Äåòàëüíàÿ èíôîðìàöèÿ îá èçäàíèè

Çàãëàâèå:

That Obscure Object of Art

Òèï íîñèòåëÿ:

Îäíîòîìíèê.

Ìåñòî èçäàíèÿ:

Vienna

Èçäàòåëüñòâî:

Stella Art Foundation

Ãîä èçäàíèÿ:

2008

Îáúåì:

161 p.

Àííîòàöèÿ:

—That Obscure Object of Art—, an exhibition of 40 works including paintings, assemblages and sculptures by 17 contemporary Russian artists, opens at the Kunsthistorische Museum in Vienna on 28 October 2008. Curated by Vladimir Levashov, the show includes artists from the Sots Art Movement such as Vitaly Komar, Alexander Melamid, Konstantin Zvezdochetov, Alexander Kosolapov and Boris Orlov, as well as works from the Moscow Conceptualists, from the same period, such as Andrey Monastyrsky, Yuri Albert, and Vadim Zakharov. The similarities and juxtapositions between these two movements of Russian art of the late 20th and early 21st century form the heart of —That Obscure Object of Art—. Often referred to as —Soviet Pop Art, — Sots Art (short for Socialist Art) originated in the Soviet Union in the early 1970s as a reaction against the official aesthetic doctrine of the state — Socialist Realism. The Moscow Conceptualist, or Russian Conceptualist, movement began with the Sots art in the early 1970s, and continued as a trend in Russian art into the 1980s. It attempted to subvert socialist ideology using conceptual art strategies.

ßçûê:

Àíãëèéñêèé, Íåìåöêèé

ÁÁÊ:

Ðàçìåðû èçäàíèÿ:

28 cì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: