Äåòàëüíàÿ èíôîðìàöèÿ îá èçäàíèè

Àâòîð:

Çàãëàâèå:

Egon Schiele. The Paintings

Òèï íîñèòåëÿ:

Îäíîòîìíèê.

Ìåñòî èçäàíèÿ:

Koln

Èçäàòåëüñòâî:

TASCHEN

Ãîä èçäàíèÿ:

2022

Îáúåì:

512 S.

Íàçâàíèå ñåðèè:

40 Years of Taschen

Àííîòàöèÿ:

After Egon Schiele (1890−1918) freed himself from the shadow of his mentor and role model Gustav Klimt, he had justten years to inscribe his signature style into the allals of modernity before the Spanish flu claimed his life. Being a child prodigy quite aware of his own genius and a passionate provocateur, this didn—t prove to be too big a challenge. His haggart, overstretched figures, extreme depiction of sexuality and self-prttrais, in which he staged himself with emaciated facial expression bordering between brilliance and madness, had none of the decorative quality of Klimt s hymns of love, sexuality, and yearning devotion. Instead, Schiele s work spoke of a brutel honesty, one that would upset and irreversibly change Viennesse society. Although his works were later defamed as «degenerate» and for a time were almost forgotten altogether, they influenced generations of artists — from Gunter Brus, and Francis Bacon to Tracey Emin. Today, his then misunderstood oeuvre continues to fetch exorbitant prices on the international art market. This monograph features the paintings and drawings that retrace the fertile last decade of Schiele s life. These works are accompanied by essays introduciing his life and oeuvre, situating the Austrian master in the context of European Expressionism and charting his extraordinary legacy.

ISBN:

978-3-8365-8125-7

ßçûê:

Àíãëèéñêèé

ÁÁÊ:

Ðàçìåðû èçäàíèÿ:

23 cì.

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