Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

O sole mio: die schoensten italienischen Melodien von Celentano bis Verdi: fur Klavier — 2010 (Schott Pianothek)

Ñîäåðæàíèå: Ti amo; Gloria/ G. Bigazzi, U. Tozzi. L'Italiano/ S. Cutugno, C. Minello. Azzurro/ V. Pallavicini, P. Conte. Se bastasse una canzone/ E. Ramazzotti, A. Cogliati, P. Cassano. O sole mio/ E. di Capua, G. Capurro. Santa Lucia: Neapolitanisches Volkslied. La donna e mobile/ G. Verdi. Il silenzio/ N. Rosso, G. Brezza. Volare - Nel blu dipinto di blu/ F. Migliacci, D. Modugno. La primavera/ A. Vivaldi. Etc.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobson D., Presidents and First Ladies of the United States — cop.1995

An intimate glimpse into the lives of the first families of the United States.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Äæåéêîáñ Õ., ß ðîäèëàñü ðàáûíåé. ïîäëèííàÿ èñòîðèÿ ðàáûíè, êîòîðàÿ îñìåëèëàñü ÷óâñòâîâàòü ñåáÿ ÷åëîâåêîì — 2022

Ñåâåðíàÿ Êàðîëèíà. Íà÷àëî XIX âåêà. Äî îòìåíû ðàáñòâà åùå ïîëâåêà. Ëèíäà ðîäèëàñü ðàáûíåé, íî äî øåñòè ëåò íå çíàëà îá ýòîì. Ó íåå áûëî ñ÷àñòëèâîå äåòñòâî, îäíàêî ïîñëå ñìåðòè ðîäèòåëåé è äîáðîé õîçÿéêè îíà îñòàåòñÿ ñèðîòîé è ïåðåõîäèò â ñîáñòâåííîñòü äîêòîðà Ôëèíòà. Ëèíäå ïðèõîäèòñÿ òåðïåòü äîìîãàòåëüñòâà õîçÿèíà è ðåâíîñòü åãî æåíû. Îíà ãîòîâà áîðîòüñÿ äî êîíöà. Íî êîãäà äîêòîð Ôëèíò óãðîæàåò ïðîäàòü åå äåòåé, åñëè îíà íå ïîä÷èíèòñÿ, Ëèíäà ïðèäóìûâàåò îò÷àÿííûé ïëàí ïîáåãà, ïûòàÿñü îáåñïå÷èòü ñâîáîäó ñåáå è ñâîèì äåòÿì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Äæåéêîáñ Ä., Àíãëèéñêèå âîëøåáíûå ñêàçêè. èç ñîáðàíèÿ Äæîçåôà Äæåéêîáñà — 2015 (Ìåòîä îáó÷àþùåãî ÷òåíèÿ Èëüè Ôðàíêà) (Ðåêîìåíäîâàíî äëÿ íà÷èíàþùèõ)

 êíèãå ïðåäñòàâëåíû ëó÷øèå ñêàçêè èç ñîáðàíèÿ èçâåñòíîãî çíàòîêà àíãëèéñêîãî ôîëüêëîðà Äæîçåôà Äæåéêîáñà (1854-1916), àäàïòèðîâàííûå (áåç óïðîùåíèÿ òåêñòà îðèãèíàëà) ïî ìåòîäó Èëüè Ôðàíêà. Óíèêàëüíîñòü ìåòîäà çàêëþ÷àåòñÿ â òîì, ÷òî çàïîìèíàíèå ñëîâ è âûðàæåíèé ïðîèñõîäèò çà ñ÷åò èõ ïîâòîðÿåìîñòè, áåç çàó÷èâàíèÿ è íåîáõîäèìîñòè èñïîëüçîâàòü ñëîâàðü. Ïîñîáèå ñïîñîáñòâóåò ýôôåêòèâíîìó îñâîåíèþ ÿçûêà, ìîæåò ñëóæèòü äîïîëíåíèåì ê ó÷åáíîé ïðîãðàììå. Èçäàíèå ñîïðîâîæäàåòñÿ àóäèîïðèëîæåíèåì. Ðåêîìåíäîâàíî äëÿ «íóëåâîãî» è íà÷àëüíîãî ýòàïîâ îáó÷åíèÿ àíãëèéñêîìó ÿçûêó.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

ßêîáñåí Ð., ×óäî-ðåáåíîê. ðîìàí — 2015

Íîâûé ðîìàí íîðâåæöà Ðîÿ ßêîáñåíà "×óäî-ðåáåíîê" ÷åì‑òî ïîõîæ íà ïðîøëûå åãî êíèãè, íî ñòîèò îñîáíÿêîì. Íà ýòîò ðàç ïåðåä íàìè page turner — äðàìà, êîòîðàÿ ÷èòàåòñÿ íà îäíîì äûõàíèè. Ôîíîì åé ñëóæèò ëþáîâíî è ñêðóïóëåçíî âîññîçäàííûé àíòóðàæ øåñòèäåñÿòûõ — ýòî âðåìÿ ïîëíûõ ñåìåé è æåíùèí-äîìîõîçÿåê, âðåìÿ ïåðâûõ ñïàëüíûõ ïðèãîðîäîâ, çàñòðîåííûõ ïàíåëüíûìè ÷åòûðåõýòàæêàìè, ýòî ïåðâûå íåôòÿíûå äåíüãè è ïåðâûå ïðåäìåòû ðîñêîøè: îáîè, ìåáåëüíûå ñòåíêè è ñèìâîë íîâîãî áëàãîäåíñòâèÿ — òåëåâèçîð. Ïîëåò Ãàãàðèíà, Êàðèáñêèé êðèçèñ è ñòðîèòåëüñòâî Áåðëèíñêîé ñòåíû, óáèéñòâî Êåííåäè— Ãåðîé êíèãè, óìíûé è íåæíûé ìàëü÷èê Ôèíí, ñ÷àñòëèâ. Åãî ðàñòèò ìàìà, ïîòîìó ÷òî ïàïà-êðàíîâùèê óøåë îò íèõ, à ïîòîì è âîâñå ïîãèá.  ýòó îñåíü èõ ñ ìàìîé æèçíü ìåíÿåòñÿ ïîëíîñòüþ — íå óñïåâàþò îíè ñäàòü êîìíàòó æèëüöó è íà÷àòü ê íåìó ïðèâûêàòü, êàê èì íà ãîëîâó ñâàëèâàåòñÿ ñòðàííàÿ ìàëåíüêàÿ äåâî÷êà — ñâîäíàÿ ñåñòðà Ôèííà. Ïðè íåé òîëüêî êðîõîòíûé ÷åìîäàí÷èê, à â íåì— —áîìáà—, êîòîðîé åùå ñóæäåíî áóäåò âçîðâàòüñÿ. Òàê íà÷èíàåòñÿ ýòà ùåìÿùàÿ èñòîðèÿ ëþáâè, âåðíîñòè è ïðåäàòåëüñòâà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobs J., Irish tales. [êíèãà äëÿ ÷òåíèÿ íà àíãëèéñêîì ÿçûêå] — 2012 (English. Classical literature)

 êíèãó âîøëè ñòàðèííûå èðëàíäñêèå ñêàçêè, ñîáðàííûå çíàìåíèòûì àíãëèéñêèì ôîëüêëîðèñòîì Äæîçåôîì Äæåéêîáñîì (1854-1916). Ñêàçêè, ïåðåäàâàâøèåñÿ èç óñò â óñòà ñ XI âåêà, ïîðîé çàáàâíûå è ëóêàâûå,ïîðîé çàãàäî÷íûå è âîëøåáíûå. Èõ ãåðîè-êåëüòû óìíûå è ãëóïûå, äîáðûå è çëûå, æàäíûå è ùåäðûå. ýòèõ ñêàçêàõ ñëûøíû áóäóùèå åâðîïåéñêèå è ðóññêèå ñêàçàíèÿ î Áðåìåíñêèõ ìóçûêàíòàõ,Çîëóøêå,Ãóñÿõ-Ëåáåäÿõ è Æàð-ïòèöàõ,à äîáðî âñåãäà ïîáåæäàåò çëî.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Äæåêîáñîí À., Âèíîäåë. [ïåðåâîä ñ àíãëèéñêîãî] — 2011

Ñîâñåì íåäàâíî ñïåöàãåíò ÔÁРÊàðåí Âåéë áûëà â øàãå îò ãèáåëè, è, ÷òîáû îïðàâèòüñÿ îò ïåðåæèòîãî óæàñà, îíà áåðåò îòïóñê è åäåò â Êàëèôîðíèþ. Íî â âèííîì ïîãðåáå, êóäà îíà îòïðàâèëàñü íà ýêñêóðñèþ, íàõîäÿò èçóðîäîâàííûé òðóï. Âñêîðå ïîëèöèÿ îáíàðóæèâàåò òåëî åùå îäíîé æåðòâû... Ìàíüÿê íàñòîëüêî óâåðåí â ñâîåé áåçíàêàçàííîñòè, ÷òî ïèøåò Êàðåí æóòêèå ñîîáùåíèÿ. Íåóæåëè îí ñëåäèò çà íåé è åå ñûíîì? Îíà äîëæíà âî ÷òî áû òî íè ñòàëî îñòàíîâèòü ïðåñòóïíèêà!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobson H., The Finkler Question — 2011

