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Ïîèñê ïî îñíîâíûì ðóáðèêàì êàòàëîãà

Ðóáðèêà: Æèâîïèñü Ðîññèè

Âåðíóòüñÿ ê ñïèñêó ðóáðèê

Íàéäåíî èçäàíèé: 1728




Âîëãà. [àëüáîì]. 800-ëåòèþ Íèæíåãî Íîâãîðîäà ïîñâÿùàåòñÿ — [2021] (Âåëèêèå ïîëîòíà)

Âîëãà. [àëüáîì]. 800-ëåòèþ Íèæíåãî Íîâãîðîäà ïîñâÿùàåòñÿ — [2021] (Âåëèêèå ïîëîòíà)

Îäíàæäû Ëåâèòàí íàïèñàë ñâîåìó äðóãó, õóäîæíèêó À.Ì. Âàñíåöîâó: "Íåò ëó÷øå ñòðàíû, ÷åì Ðîññèÿ— Òîëüêî â Ðîññèè ìîæåò áûòü íàñòîÿùèé ïåéçàæèñò". Âìåñòå ñ äðóãèìè âåëèêèìè ìàñòåðàìè îí ïèñàë è âîëæñêèå îêðåñòíîñòè. Íàïèñàííûå õóäîæíèêàìè óíèêàëüíûå ïðèâîëæñêèå ìåñòà - âûðàæåíèå èõ ëþáâè ê ðîäíîé ñòðàíå, ãäå îíè íàøëè ñåáÿ è ñâîþ æèâîïèñíóþ òåìó.  àëüáîìå ìû ìîæåì ïîñìîòðåòü íà Ðîññèþ è âåëèêóþ ëåãåíäàðíóþ ðåêó èõ ãåíèàëüíûìè ãëàçàìè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Êàáèíåò õóäîæíèêà

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Ôåäîð Âàñèëüåâ ïðîæèë âñåãî 23 ãîäà, íî óñïåë î÷åíü ìíîãîå. Íàïèñàë îêîëî 60 êàðòèí, ñîçäàë îãðîìíîå êîëè÷åñòâî ðèñóíêîâ, àêâàðåëåé, âûïóñòèë íåñêîëüêî àëüáîìîâ. Åãî êàðòèíû îòëè÷àþòñÿ ïîýòè÷íîñòüþ è ðåäêîé ãàðìîíèåé êðàñîê

Ìåñòîíàõîæäåíèå èçäàíèÿ: Êàáèíåò õóäîæíèêà

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Ïðèäóìàííûé ìèð Ëîæêèíà òåñíî ñîïðèêàñàåòñÿ ñ íàøåé ðåàëüíîñòüþ, åå áûòîâûìè, ñîöèàëüíî-ïñèõîëîãè÷åñêèìè è äàæå ïîëèòè÷åñêèìè êîëëèçèÿìè.

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Leonid Sokov : Songes sur le Pop Art. Sur le chemin de l`exile le sculpteur sovietique pojette son devenir en Amerique — [2014]

Leonid Sokov : Songes sur le Pop Art. Sur le chemin de l`exile le sculpteur sovietique pojette son devenir en Amerique — [2014]

Pionnier du mouvement artistique non officiel Sots Art en Union-sovi™tique, L™onid Sokov s'illustre par des uvres associant de mani˜re subversive des symboles de l'URSS et de l'Occident. L'exposition "Songes sur le Pop Art" pr™sente une s™rie de sculptures in™dites, dat™e de 2014, ainsi qu'une s™lection de dessins, 106 exactement, r™alis™s par l'artiste entre 1970 et 1980 sur des carnets.

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Ëîæêèí Â., Êàðòèíêè. [àëüáîì] — [2013]

Ëîæêèí Â., Êàðòèíêè. [àëüáîì] — [2013]

Íîâûé èëëþñòðèðîâàííûé àëüáîì ïðåäñòàâëÿåò ðàáîòû õóäîæíèêà Àëåêñåÿ Êóäåëèíà, âçÿâøåãî ïñåâäîíèì Âàñÿ Ëîæêèí è íà÷àâøåãî çíàêîìèòü ïóáëèêó ñî ñâîèìè êàðòèíàìè. Çà ýòî âðåìÿ îí ïðèîáðåë øèðîêóþ èçâåñòíîñòü, ïðåæäå âñåãî çà ñ÷åò àêòèâíîãî ïðèñóòñòâèÿ â èíòåðíåò-ïðîñòðàíñòâå, à òàêæå áëàãîäàðÿ ó÷àñòèþ â âûñòàâêàõ ïåòåðáóðãñêîé ãðóïïû "Êîëäîâñêèå õóäîæíèêè".  ÖÄÕ çðèòåëè ñìîãóò óâèäåòü 47 æèâîïèñíûõ ðàáîò è íåñêîëüêî èíñòàëëÿöèé àâòîðà. Âàñÿ Ëîæêèí ðàáîòàåò â æàíðå ñâîåîáðàçíîãî àíòèëóáêà, ãäå óñëîâíîñòü èçîáðàæåíèÿ è øèðîêîå èñïîëüçîâàíèå ñêàçî÷íûõ èëè, âåðíåå, ïñåâäîñêàçî÷íûõ àòðèáóòîâ ñî÷åòàþòñÿ ñ æåñòêèìè ñþæåòàìè è ÷åðíûì þìîðîì, ÷òî çà÷àñòóþ îòðàæàåòñÿ â äîâîëüíî ìðà÷íîì êîëîðèòå ìíîãèõ åãî ðàáîò. Âïðî÷åì, â ïîñëåäíåå âðåìÿ êàðòèíàì Âàñè Ëîæêèíà áîëüøå ïðèñóùè ÿðêîñòü êðàñîê è îïòèìèñòè÷íûé íàñòðîé. Ïî ñëîâàì õóäîæíèêà, åãî íå èíòåðåñóåò îêðóæàþùàÿ äåéñòâèòåëüíîñòü: "ß èçîáðàæàþ ñêàçî÷íûé ïðèäóìàííûé ìèð. Ïîðîé ýòî ìèð ïñèõîçîâ è âñåâîçìîæíûõ ïîãðàíè÷íûõ ñîñòîÿíèé, ïîðîé áûâàåò ñòðàøíîâàòî, íî âñå æå ýòî ñêàçêà ñ õîðîøèì êîíöîì". Ïðèäóìàííûé ìèð Ëîæêèíà, îäíàêî, òàê òåñíî ñîïðèêàñàåòñÿ ñ íàøåé ðåàëüíîñòüþ, åå áûòîâûìè, ñîöèàëüíî-ïñèõîëîãè÷åñêèìè è äàæå ïîëèòè÷åñêèìè êîëëèçèÿìè, ÷òî ãðàíèöà ïîðîé ñòàíîâèòñÿ íåðàçëè÷èìà. Ê òâîð÷åñòâó Ëîæêèíà êàê íåëüçÿ êñòàòè ïîäõîäÿò ñëîâà "åãî ðàáîòû íèêîãî íå îñòàâÿò ðàâíîäóøíûìè". Õóäîæíèê ÿâíî íå ñòàâèò ïåðåä ñîáîé çàäà÷ó ýïàòèðîâàòü ïóáëèêó, òåì íå ìåíåå, åãî ïðîèçâåäåíèÿ îïðåäåëåííî "öåïëÿþò", ïðÿìî àïåëëèðóÿ ê ìèôàì è àðõåòèïàì, áûòóþùèì â îáùåñòâå, ôîáèÿì è èäåàëàì êîíêðåòíîãî çðèòåëÿ, âíå çàâèñèìîñòè îò òîãî, èçîáðàæåíû ëè íà êàðòèíàõ ëþäè, çàéöû èëè ëþáèìûå Ëîæêèíûì êîòû.Ïåðâàÿ ïåðñîíàëüíàÿ âûñòàâêà, äà åùå íà òàêîé ñòàòóñíîé ïëîùàäêå êàê ÖÄÕ, - áåçóñëîâíî, è äîñòèæåíèå, è îäíîâðåìåííî èñïûòàíèå äëÿ ìîëîäîãî õóäîæíèêà. È åùå îäíà âîçìîæíîñòü ïðåäñòàâèòü, íàñêîëüêî ãîòîâû îðãàíè÷íî âïèñàòüñÿ â ðàìêè òðàäèöèîííîãî ôîðìàòà àâòîðû, óñïåøíî îñâîèâøèå ìåäèàñôåðó. Âïðî÷åì, ýòè èñïûòàíèÿ æäóò íå òîëüêî õóäîæíèêà, íî è çðèòåëåé. Òåì, êòî çíàêîì ñ òâîð÷åñòâîì Âàñè Ëîæêèíà ïî Èíòåðíåòó, ïðåäñòîèò ïðîâåðèòü ñâîè ñèìïàòèè èëè àíòèïàòèè íîâûìè âïå÷àòëåíèÿìè, à ïðî÷èì ïðåäñòîèò, íå ïîääàâàÿñü "ãíåâó è ïðèñòðàñòèþ", ñäåëàòü ñîáñòâåííûå âûâîäû îá óâèäåííîì.

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Ðåçþìå: â êîíöå êí. (íà àíãë. ÿç.)

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Etkind M., Nathan Altman. [monographie] — [1984]

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Òâîð÷åñòâî Íàòàíà Àëüòìàíà - çíà÷èòåëüíîå ÿâëåíèå â èñòîðèè ðóññêîãî è ñîâåòñêîãî èñêóññòâà. Æèâîïèñåö, ãðàôèê, ñêóëüïòîð, êíèæíûé èëëþñòðàòîð, òåàòðàëüíûé õóäîæíèê, îôîðìèòåëü ãîðîäà, îí óìåë ñî÷åòàòü â ñâîèõ ïðîèçâåäåíèÿõ êëàññè÷åñêèå òðàäèöèè è âåÿíüÿ íîâîãî, îòäåëàííîñòü ôîðìû è îáðàçíóþ ñîäåðæàòåëüíîñòü. Íåäàðîì ïîðòðåò À. Àõìàòîâîé 1914 ãîäà, ñ êîòîðûì â ïåðâóþ î÷åðåäü ñâÿçûâàåòñÿ â íàøåì ïðåäñòàâëåíèè èìÿ Àëüòìàíà, îñòàëñÿ îäíèì èç ëó÷øèõ àõìàòîâñêèõ ïîðòðåòîâ, ïåðåäàþùèõ (âåðíåå, ïðåäñêàçûâàþùèõ) âåëè÷èå è äðàìàòèçì åå ïîýçèè è ñóäüáû.

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Ukranian Painting. [àëüáîì] — [1976]

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 àëüáîìå ïîìåùåíû ïðîèçâåäåíèÿ óêðàèíñêîé æèâîïèñè ÕIV-ÕÕ âåêîâ, õðàíÿùèåñÿ â ìóçåÿõ Êèåâà, Ëüâîâà, Õàðüêîâà, Îäåññû, Ãîñóäàðñòâåííîé Òðåòüÿêîâñêîé ãàëåðåå â Ìîñêâå, à òàêæå â ÷àñòíûõ ñîáðàíèÿõ Êèåâà, Ëüâîâà, Óæãîðîäà

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Ôåäåðàëüíîå ãîñóäàðñòâåííîå áþäæåòíîå ó÷ðåæäåíèå êóëüòóðû
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