Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ðóññêîå èçäàíèå "Ëèðè÷åñêèõ áàëëàä è äðóãèõ ñòèõîòâîðåíèé" âûäàþùèõñÿ àíãëèéñêèõ ïîýòîâ êîíöà XVII - íà÷àëà XIX Â., ïðåäñòàâèòåëåé "Îçåðíîé øêîëû" Ó. Âîðäñâîðòà è Ñ.Ò. Êîëüðèäæà èìååò èñêëþ÷èòåëüíîå õóäîæåñòâåííîå è íàó÷íîå çíà÷åíèå. Êíèãà ýòà, ïåðâàÿ ðåäàêöèÿ êîòîðîé âûøëà â 1798 ã., - îäèí èç ñàìûõ ðàííèõ ïàìÿòíèêîâ åâðîïåéñêîãî ðîìàíòèçìà, îíà âûäåðæàëà äåñÿòêè èçäàíèé â òå÷åíèå äâóõ ïîñëåäóþùèõ ñòîëåòèé.Ïðåäëàãàåìûé ïîëíûé ðóññêèé ïåðåâîä îñóùåñòâëåí ñ îðèãèíàëà ðåäàêöèè 1798 ã. Ýòî âåñüìà âàæíî, òàê êàê ïîçäíåéøèå ïðèæèçíåííûå ñîáðàíèÿ áàëëàä ïîäâåðãàëèñü ïîðîé ñóùåñòâåííîé ïåðåðàáîòêå åå àâòîðàìè è äàæå çàìåíå îäíèõ ïðîèçâåäåíèé äðóãèìè.Ïåðåâîä ïðîèçâåäåíèé Ó. Âîðäñâîðòà è Ñ.Ò. Êîëüðèäæà ñäåëàí èçâåñòíûì ìîñêîâñêèì ïîýòîì Èãîðåì Ìåëàìåäîì. Áîëüøèíñòâî ýòèõ ïðîèçâåäåíèé ïåðåâåäåíû íà ðóññêèé ÿçûê âïåðâûå.   êëàññè÷åñêèå ïåðåâîäû îòäåëüíûõ áàëëàä, âûïîëíåííûå ïî èõ êàíîíè÷åñêèì ðåäàêöèÿì òàêèìè ìàñòåðàìè ðóññêîãî õóäîæåñòâåííîãî ïåðåâîäà XIX-XX ââ., êàê È. Êîçëîâ, Ä. Ìèí, Í. Ãóìèëåâ, Ì. Ëîçèíñêèé, Ì. Ôðîëîâñêèé, Â. Ëåâè ê, Þ. Äàíèýëü, Â. Ðîãîâ, À. Êàðåëüñêèé, À. Ñåðãååâ.

Àííîòàöèÿ: Although many excellent collections of short stories for high schools are already available, there seems still to be a place for a book of selected stories that will provide a definite plan for the study of the short story as a type of literature. The introductory chapters offer a text for studying the development of the short story and its present form. Part I, the bulk of the text, contains modern short stories for study. Each story is equipped with (1) an introduction containing necessary information about the author and his work; (2) a set of general questions designed rather to help the student learn than to test his learning; and (3) a problem developing some particular aspect of the short-story form.

Àííîòàöèÿ: Ýäãàð Àëëàí Ïî - êëàññèê àìåðèêàíñêîé ëèòåðàòóðû, ïîýò, ïðîçàèê, êðèòèê.  äàííûé ñáîðíèê âîøëè åãî ëó÷øèå ðàññêàçû - òðàãè÷åñêèå, ôàíòàñòè÷åñêèå, þìîðèñòè÷åñêèå è, êîíå÷íî, "Çîëîòîé æóê" è "Óáèéñòâî íà óëèöå Ìîðã" - ïåðâûå øåäåâðû äåòåêòèâíîé ëèòåðàòóðû. Îðèãèíàëüíûé òåêñò ñíàáæåí ïîñòðàíè÷íûìè êîììåíòàðèÿìè è ñëîâàðåì.

Àííîòàöèÿ: Èñòîðèÿ ðàññëåäîâàíèÿ òàèíñòâåííîãî è æåñòîêîãî ïðåñòóïëåíèÿ îò îäíîãî èç ñîçäàòåëåé äåòåêòèâíîãî æàíðà, ïèñàòåëÿ-çàãàäêè Ýäãàðà Àëëàíà Ïî àäàïòèðîâàíà ïî ìåòîäó îáó÷àþùåãî ÷òåíèÿ Èëüè Ôðàíêà: ñíàáæåíà äîñëîâíûì ïåðåâîäîì íà ðóññêèé ÿçûê è íåîáõîäèìûì ëåêñèêî-ãðàììàòè÷åñêèì êîììåíòàðèåì (áåç óïðîùåíèÿ òåêñòà îðèãèíàëà).Óíèêàëüíîñòü ìåòîäà çàêëþ÷àåòñÿ â òîì, ÷òî çàïîìèíàíèå ñëîâ è âûðàæåíèé ïðîèñõîäèò çà ñ÷åò èõ ïîâòîðÿåìîñòè, áåç çàó÷èâàíèÿ è íåîáõîäèìîñòè èñïîëüçîâàòü ñëîâàðü

Àííîòàöèÿ: Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Àííîòàöèÿ: This collection of Poe's work includes Tales of Mystery and Imagination, Tales of the Grotesque and Arabesque, and a selection of his best loved poems. It is beautifully illustrated throughout by Henry Clarke, Aubrey Beardsley, Fernand Simeon, Gustave Dore, Sir John Tenniel and Edouard Manet

Àííîòàöèÿ: Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Àííîòàöèÿ: Edgar Allan Poe's Gothic tales have established themselves as classics of horror fiction, and as the inventor of the modern mystery, Poe created many of the conventions which still dominate the genre of detective fiction. Attentive to the historical and political dimensions of these very American tales, this new selection of twenty-four tales places the most popular - "The Fall of the House of Usher", "The Masque of the Red Death", "The Murders in the Rue Morgue", and "The Purloined Letter" - alongside less well-known travel narratives, metaphysical essays, and political satires. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date.

