Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: A Child's Garden of Verses is one of Stevenson's most beloved works. In these short and simple poems, he has perfectly recaptured the feelings and fantasies of a small child - a thing that is not easy for a grownup to do.

Àííîòàöèÿ: Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG To equip so small a book with a preface is, I am half afraid, to sin against proportion. But a preface is more than an author can resist, for it is the reward of his labours. When the foundation stone is laid, the architect appears with his plans, and struts for an hour before the public eye. So with the writer in his preface: he may have never a word to say, but he must show himself for a moment in the portico, hat in hand, and with an urbane demeanour. It is best, in such circumstances, to represent a delicate shade of manner between humility and superiority: as if the book had been written by some one else, and you had merely run over it and inserted what was good. But for my part I have not yet learned the trick to that perfection; I am not yet able to dissemble the warmth of my sentiments towards a reader; and if I meet him on the threshold, it is to invite him in with country cordiality.

Àííîòàöèÿ: The gripping novel of a London lawyer who investigates strange occurrences surrounding his old friend, Dr. Henry Jekyll, and the misanthropic Mr. Edward Hyde. The work is known for its vivid portrayal of a split personality, split in the sense that within the same person there is both an apparently good and an evil personality each being quite distinct from the other.

Àííîòàöèÿ: First published in 1879, Edinburgh: Picturesque Notes is among the most vivid of Robert Louis Stevenson—s writings. His passion for Auld Reekie never clouded his wry wit, and his enthusiasm for the picturesque detail and the savory anecdote will delight readers today as much as they scandalized his contemporaries. Perhaps best known as the author of Treasure Island and other children—s literature, Robert Louis Stevenson was a prolific novelist, playwright, essayist, and travel writer.

Àííîòàöèÿ: Äàííîå ó÷åáíîå ïîñîáèå âêëþ÷àåò â ñåáÿ ïðîèçâåäåíèÿ, ïîäîáðàííûå â ñîîòâåòñòâèè ñ òðåáîâàíèÿìè Ìîñêîâñêîé ðåãèîíàëüíîé ïðîãðàììû "Õóäîæåñòâåííàÿ ëèòåðàòóðà" äëÿ øêîë ñ óãëóáëåííûì èçó÷åíèåì èíîñòðàííîãî ÿçûêà, ãèìíàçèé è ëèíãâèñòè÷åñêèõ ëèöååâ.  êîììåíòàðèÿõ ê òåêñòàì äàíû ëèòåðàòóðíî-ñòðàíîâåä÷åñêèå ñâåäåíèÿ è çàäàíèÿ. Êíèãà àäðåñîâàíà ó÷èòåëÿì, ó÷àùèìñÿ, à òàêæå øèðîêîìó êðóãó ëèö, èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå ïî ÷òåíèþ íà àíãëèéñêîì ÿçûêå äëÿ ñðåäíåé øêîëû. Ñîäåðæèò àóòåíòè÷íûå òåêñòû è óïðàæíåíèÿ äëÿ ó÷àùèõñÿ, ïîäãîòîâëåííûå âåäóùèìè ðîññèéñêèìè ìåòîäèñòàìè íà îñíîâå àäàïòèðîâàííûõ íîñèòåëÿìè ÿçûêà êíèã äëÿ ÷òåíèÿ ñåðèè Longman Classics (Addison Wesley Longman, Âåëèêîáðèòàíèÿ). Ïîñîáèå ìîæåò áûòü èñïîëüçîâàíî â 6-õ êëàññàõ øêîë ñ óãëóáëåííûì èçó÷åíèåì àíãëèéñêîãî ÿçûêà è 8-õ êëàññàõ îáùåîáðàçîâàòåëüíûõ øêîë. Øèðîêèé âûáîð óïðàæíåíèé ïîçâîëèò ïðåïîäàâàòåëþ ó÷èòûâàòü ïðè îáó÷åíèè èíäèâèäóàëüíûå îñîáåííîñòè ó÷àùèõñÿ è óäåëÿòü îñîáîå âíèìàíèå ðàçâèòèþ ó íèõ ñïîñîáíîñòè ê ñàìîñòîÿòåëüíîé ðàáîòå. Ïîñîáèå îðèåíòèðîâàíî íà ôîðìèðîâàíèå ó ó÷àùèõñÿ ñâîáîäíîãî âëàäåíèÿ ÿçûêîì â öåëîì, âî âçàèìîñâÿçè ìåæäó îòäåëüíûìè íàâûêàìè (÷òåíèå, ïîíèìàíèå íà ñëóõ, ïèñüìåííàÿ è óñòíàÿ ðå÷ü).

Àííîòàöèÿ: Set in Scotland during the 1745 Jacobite Rebellion, in the exotic French Indies, and in the North American wilderness, the story has as its hero one of the most compelling yet horrifying studies of evil in nineteenth-century fiction—James Durie, Master of Ballantrae. The Master is about his infective influence—on his younger, less attractive brother Henry; on Henry's wife Alison; and on those narrators whom Stevenson so skilfully employs to present their experiences of this charming, ruthless, and evil man.

Àííîòàöèÿ: Äàííîå ó÷åáíîå ïîñîáèå âêëþ÷àåò â ñåáÿ ïðîèçâåäåíèÿ, ïîäîáðàííûå â ñîîòâåòñòâèè ñ òðåáîâàíèÿìè Ìîñêîâñêîé ðåãèîíàëüíîé ïðîãðàììû "Õóäîæåñòâåííàÿ ëèòåðàòóðà" äëÿ øêîë ñ óãëóáëåííûì èçó÷åíèåì èíîñòðàííîãî ÿçûêà, ãèìíàçèé è ëèíãâèñòè÷åñêèõ ëèöååâ.  êîììåíòàðèÿõ ê òåêñòàì äàíû ëèòåðàòóðíî-ñòðàíîâåä÷åñêèå ñâåäåíèÿ è çàäàíèÿ. Êíèãà àäðåñîâàíà ó÷èòåëÿì, ó÷àùèìñÿ, à òàêæå øèðîêîìó êðóãó ëèö, èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.