Julian Treslove, a professionally unspectacular former BBC radio producer, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite very different lives, they`ve never quite lost touch with each other - or with their former teacher, Libor Sevcik. Both Libor and Finkler are recently widowed, and together with Treslove they share a sweetly painful evening revisiting a time before they had loved and lost. It is that very evening, when Treslove hesitates a moment as he walks home, that he is attacked - and his whole sense of who and what he is slowly and ineluctably changes

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Äæåêîáñ Ä., Ñìåðòü è æèçíü áîëüøèõ àìåðèêàíñêèõ ãîðîäîâ — 2011 (Áèáëèîòåêà ñâîáîäû)

Íàïèñàííàÿ 50 ëåò íàçàä, êíèãà Äæåéí Äæåêîáñ «Ñìåðòü è æèçíü áîëüøèõ àìåðèêàíñêèõ ãîðîäîâ» óæå äàâíî ñòàëà êëàññè÷åñêîé, íî äî ñèõ ïîð íå óòðàòèëà ñâîåãî ðåâîëþöèîííîãî çíà÷åíèÿ â èñòîðèè îñìûñëåíèÿ ãîðîäà è ãîðîäñêîé æèçíè. Èìåííî çäåñü âïåðâûå áûëè ïîñëåäîâàòåëüíî ñôîðìóëèðîâàíû àðãóìåíòû ïðîòèâ ãîðîäñêîãî ïëàíèðîâàíèÿ, ðóêîâîäñòâóþùåãîñÿ àáñòðàêòíûìè èäåÿìè è èãíîðèðóþùåãî ïîâñåäíåâíóþ æèçíü ãîðîæàí. Ïî ìíåíèþ Äæåêîáñ, æèâîé è ðàçíîîáðàçíûé ãîðîä, îñíîâàííûé íà ñïîíòàííîì ïîðÿäêå è ðàçëè÷íûõ ìåõàíèçìàõ ñàìîðåãóëèðîâàíèÿ, âî âñåõ îòíîøåíèÿõ êóäà áîëåå ïðèãîäåí äëÿ æèçíè, ÷åì ðåàëèçàöèÿ ëþáîé ãðàäîñòðîèòåëüíîé òåîðèè, ñêîëü áû ïðîäóìàííîé è ðàöèîíàëüíîé îíà íå âûãëÿäåëà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobs A., Farewell to Lancashire — 2010

Cassandra Blake has raised her three motherless sisters. The girls are the pride of their book-loving father, and not in a hurry to marry...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Äæåéêîáñ Õ., Àìåðèêàíñêèé ãîëèàô. [ðîìàí] — 2009 (The big book)

Õàðâè Äæåéêîáñ íàïèñàë ðîìàí îá àôåðå ïîèñòèíå òèòàíè÷åñêîãî ìàñøòàáà - ïðè÷åì èìåâøåé ìåñòî â ðåàëüíîñòè." òî âðåìÿ áûëè íà çåìëå èñïîëèíû", - ãëàñèò áèáëåéñêàÿ Êíèãà Áûòèÿ. È âîò ïðåïîäîáíûé Ãåíðè Òóðê âûñòóïàåò ñ ïîðàçèòåëüíûì çàÿâëåíèåì: Àâðààì è Ìîèñåé, Õðèñòîñ è àïîñòîëû ñâåðøàëè ñâîè äåÿíèÿ íå íà áëèæíåâîñòî÷íîé çåìëå, íî íà àìåðèêàíñêîé. Ïðîïîâåäü åãî ñëûøèò Äæîðäæ Õàëë, ìëàäøèé ñûí ñèãàðíîãî ôàáðèêàíòà, è çàãîðàåòñÿ èäååé - ïîäàðèòü Àìåðèêå èñïîëèíà. È âîò óæå ñêóëüïòîðû â ãëóáîêîé òàéíå âûñåêàþò èñïîëèíà; âîò èñïîëèíà ïîä ïîêðîâîì íî÷è çàêàïûâàþò íà ôåðìå ó Õàëëîâà ðîäñòâåííèêà; âîò åãî îáíàðóæèâàåò íè î ÷åì íå ïîäîçðåâàþùèé ëîçîõîäåö. Ïîñëå ÷åãî àìåðèêàíñêèé êîíòèíåíò âñêîëûõíóëñÿ îò ìîðÿ äî ìîðÿ; íèêòî íå óñîìíèëñÿ â ïîäëèííîñòè íàõîäêè, è åäèíñòâåííîå, â ÷åì íå ìîãëè ñîéòèñü ïðèãëàøåííûå äëÿ êîíñóëüòàöèè ó÷åíûå ìóæè, - â òîì, ÷òî èìåííî ïåðåä íèìè: äåéñòâèòåëüíî îêàìåíåâøèé âåëèêàí èëè äðåâíÿÿ ñòàòóÿ â íàòóðàëüíóþ âåëè÷èíó.Âïåðâûå íà ðóññêîì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Vintage Mystery and Detective Stories — 2006

