Òàðíîâñêèé Â., Ãëàäèàòîðû — Á.ã. (×òî åñòü ÷òî)

Ïðèìåðíî â ñåðåäèíà III â. äî í.ý. ðèìëÿíå ïîçàèìñòâîâàëè ó ñâîèõ ñîñåäåé ýòðóñêîâ îáû÷àé óñòðàèâàòü ïðè ïîãðåáåíèè çíàòíûõ îñîá ñìåðòåëüíûå ñõâàòêè âîîðóæåííûõ âîåííîïëåííûõ. Îäíàêî ðèìëÿí ïðèâëåêàë íå ñòîëüêî ðåëèãèîçíûé ñìûñë ýòîãî ðèòóàëà,ñêîëüêî ñàìà èãðà ñî ñìåðòüþ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Äþïóè Ý., Ïðîñòèòóöèÿ â äðåâíîñòè è ïîëîâûå áîëåçíè. ïåðåâîä — Á. ã. (1990)

Ðåïðèíòíîå èçäàíèå. Êíèãà — ôóíäàìåíòàëüíûé òðóä, âîáðàâøèé îãðîìíîå êîëè÷åñòâî ôàêòè÷åñêîãî ìàòåðèàëà î ðàçâèòèè ýòîãî îáùåñòâåííîãî ÿâëåíèÿ â Äðåâíåé Èíäèè è Åãèïòå,Ìàëîé Àçèè,Ãðåöèè è Ðèìñêîé èìïåðèè.Àâòîð ïîâåñòâóåò î ïðîñòèòóöèè,èñïîëüçóÿ âåñü êóëüòóðíûé îïûò Äðåâíåãî ìèðà. êíèãå åñòü àíàëèç ðåëèãèîçíûõ êóëüòîâ,ñîöèàëüíûõ óñëîâèé,ïðîèçâåäåíèé èñêóññòâà,äåìîãðàôèè,ìîðàëüíûõ ïðåäñòàâëåíèé, äàííûõ ìåäèöèíû,íîðìàòèâíûõ è çàêîíîäàòåëüíûõ àêòîâ,èñòîðè÷åñêèõ ïåðñîíàëèé

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ñàìûå èçâåñòíûå ìèôè÷åñêèå ñóùåñòâà. èëëþñòðèðîâàííàÿ ýíöèêëîïåäèÿ — [2011]

Êíèãà ïîñâÿùåíà ñàìûì èçâåñòíûì ìèôè÷åñêèì ñóùåñòâàì. ×èòàòåëü îêóíåòñÿ â âîëøåáíûé ìèð, íàñåëåííûé äðèàäàìè è ãèãàíòàìè, ãíîìàìè è ôåÿìè, ðóñàëêàìè è òðîëëÿìè. Áîëüøîå êîëè÷åñòâî èëëþñòðàöèé, äîïîëíåííîå èíòåðåñíûìè ôàêòàìè, ïîçâîëèò ÷èòàòåëþ îêóíóòüñÿ â àòìîñôåðó ñêàçêè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ñàìûå èçâåñòíûå ìèôû íàðîäîâ ìèðà. èëëþñòðèðîâàííàÿ ýíöèêëîïåäèÿ — [2011]

Êíèãà ïðåäëàãàåò ÷èòàòåëþ ïîçíàêîìèòüñÿ ñ ñàìûìè èçâåñòíûìè ìèôàìè íàðîäîâ ìèðà. Ëþáîïûòíûå èñòîðèè è ôàêòû î ìèôàõ äîïîëíÿåò êðàñî÷íûé èëëþñòðàòèâíûé ìàòåðèàë. ×èòàòåëü ëþáîãî âîçðàñòà íàéäåò â ýòîé ñåðèè ÷òî-òî èíòåðåñíîå äëÿ ñåáÿ, áóäü òî ïàìÿòíèêè àðõèòåêòóðû èëè øåäåâðû æèâîïèñè, ñîáûòèÿ èñòîðèè èëè ìíîãîîáðàçèå ïðèðîäû

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Pinch G., Egyptian Myth. A very short introduction — [2004] (A Very short introduction. 106)

Egyptian myths articulated the core values of one of the longest lasting civilizations in history, and myths of deities such as Isis and Osiris influenced contemporary cultures and became part of the Western cultural heritage. Egyptian Mythology: A Very Short Introduction explains the cultural and historical background to the fascinating and complex world of Egyptian myth, with each chapter dealing with a particular theme. To show the variety of source material for Egyptian myth, each chapter features a particular object: such as the obelisk known as Cleopatra's Needle, a golden statue of Tutankhamun, and a papyrus containing a story in which the Egyptian gods behave outrageously - which is illustrated by a photograph or line-drawing. The myth "The Contendings of Horus and Seth" is looked at in detail, and the many interpretations it has provoked are examined. In addition to a list of major deities and myths, there are explanations of related topics such as how hieroglyphs work, royal names and titles, and the Egyptian cosmos. There is also a timeline of Egyptian history, a glossary of technical terms and an up-to-date bibliography

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Graves R., . The Greek myths Volume II — [2003]

