Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ, Äæåðîì Ê. Äæåðîì, Àðòóð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Àííîòàöèÿ: This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting new selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

Àííîòàöèÿ: This is a book to be read by a blazing fire of a winter's evening, with the curtains drawn and the doors locked. The unquiet souls of the dead roam the pages of this haunting new selection by Rex Collings of ghost stories both as fictional creations and as 'real' apparitions. Some of these stories are classics and others are lesser-known gems unearthed from this vintage era for tales of the supernatural. There are stories from distant lands - Fisher's Ghost by John Lang is set in Australia and A Ghostly Manifestation by 'A Clergyman' is set in Calcutta. Sir Walter Scott keeps company in this selection with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

Àííîòàöèÿ: "One of the most notable and attractive forms of English Literature is the essay. In his introduction to this selection, first made for Pelican in 1942 and now enlarged and reprinted, Sir William Emrys Williams points out that the Essay, —has a multitude of forms and manners, and scarcely any rules and regulations.— Although many of the pieces chosen for this volume are such well-known ones as Charles Lamb—s —In Praise of Chimney Sweepers— or De Quincy—s memorable commentary on an episode in —Macbeth—, an endeavour has been made to remind readers that Addison, for example, wrote other and better essays than the few which are usually included in anthologies. Modern writers such as Hilaire Belloc, JB Priestly, Aldous Huxley, Robert Lynd, Ivor Brown, Harold Nicholson. EV Lucas, and VS Pritchett are given a fair share of representation."

Àííîòàöèÿ: 147 poets in a far-ranging survey of the Victorian age s significant poetic achievements. The pleasures of Victorian poetry lie in its multitude of lyric and dramatic voices and, above all, in its rhythmic power and subtlety. Nowhere else can these reading pleasures be better enjoyed than in the pages of Daniel Karlin s enormous selection of poetry written and published during the reign of Queen Victoria (1837-1901). Ranging from the late Romantic period to the brink of high modernism, The Penguin Book of Victorian Verse features a generous sampling of poems.

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ ïðåäíàçíà÷åíî äëÿ îçíàêîìëåíèÿ ñòóäåíòîâ ñ ïðîäâèíóòûì çíàíèåì àíãëèéñêîãî ÿçûêà ñ ïðîèçâåäåíèÿìè àíãëèéñêèõ è àìåðèêàíñêèõ ïîýòîâ.

Àííîòàöèÿ: The Best of the World's Classics from Great Britain and Ireland

Àííîòàöèÿ: Êíèãà ñîäåðæèò íîâåëëû àìåðèêàíñêèõ àâòîðîâ è óïðàæíåíèÿ ðàçâèòèå ÿçûêîâîé è êîììóíèêàòèâíîé êîìïåòåíöèè. Ðåêîìåíäóåòñÿ äëÿ èñïîëüçîâàíèÿ â ñðåäíèõ è âûñøèõ ó÷åáíûõ çàâåäåíèÿõ äëÿ èçó÷åíèÿ àìåðèêàíñêîãî âàðèàíòà àíãëèéñêîãî ÿçûêà íà ñòàðøåì ýòàïå, à òàêæå äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.