Äåòàëüíàÿ èíôîðìàöèÿ îá èçäàíèè

Àâòîð:

Çàãëàâèå:

Komiks

Òèï íîñèòåëÿ:

Êîìèêñû

Èçäàòåëüñòâî:

University Press of Mississippi

Ãîä èçäàíèÿ:

2010

Îáúåì:

280 ñ.

Àííîòàöèÿ:

Jos™ Alaniz explores the problematic publication history of komiks--an art form much-maligned as «bourgeois» mass diversion before, during, and after the collapse of the USSR--with an emphasis on the last twenty years. Using archival research, interviews with major artists and publishers, and close readings of several works, Komiks: Comic Art in Russia provides heretofore unavailable access to the country’s rich--but unknown--comics heritage. The study examines the dizzying experimental comics of the late Czarist and early revolutionary era, caricature from the satirical journal Krokodil, and the postwar series Petia Ryzhik (the «Russian Tintin»). Detailed case studies include the Perestroika-era KOM studio, the first devoted to comics in the Soviet Union; post-Soviet comics in contemporary art; autobiography and the work of Nikolai Maslov; and women’s comics by such artists as Lena Uzhinova, Namida, and Re-I. Alaniz examines such issues as anti-Americanism, censorship, the rise of consumerism, globalization (e.g., in Russian manga), the impact of the internet, and the hard-won establishment of a comics subculture in Russia

ISBN:

978-1-60473-366-2

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Ðóññêèé

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