Àííîòàöèÿ: The human mind is dark, bottomless pit, and sometimes it works in strange and frightening ways. That sound in the night... is it a door banging in the wind, or a murdered man knocking inside his coffin? The face in the mirror... is it yours, or the face of someone standing behind you, who is never there when you turn round? These famous short stories by Edgar Allan Poe, that master of horror, explore the dark world of the imagination, where the dead live and speak, where fear lies in every shadow of the mind...

Àííîòàöèÿ: This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included.These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.

Àííîòàöèÿ: A brilliant, far-reaching collection of stories from Washington Irving to John Updike. The Classic Stories Edgar Allan Poe—s Ms. Found in a Bottle, Bret Harte—s The Outcasts of Poker Flat, Sherwood Anderson—s Death in the Woods, Stephen Vincent Ben™t—s By the Waters of Babylon The Great Writers Melville, James, Dreiser, Faulkner, Hemingway, Steinbeck, McCullers The Little-Known Masterpieces Edith Wharton—s The Dilettante, Finley Peter Dunne—s Mr. Dooley on the Popularity of Fireman, Charles M. Flandrau—s A Dead Issue, James Reid Parker—s The Archimandrite's Niece

Àííîòàöèÿ: This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M. R. James, alongside that of anonymous authors from Britain to America. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.

Àííîòàöèÿ: This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on. Within these pages you will find G.K. Chesterton's Mr. Pond, Ernest Bramah's blind detective, Max Carrados, Craifg Kennedy, 'the American Sherlock Holmes' and further tales by Charles Dickens, Wilkie Collins, Rudyard Kipling and A.C. Doyle.

Àííîòàöèÿ: The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Àííîòàöèÿ: ...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

Àííîòàöèÿ: Ñåðèÿ ñîñòîèò èç ëó÷øèõ ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ àâòîðîâ. Òåêñòû êíèã íå àäàïòèðîâàíû è íå ñîêðàùåíû, ïîýòîìó Âû ñìîæåòå íàñëàäèòüñÿ íàñòîÿùèì ÿçûêîì âåëèêèõ ïèñàòåëåé - ìÿãêèì þìîðîì Ìàðêà Òâåíà, ôàíòàçèåé Ðåäüÿðäà Êèïëèíãà, îñòðîóìèåì Áåðíàðäà Øîó, áåçóêîðèçíåííûì ñòèëåì Ýäãàðà Ïî è ìíîãèì äðóãèì. Ñåðèÿ ïðåäíàçíà÷åíà äëÿ òåõ, êòî õî÷åò äåéñòâèòåëüíî çíàòü ýòîò êðàñèâûé è ìíîãîãðàííûé ÿçûê.

Àííîòàöèÿ: Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ, Äæåðîì Ê. Äæåðîì, Àðòóð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Àííîòàöèÿ: Âíèìàíèþ ÷èòàòåëåé ïðåäëàãàåòñÿ ïîëíûé, íåàäàïòèðîâàííûé òåêñò äâàäöàòè èçáðàííûõ ðàññêàçîâ èçâåñòíûõ àìåðèêàíñêèõ ïèñàòåëåé. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è ñîâåðøåíñòâóþùèõ ñâîè íàâûêè â íåì.

Àííîòàöèÿ: Featuring 19 of the finest works in the American short-story tradition, this compilation includes: The Tell-Tale Heart by Edgar Allan Poe, Bartleby by Herman Melville, To Build a Fire by Jack London, Bernice Bobs Her Hair by F. Scott Fitzgerald, The Killers by Ernest Hemingway, plus stories by Hawthorne, Twain, Cather, and others

Àííîòàöèÿ: This collection of Poe's best stories contains all the terryfying and bewildering tales that characterize his work.Ìèñòè÷åñêèé ñáîðíèê Ýäãàðà Àëëàíà Ïî "Ðàññêàçû òàéíû è âîîáðàæåíèÿ" íà àíãëèéñêîì ÿçûêå èç ñåðèè êíèã çàðóáåæíîé êëàññèêè, êîòîðàÿ ñîáðàíà èç áåññìåðòíûõ ïðîèçâåäåíèé âåëèêèõ ìàñòåðîâ ïåðà, íàïèñàííûõ èìè íà èõ ðîäíîì ÿçûêå. Êíèãè èç ýòîé ñåðèè ïîìîãóò ÷èòàòåëþ óãëóáë¸ííî èçó÷àòü èíîñòðàííûå ÿçûêè, îáîãàòÿò åãî âíóòðåííèé ìèð è ïî-íîâîìó îòêðîþò ïðîèçâåäåíèÿ èçâåñòíûõ êëàññèêîâ.