Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Short Stories for Study and Enjoyment — cop.1934

Although many excellent collections of short stories for high schools are already available, there seems still to be a place for a book of selected stories that will provide a definite plan for the study of the short story as a type of literature. The introductory chapters offer a text for studying the development of the short story and its present form. Part I, the bulk of the text, contains modern short stories for study. Each story is equipped with (1) an introduction containing necessary information about the author and his work; (2) a set of general questions designed rather to help the student learn than to test his learning; and (3) a problem developing some particular aspect of the short-story form.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Poe E. A., The Premature burial. stories. [êíèãà äëÿ ÷òåíèÿ íà àíãëèéñêîì ÿçûêå] — 2021 (English. Classical literature)

Ýäãàð Àëëàí Ïî - êëàññèê àìåðèêàíñêîé ëèòåðàòóðû, ïîýò, ïðîçàèê, êðèòèê.  äàííûé ñáîðíèê âîøëè åãî ëó÷øèå ðàññêàçû - òðàãè÷åñêèå, ôàíòàñòè÷åñêèå, þìîðèñòè÷åñêèå è, êîíå÷íî, "Çîëîòîé æóê" è "Óáèéñòâî íà óëèöå Ìîðã" - ïåðâûå øåäåâðû äåòåêòèâíîé ëèòåðàòóðû. Îðèãèíàëüíûé òåêñò ñíàáæåí ïîñòðàíè÷íûìè êîììåíòàðèÿìè è ñëîâàðåì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèé ñ Ýäãàðîì Ïî. Óáèéñòâî íà óëèöå Ìîðã — 2020 (Ìåòîä îáó÷àþùåãî ÷òåíèÿ Èëüè Ôðàíêà) (Ó÷èì ÿçûê, ÷èòàÿ èíòåðåñíûå êíèãè)

Èñòîðèÿ ðàññëåäîâàíèÿ òàèíñòâåííîãî è æåñòîêîãî ïðåñòóïëåíèÿ îò îäíîãî èç ñîçäàòåëåé äåòåêòèâíîãî æàíðà, ïèñàòåëÿ-çàãàäêè Ýäãàðà Àëëàíà Ïî àäàïòèðîâàíà ïî ìåòîäó îáó÷àþùåãî ÷òåíèÿ Èëüè Ôðàíêà: ñíàáæåíà äîñëîâíûì ïåðåâîäîì íà ðóññêèé ÿçûê è íåîáõîäèìûì ëåêñèêî-ãðàììàòè÷åñêèì êîììåíòàðèåì (áåç óïðîùåíèÿ òåêñòà îðèãèíàëà).Óíèêàëüíîñòü ìåòîäà çàêëþ÷àåòñÿ â òîì, ÷òî çàïîìèíàíèå ñëîâ è âûðàæåíèé ïðîèñõîäèò çà ñ÷åò èõ ïîâòîðÿåìîñòè, áåç çàó÷èâàíèÿ è íåîáõîäèìîñòè èñïîëüçîâàòü ñëîâàðü

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

20 ëó÷øèõ ïîâåñòåé íà àíãëèéñêîì. original — 2014 (Èíîñòðàííûé ÿçûê: ó÷èìñÿ ó êëàññèêîâ) (Original)

Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Ñîäåðæàíèå: Wilkie Collins, Arthur Conan Doyle, Joseph Conrad, Charles Dickens, F. S. Fitzgerald, John Galsworthy, Washington Irving, Jerome K. Jerome, James Joyce, D. H. Lawrence, Jack London, H. P. Lovecraft, W. M. Thackeray, George Macdonald, Herman Melville, T. L. Peacock, E. A. Poe, R. L. Stevenson, Edward Bulwer Lytton, Oscar Wilde.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Poe E.A., Collected Stories and Poems — 2012 (Collector's Library Editions)

This collection of Poe's work includes Tales of Mystery and Imagination, Tales of the Grotesque and Arabesque, and a selection of his best loved poems. It is beautifully illustrated throughout by Henry Clarke, Aubrey Beardsley, Fernand Simeon, Gustave Dore, Sir John Tenniel and Edouard Manet