The definitive and comprehensive edition of Robert Graves's classic retelling of the Greek myths. "Icarus disobeyed his father's instructions and began soaring towards the sun, rejoiced by the lift of his great sweeping wings. Presently, when Daedalus looked over his shoulder, he could no longer see Icarus; but scattered feathers floated on the waves below..." These are the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - brought together into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single page-turning narrative, while full commentaries as well as a comprehensive index of names make it equally valuable for anyone seeking an authoritative and detailed account of the spectacular stories that make up the bedrock of Western literature. The Greek Myths is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Graves R., . The Greek myths Volume I — [2003]

The definitive and comprehensive edition of Robert Graves's classic retelling of the Greek myths. "Icarus disobeyed his father's instructions and began soaring towards the sun, rejoiced by the lift of his great sweeping wings. Presently, when Daedalus looked over his shoulder, he could no longer see Icarus; but scattered feathers floated on the waves below..." These are the greatest stories ever told - the labours of Hercules, the voyage of the Argonauts, Theseus and the minotaur, Midas and his golden touch, the Trojan War and Odysseus's journey home - brought together into one epic and unforgettable story. Ideal for the first time reader, it can be read as a single page-turning narrative, while full commentaries as well as a comprehensive index of names make it equally valuable for anyone seeking an authoritative and detailed account of the spectacular stories that make up the bedrock of Western literature. The Greek Myths is a classic among classics, a treasure trove of extraordinary tales and a masterful work of literature in its own right

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ëóá÷åíêîâ Þ.Í., Æåíùèíà è âëàñòü. [î Êëåîïàòðå, Ìåññàëèíå, Àãðèïïèíå Ìëàäøåé, Ïîïïåå Ñàáèíå] — [1990]

Ãåðîèíè ýòîé êíèãè — èìïåðàòðèöû, ïðàâèòåëüíèöû, æåíû èëè ôàâîðèòêè âñåñèëüíûõ ìîíàðõîâ. Áëàãîäàðÿ ëþáâè èëè óìåíèþ î÷àðîâûâàòü îíè ñàìè ïîëó÷àëè ïðàâî âëàñòâîâàòü. Íî íàñ èíòåðåñîâàëè íå ïîëèòè÷åñêèå ýêçåðñèñû ïðåäñòàâèòåëüíèö ñëàáîãî ïîëà, íàì áûëî èíòåðåñíî äðóãîå: ÷òî æå ïðîèñõîäèëî òîãäà ñ äóøîé æåíùèíû, åå ÷óâñòâàìè? Êàê ìåíÿëàñü ìîðàëü, íðàâñòâåííîñòü ïðåêðàñíîé Äàìû, îáëàäàþùåé âëàñòüþ? Íà ÷òî óïîòðåáëÿëàñü ýòà âëàñòü è êàêèå ñòîðîíû æåíñêîãî õàðàêòåðà áðàëè âåðõ?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìàñïåðî Ã. Ê. Ø., Åãèïåò — [1915] (Ars-una species-mille. Âñåîáùàÿ èñòîðèÿ èñêóññòâ)

Ìàñïåðî-ôðàíöóçñêèé åãèïòîëîã, îñíîâàòåëü ôðàíöóçñêîãî Èíñòèòóòà âîñòî÷íîé àðõåîëîãèè â Êàèðå. Ðóêîâîäèë àðõåîëîãè÷åñêèìè ðàñêîïêàìè â Åãèïòå, èññëåäîâàë òåêñòû íà âíóòðåííèõ ñòåíàõ ïèðàìèä.  ïðåäñòàâëåííîì òðóäå àâòîð äàåò ïðåäñòàâëåíèå î òîì, ÷åì áûëà æèçíü â åå ðàçëè÷íûõ ïðîÿâëåíèÿõ ó äâóõ ñàìûõ öèâèëèçîâàííûõ íàðîäîâ, æèâøèõ íà çåìëå äî ãðåêîâ.Ïåðâàÿ êíèãà åãî ìîíóìåíòàëüíîãî òðóäà ïîñâÿùåíà èñòîðèè è êóëüòóðå Åãèïòà è ÿâëÿåòñÿ îäíèì èç ïîëíîñòüþ ñîõðàíèâøèõñÿ ñèñòåìàòè÷åñêèõ èçëîæåíèé åãèïåòñêîé èñòîðèè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

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Îõîòíèê, ïîðàæàþùèé çàéöà. ìîçàèêà. ïüÿööà Àðìåðèíà â Ñèöèëèè, III â.. Èñêóññòâî äðåâíèõ ðèìëÿí

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Ðîñïèñü âèëëû Ëèâèè â Ðèìå, I â.. Èñêóññòâî äðåâíèõ ðèìëÿí

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Ðåëüåôû ñ êîëîííû Òðàÿíà. Èñêóññòâî äðåâíèõ ðèìëÿí

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Ïîðòðåò Ôèëèïïà Àðàâèòÿíèíà, III â.. ìðàìîð. Èñêóññòâî äðåâíèõ ðèìëÿí

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Êîííàÿ ñòàòóÿ Ìàðêà Àâðåëèÿ, II â.. áðîíçà. Èñêóññòâî äðåâíèõ ðèìëÿí

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Ñòàòóÿ Àâãóñòà èç Ïðèìà Ïîðòà, I â.. ìðàìîð . Èñêóññòâî äðåâíèõ ðèìëÿí

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Ñòàòóÿ ðèìëÿíèíà ñ ïîðòðåòàìè ïðåäêîâ, I â. äî í. ý.. ìðàìîð . Èñêóññòâî äðåâíèõ ðèìëÿí

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