This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on. Within these pages you will find G.K. Chesterton's Mr. Pond, Ernest Bramah's blind detective, Max Carrados, Craifg Kennedy, 'the American Sherlock Holmes' and further tales by Charles Dickens, Wilkie Collins, Rudyard Kipling and A.C. Doyle.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Wordsworth Book of Horror Stories — 2004

...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobs L. M., A Deaf Adult Speaks Out — 1989

Leo Jacobs has written a unique and personal account of what it is like to be deaf in a hearing world. He speaks out on such issues as mainstreaming and its effect on deaf children and the Deaf community, total communication versus oralism, employment opportunities for deaf adults, and public policy toward deaf people. This new edition includes an update of services by and for deaf people, and an expanded chapter on legislation and social issues that have had an impact on the Deaf community in the last ten years.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

ßêîáñåí Ð., Èçáðàííàÿ ëèðèêà — 1982 (Èçáðàííàÿ çàðóáåæíàÿ ëèðèêà)

 êíèãå ïðåäñòàâëåíû ñòèõè Ðîëôà ßêîáñåíà - îäíîãî èç íàèáîëåå çíà÷èòåëüíûõ íîðâåæñêèõ ïîýòîâ XX âåêà. Åãî òâîð÷åñòâî ïðîíèêíóòî ãóìàíèçìîì, òðåâîãîé çà áóäóùåå ÷åëîâå÷åñòâà è ïîëüçóåòñÿ çàñëóæåííîé ïîïóëÿðíîñòüþ êàê íà ðîäèíå ïîýòà, òàê è çà å¸ ðóáåæàìè.

Ñîäåðæàíèå: Èç êíèã: "Çåìëÿ è æåëåçî" (1933), "Ïåñòðîòà æèçíè" (1935), "Ñêîðûé ïîåçä" (1951), "Òàéíàÿ æèçíü" (1954), "Ëåòî â òðàâå" (1956), "Ïèñüìî ê ñâåòó" (1960), "Ïîòîì òèøèíà" (1965), "Çàãîëîâêè" (1969), "Îñòîðîæíî, äâåðè çàêðûâàþòñÿ" (1972), "Óïðàæíåíèÿ äëÿ äûõàíèÿ" (1975), "Äóìàé î ÷¸ì-íèáóäü äðóãîì" (1979)

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobs A., A Short History of Western Music — 1981

This popular history traces the development of music from the medieval troubadours and the Ars nova musicae of the forteenth century down to the jazz invasion of this century and the music of Stravinsky, Britten and Stockhausen.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobs J., The Death and the Life of Great American Cities — 1977

A direct and fundamentally optimistic indictment of the short-sightedness and intellectual arrogance that has characterized much of urban planning in this century, The Death and Life of Great American Cities has, since its first publication in 1961, become the standard against which all endeavors in that field are measured. In prose of outstanding immediacy, Jane Jacobs writes about what makes streets safe or unsafe; about what constitutes a neighborhood, and what function it serves within the larger organism of the city; about why some neighborhoods remain impoverished while others regenerate themselves. She writes about the salutary role of funeral parlors and tenement windows, the dangers of too much development money and too little diversity. Compassionate, bracingly indignant, and always keenly detailed, Jane Jacobs's monumental work provides an essential framework for assessing the vitality of all cities.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dale N., Uppfinnarens borg — 1960

The story of four siblings - and their experiences during a summer vacation in an old stately castle in Wales, which the children's father inherited from an eccentric brother who was an inventor

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Jacobson H., The Finkler Question — 2010

Julian Treslove, a professionally unspectacular former BBC radio producer, and Sam Finkler, a popular Jewish philosopher, writer and television personality, are old school friends. Despite very different lives, they've never quite lost touch with each other - or with their former teacher, Libor Sevcik. Both Libor and Finkler are recently widowed, and together with Treslove they share a sweetly painful evening revisiting a time before they had loved and lost. It is that very evening, when Treslove hesitates a moment as he walks home, that he is attacked - and his whole sense of who and what he is slowly and ineluctably changes.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Fitzgerald H., Furchtbar lieb. Roman — 2011 (KiWi paperback. 1199)

Als Krissie, Sarah und Kyle auf einer Zelttour durch die schottischen Highlands mal richtig abschalten wollen, geht alles schief: Krissie und Kyle stürzen sich Halsüber Kopf in eine Affäre und Sarah von einem Felsen. Doch das ist erst der Anfang eines Höllentrips, bei dem nichts so bleibt, wie es gewesen ist.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