Sontag S., On Photography — 2010 (Penguin Modern Classics)

Susan Sontag's groundbreaking critique of photography asks forceful questions about the moral and aesthetic issues surrounding this art form. Photographs are everywhere. They have the power to shock, idealize or seduce, they create a sense of nostalgia and act as a memorial, and they can be used as evidence against us or to identify us. Here Sontag examines the ways in which we use these omnipresent images to manufacture a sense of reality and authority in our lives

Ñîäåðæàíèå: In Plato's Cave ; America, Seen Through Photographs, Darkly ; Melancholy Objects ; The Heroism of Vision ; Photographic Evangels ; The Image-World ; A Brief Anthology of Quotations

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîðàáëåâ Ä., Ôîòîãðàôèÿ. ñàìîó÷èòåëü äëÿ ìîäåëåé è ôîòîãðàôîâ — 2005

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