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Ïîäðîáíàÿ èíôîðìàöèÿ

Ó÷åáíîå ïîñîáèå ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2011

Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Poe E. A., Selected tales — 2008 (Oxford world's classics)

Edgar Allan Poe's Gothic tales have established themselves as classics of horror fiction, and as the inventor of the modern mystery, Poe created many of the conventions which still dominate the genre of detective fiction. Attentive to the historical and political dimensions of these very American tales, this new selection of twenty-four tales places the most popular - "The Fall of the House of Usher", "The Masque of the Red Death", "The Murders in the Rue Morgue", and "The Purloined Letter" - alongside less well-known travel narratives, metaphysical essays, and political satires. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Poe E. A., Tales of mystery and imaginations. stage 3 — 2008 (Oxford Bookworms Library) (Fantasy and Horror)

The human mind is dark, bottomless pit, and sometimes it works in strange and frightening ways. That sound in the night... is it a door banging in the wind, or a murdered man knocking inside his coffin? The face in the mirror... is it yours, or the face of someone standing behind you, who is never there when you turn round? These famous short stories by Edgar Allan Poe, that master of horror, explore the dark world of the imagination, where the dead live and speak, where fear lies in every shadow of the mind...

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Ïîäðîáíàÿ èíôîðìàöèÿ

Poe E. A., Tales of Mystery and Imagination. stage 3 (1000 headwords) — 2008 (Oxford bookworms library. Fantasy and horror)

This collection of Poe's best stories contains all the terrifying and bewildering tales that characterise his work. As well as the Gothic horror of such famous stories as 'The Pit and the Pendulum', 'The Fall of the House of Usher', 'The Premature Burial' and 'The Tell-Tale Heart', all of Poe's Auguste Dupin stories are included.These are the first modern detective stories and include 'The Murders in the Rue Morgue', 'The Mystery of Marie Roget' and 'The Purloined Letter'.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fifty Great American Short Stories — 2008

A brilliant, far-reaching collection of stories from Washington Irving to John Updike. The Classic Stories Edgar Allan Poe—s Ms. Found in a Bottle, Bret Harte—s The Outcasts of Poker Flat, Sherwood Anderson—s Death in the Woods, Stephen Vincent Ben™t—s By the Waters of Babylon The Great Writers Melville, James, Dreiser, Faulkner, Hemingway, Steinbeck, McCullers The Little-Known Masterpieces Edith Wharton—s The Dilettante, Finley Peter Dunne—s Mr. Dooley on the Popularity of Fireman, Charles M. Flandrau—s A Dead Issue, James Reid Parker—s The Archimandrite's Niece

Ïîäðîáíàÿ èíôîðìàöèÿ

Gothic Short Stories — 2006

This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M. R. James, alongside that of anonymous authors from Britain to America. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Vintage Mystery and Detective Stories — 2006

This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on. Within these pages you will find G.K. Chesterton's Mr. Pond, Ernest Bramah's blind detective, Max Carrados, Craifg Kennedy, 'the American Sherlock Holmes' and further tales by Charles Dickens, Wilkie Collins, Rudyard Kipling and A.C. Doyle.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bloom H., The Best Poems of the English Language — 2004

The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

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Ïîäðîáíàÿ èíôîðìàöèÿ

The Wordsworth Book of Horror Stories — 2004

...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

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Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

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Ïîäðîáíàÿ èíôîðìàöèÿ

20 Great American Short Stories — 2003 (English)

Âíèìàíèþ ÷èòàòåëåé ïðåäëàãàåòñÿ ïîëíûé, íåàäàïòèðîâàííûé òåêñò äâàäöàòè èçáðàííûõ ðàññêàçîâ èçâåñòíûõ àìåðèêàíñêèõ ïèñàòåëåé. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è ñîâåðøåíñòâóþùèõ ñâîè íàâûêè â íåì.

Ñîäåðæàíèå: Ms.Found in a Bottle/Poe/What Was It?/O'Brien/Luck/Twain/The Outcasts of Poker Flat/Harte/The Damned Thing/Bierce/The Two Faces/James/The Dilettante/Wharton/Masters of Arts/Henry/The Bride Comes to Yellow Sky/Crane/The Lost Phoebe/Dreiser/Death in the Woods/Anderson/To Build a Fire/London/Silent Snow, Secret Snow/Aiken/By the Waters of Babylon/Benet/The Old People/Faulkner/A Man of the World/Hemingway/The Harness/Steinbeck/There Was a Young Lady of Pearth/Saroyan/The Girls in Their Summer Dresses/Shaw/The Lucid Eye in Silver Town/Updike/

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Ïîäðîáíàÿ èíôîðìàöèÿ

Great American Short Stories — 2002 (Dover. Thrift. Editions)

Featuring 19 of the finest works in the American short-story tradition, this compilation includes: The Tell-Tale Heart by Edgar Allan Poe, Bartleby by Herman Melville, To Build a Fire by Jack London, Bernice Bobs Her Hair by F. Scott Fitzgerald, The Killers by Ernest Hemingway, plus stories by Hawthorne, Twain, Cather, and others

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Ïîäðîáíàÿ èíôîðìàöèÿ

Poe E. A., Tales of Mystery and Imagination — 2000 (Tales of Mystery & the Supernatural)

This collection of Poe's best stories contains all the terryfying and bewildering tales that characterize his work.Ìèñòè÷åñêèé ñáîðíèê Ýäãàðà Àëëàíà Ïî "Ðàññêàçû òàéíû è âîîáðàæåíèÿ" íà àíãëèéñêîì ÿçûêå èç ñåðèè êíèã çàðóáåæíîé êëàññèêè, êîòîðàÿ ñîáðàíà èç áåññìåðòíûõ ïðîèçâåäåíèé âåëèêèõ ìàñòåðîâ ïåðà, íàïèñàííûõ èìè íà èõ ðîäíîì ÿçûêå. Êíèãè èç ýòîé ñåðèè ïîìîãóò ÷èòàòåëþ óãëóáë¸ííî èçó÷àòü èíîñòðàííûå ÿçûêè, îáîãàòÿò åãî âíóòðåííèé ìèð è ïî-íîâîìó îòêðîþò ïðîèçâåäåíèÿ èçâåñòíûõ êëàññèêîâ.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Collings R., Classic Victorian & Edwardian Ghost Stories — 1996 (Tales of Mystery & the Supernatural Series)

This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting new selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Çàðóáåæíàÿ ïîýçèÿ â ïåðåâîäàõ Âàëåðèÿ Áðþñîâà. [ñá. ñòèõîâ ñ ïàðàë. òåêñòàìè íà ÿç. îðèã. — 1994

 èçäàíèè ðàçíîñòîðîííå ïðåäñòàâëåíà ïåðåâîä÷åñêàÿ äåÿòåëüíîñòü Âàëåðèÿ Áðþñîâà, îäíîãî èç êðóïíåéøèõ ïðàêòèêîâ è òåîðåòèêîâ ïîýòè÷åñêîãî ïåðåâîäà â íàøåé ñòðàíå. Îíî âêëþ÷àåò ïåðåâîäû Áðþñîâà èç äðåâíåðèìñêîé (Âåðãèëèé, Ãîðàöèé, Êàòóëë), èòàëüÿíñêîé (Äàíòå, Ïåòðàðêà), ôðàíêîÿçû÷íîé (Ðàñèí, Ãþãî, Áîäëåð, Âåðëåí, Âåðõàðí), àíãëîÿçû÷íîé (Øåêñïèð, Áàéðîí, Óàéëä, Ïî), íåìåöêîé (Ãåòå, Øèëëåð), ïîëüñêîé (Ìèöêåâè÷) ïîýçèè. Ìíîãèå ïåðåâîäû, õðàíèâøèåñÿ â àðõèâå Áðþñîâà, ïóáëèêóþòñÿ âïåðâûå.

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Ïîäðîáíàÿ èíôîðìàöèÿ