Äåòàëüíàÿ èíôîðìàöèÿ îá èçäàíèè

Àâòîð:

Çàãëàâèå:

Cake and Ale:or the Skeleton in the Cupboard

Òèï íîñèòåëÿ:

Îäíîòîìíèê.

Ìåñòî èçäàíèÿ:

Moscow

Èçäàòåëüñòâî:

Progress

Ãîä èçäàíèÿ:

1980

Îáúåì:

236 [1] p.

Àííîòàöèÿ:

Cakes and Ale is a satire of London literary society between the Wars. Social climber Alroy Kear is flattered when he is selected by Edward Driffield’s wife to pen the official biography of her lionized novelist husband, and determined to write a bestseller. But then Kear discovers the great novelist’s voluptuous muse (and unlikely first wife), Rosie. The lively, loving heroine once gave Driffield enough material to last a lifetime, but now her memory casts an embarrassing shadow over his career and respectable image. Wise, witty, deeply satisfying, Cakes and Ale is Maugham at his best.

ßçûê:

Àíãëèéñêèé, Ðóññêèé

ÁÁÊ:

Ðàçìåðû èçäàíèÿ:

20 cì.

Ìåñòîíàõîæäåíèå èçäàíèÿ: