÷åðíîãî öâåòîâ, ñîõðàíÿåò êëàññè÷åñêèå êîììåíòàðèè è òèïîãðàôñêèé ñòèëü ýïîõè Ìèí, îáëàäàÿ ïðè ýòîì âûñî÷àéøåé õóäîæåñòâåííîé öåííîñòüþ êñèëîãðàôèè è öåííîñòüþ äëÿ òåêñòîëîãè÷åñêîé ñâåðêè».

Àííîòàöèÿ: "Chu Ci" (Chu Songs) is the first collection of romantic poetry in China and a unique poetic genre of the Chu state during the Warring States period, which laid the foundation for the parallel development of realism and romanticism in ancient Chinese poetry. Seventeen works have survived to this day. The collection is based on the works of Qu Yuan, in which the genre features and spiritual essence of Chu songs are concentrated. Qu Yuan was born in Danyang, Zigui, Chu state (modern Yichang, Hubei Province). He is a great patriotic poet in Chinese history and the founder of Chinese romantic literature. The appearance of Qu Yuan's works marked the entry of Chinese poetry into a new era — the transition from court odes "Da Ya" to romantic individual creativity. The Hubei Provincial Library possesses a phototype edition from the woodblock print by Lin Yunan of the 28th year of the Wanli reign of the Ming Dynasty (1600), printed in two colors (red and black ink). This edition is included in the "Catalogue of Precious Ancient Books of National Significance." It is distinguished by high-quality engraving and a clear separation of red and black colors, preserves classical commentaries and the typographic style of the Ming era, and possesses the highest artistic value of woodblock printing and value for textual verification.«×óñêèå ñòðîôû» — ýòî ïåðâûé â Êèòàå ñáîðíèê ðîìàíòè÷åñêîé ïîýçèè, à òàêæå óíèêàëüíûé ïîýòè÷åñêèé æàíð öàðñòâà ×ó ïåðèîäà Ñðàæàþùèõñÿ öàðñòâ, êîòîðûé çàëîæèë îñíîâó äëÿ ïàðàëëåëüíîãî ðàçâèòèÿ ðåàëèçìà è ðîìàíòèçìà â äðåâíåêèòàéñêîé ïîýçèè. Äî íàøèõ äíåé äîøëî 17 ïðîèçâåäåíèé. Îñíîâó ñáîðíèêà ñîñòàâëÿþò ïðîèçâåäåíèÿ Öþé Þàíÿ, â êîòîðûõ êîíöåíòðèðîâàííî ïðîÿâëÿþòñÿ æàíðîâûå îñîáåííîñòè è äóõîâíàÿ ñóòü ÷óñêèõ ñòðîô. Öþé Þàíü ðîäèëñÿ â Äàíüÿíå, Öçûãóé, öàðñòâî ×ó (ñîâðåìåííûé ãîðîä È÷àí, ïðîâèíöèÿ Õóáýé). Îí âåëèêèé ïîýò-ïàòðèîò â èñòîðèè Êèòàÿ è îñíîâîïîëîæíèê êèòàéñêîé ðîìàíòè÷åñêîé ëèòåðàòóðû. Ïîÿâëåíèå ïðîèçâåäåíèé Öþé Þàíÿ îçíàìåíîâàëî âñòóïëåíèå êèòàéñêîé ïîýçèè â íîâóþ ýïîõó — ïåðåõîä îò ïðèäâîðíûõ îä «Äà ÿ» ê ðîìàíòè÷åñêîìó èíäèâèäóàëüíîìó òâîð÷åñòâó. Áèáëèîòåêà ïðîâèíöèè Õóáýé ðàñïîëàãàåò ôîòîòèïè÷åñêèì èçäàíèåì ñ êñèëîãðàôà Ëèíü Þéíàíÿ 28-ãî ãîäà ïðàâëåíèÿ Âàíüëè äèíàñòèè Ìèí (1600 ã.), íàïå÷àòàííûì â äâå êðàñêè (êðàñíîé è ÷åðíîé òóøüþ). Ýòî èçäàíèå âêëþ÷åíî â «Êàòàëîã öåííûõ ñòàðèííûõ êíèã íàöèîíàëüíîãî çíà÷åíèÿ». Îíî îòëè÷àåòñÿ âûñîêèì êà÷åñòâîì ãðàâèðîâêè è ÷åòêèì ðàçäåëåíèåì êðàñíîãî è ÷åðíîãî öâåòîâ, ñîõðàíÿåò êëàññè÷åñêèå êîììåíòàðèè è òèïîãðàôñêèé ñòèëü ýïîõè Ìèí, îáëàäàÿ ïðè ýòîì âûñî÷àéøåé õóäîæåñòâåííîé öåííîñòüþ êñèëîãðàôèè è öåííîñòüþ äëÿ òåêñòîëîãè÷åñêîé ñâåðêè».

Àííîòàöèÿ: "Chu Ci" (Chu Songs) is the first collection of romantic poetry in China and a unique poetic genre of the Chu state during the Warring States period, which laid the foundation for the parallel development of realism and romanticism in ancient Chinese poetry. Seventeen works have survived to this day. The collection is based on the works of Qu Yuan, in which the genre features and spiritual essence of Chu songs are concentrated. Qu Yuan was born in Danyang, Zigui, Chu state (modern Yichang, Hubei Province). He is a great patriotic poet in Chinese history and the founder of Chinese romantic literature. The appearance of Qu Yuan's works marked the entry of Chinese poetry into a new era — the transition from court odes "Da Ya" to romantic individual creativity. The Hubei Provincial Library possesses a phototype edition from the woodblock print by Lin Yunan of the 28th year of the Wanli reign of the Ming Dynasty (1600), printed in two colors (red and black ink). This edition is included in the "Catalogue of Precious Ancient Books of National Significance." It is distinguished by high-quality engraving and a clear separation of red and black colors, preserves classical commentaries and the typographic style of the Ming era, and possesses the highest artistic value of woodblock printing and value for textual verification.«×óñêèå ñòðîôû» — ýòî ïåðâûé â Êèòàå ñáîðíèê ðîìàíòè÷åñêîé ïîýçèè, à òàêæå óíèêàëüíûé ïîýòè÷åñêèé æàíð öàðñòâà ×ó ïåðèîäà Ñðàæàþùèõñÿ öàðñòâ, êîòîðûé çàëîæèë îñíîâó äëÿ ïàðàëëåëüíîãî ðàçâèòèÿ ðåàëèçìà è ðîìàíòèçìà â äðåâíåêèòàéñêîé ïîýçèè. Äî íàøèõ äíåé äîøëî 17 ïðîèçâåäåíèé. Îñíîâó ñáîðíèêà ñîñòàâëÿþò ïðîèçâåäåíèÿ Öþé Þàíÿ, â êîòîðûõ êîíöåíòðèðîâàííî ïðîÿâëÿþòñÿ æàíðîâûå îñîáåííîñòè è äóõîâíàÿ ñóòü ÷óñêèõ ñòðîô. Öþé Þàíü ðîäèëñÿ â Äàíüÿíå, Öçûãóé, öàðñòâî ×ó (ñîâðåìåííûé ãîðîä È÷àí, ïðîâèíöèÿ Õóáýé). Îí âåëèêèé ïîýò-ïàòðèîò â èñòîðèè Êèòàÿ è îñíîâîïîëîæíèê êèòàéñêîé ðîìàíòè÷åñêîé ëèòåðàòóðû. Ïîÿâëåíèå ïðîèçâåäåíèé Öþé Þàíÿ îçíàìåíîâàëî âñòóïëåíèå êèòàéñêîé ïîýçèè â íîâóþ ýïîõó — ïåðåõîä îò ïðèäâîðíûõ îä «Äà ÿ» ê ðîìàíòè÷åñêîìó èíäèâèäóàëüíîìó òâîð÷åñòâó. Áèáëèîòåêà ïðîâèíöèè Õóáýé ðàñïîëàãàåò ôîòîòèïè÷åñêèì èçäàíèåì ñ êñèëîãðàôà Ëèíü Þéíàíÿ 28-ãî ãîäà ïðàâëåíèÿ Âàíüëè äèíàñòèè Ìèí (1600 ã.), íàïå÷àòàííûì â äâå êðàñêè (êðàñíîé è ÷åðíîé òóøüþ). Ýòî èçäàíèå âêëþ÷åíî â «Êàòàëîã öåííûõ ñòàðèííûõ êíèã íàöèîíàëüíîãî çíà÷åíèÿ». Îíî îòëè÷àåòñÿ âûñîêèì êà÷åñòâîì ãðàâèðîâêè è ÷åòêèì ðàçäåëåíèåì êðàñíîãî è ÷åðíîãî öâåòîâ, ñîõðàíÿåò êëàññè÷åñêèå êîììåíòàðèè è òèïîãðàôñêèé ñòèëü ýïîõè Ìèí, îáëàäàÿ ïðè ýòîì âûñî÷àéøåé õóäîæåñòâåííîé öåííîñòüþ êñèëîãðàôèè è öåííîñòüþ äëÿ òåêñòîëîãè÷åñêîé ñâåðêè».

Àííîòàöèÿ: This richly illustrated book explores the production, trade, and consumption of ceramics in Hangzhou during the Song dynasty. The two famous imperial kilns — Xiuneisi and Jiaotanxia — along with the Tianmu kiln, reflect the flourishing of ceramic production. As a major consumer centre, Hangzhou gathered exquisite wares from northern and southern workshops, as well as from Goryeo (Korea). Through the story of ceramics, the author immerses readers in the vibrant life of ancient Hangzhou and reveals the place of porcelain in the 'Song Yun' culture (the spirit of the Song era).Êíèãà â ÿðêîé èëëþñòðèðîâàííîé ôîðìå ïîêàçûâàåò ïðîèçâîäñòâî, òîðãîâëþ è áûòîâàíèå êåðàìèêè â Õàí÷æîó â ýïîõó Ñóí. Äâà çíàìåíèòûõ èìïåðàòîðñêèõ ôàðôîðîâûõ çàâîäà — Ñþíýéñû è Öçÿîòàíüñÿ — à òàêæå Òÿíüìóñêèé çàâîä îòðàæàþò ðàñöâåò êåðàìè÷åñêîãî ïðîèçâîäñòâà. Êàê êðóïíûé ïîòðåáèòåëüñêèé öåíòð, Õàí÷æîó ñîáèðàë èçûñêàííûå èçäåëèÿ êàê ñåâåðíûõ è þæíûõ ìàñòåðñêèõ, òàê è èç Êîð¸ (Êîðåè). ×åðåç èñòîðèþ êåðàìèêè àâòîð ïîãðóæàåò ÷èòàòåëÿ â àòìîñôåðó æèçíè äðåâíåãî Õàí÷æîó è ïîêàçûâàåò ìåñòî ôàðôîðà â êóëüòóðå "Ñóí Þíü" (äóõ ýïîõè Ñóí).