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Silla K., Autour du soleil. roman 2016 (Pocket)
Lorsque Louise, la veille de ses trente ans, marie et mre d'une petite Marie, rencontre un homme dans un train, sa vie bascule. Elle quitte la grisaille pour le soleil, laissant tout derrire elle. Trente-cinq ans plus tard, un matin d'hiver, Marie apprendra la vrit sur cet abandon. Jusqu' ce jour, sa mre, au dire de son pre, tait morte quand elle avait trois ans, crase par un train. L't arrive. Marie passent ses vacances en famille au bord de la mer, dans une vieille maison avec ses estivants et ses fantmes. C'est l, dans la chaleur sensuelle de l't, sous le regard d'un jeune homme sduisant et sducteur, que les dmons du secret se rveillent pour la tourmenter.
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1985
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Adventures in American Literature 1938
This new edition of Adventures in American Literature is one of five books which make up the ADVENTURES series for the senior high school. The editors have put their best thought and effort into this revision. They have consulted numerous teachers who have been teaching the text, and have received many valuable suggestions as to pruming weakness and preserving strength
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Sillars S., The Illustrated Shakespeare, 1709-1875 2008
Illustrations have been an important element of many of the most extensively read editions of Shakespeares plays, from the frontispieces to Nicholas Rowes 1709 edition to the multiple images placed within the text of Victorian editions. Through symbols the illustrations have explored language and character; by allusion to earlier paintings they have offered critical readings; and by gesture, setting and costume they have redesigned the plays within the visual vocabulary of their own times. In all these ways they offer important exchanges with contemporary social, aesthetic and critical concerns, and, despite being largely ignored by scholars, are central to the plays reception. Highly illustrated, including many images not previously reproduced, the book allows the reader to share the experience of early readers of the plays. Building on the authors earlier work in Painting Shakespeare it offers a fresh address to the tradition of visual criticism and assimilation of Shakespeares plays. A complete study of the history and tradition of illustrated editions of Shakespeare, containing 167 illustrative images from major editions.
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The Penguin Book of Modern British Short Stories 2011
The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today
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Sillitoe A., A Start in Life 1972
A great book. Michael Cullen is the perfect antidote to Gordon Comstock (Keep the Aspidistra Flying). They would have hated each othe
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Sillars S., Painting Shakespeare. the artist as critic, 1720-1820 2006 (Cambridge)
Painting Shakespeare explores the tradition of critical and interpretive painting and engraving that developed when eighteenth-century artists rejected the depiction of Shakespeare's plays in performance to produce images based on the new scholarly editions. The opening chapter locates Shakespeare painting alongside contemporary performance, editing and criticism, and discusses its relation to art history and practice. The book proceeds to examine Hogarth's use of ironic allusion, and the development of this and other techniques of critical visualisation by artists of the succeeding decades. Later chapters discuss the arcane allusions and supernatural visions of Fuseli, the gestural immediacy of Romney, the fluid, critical mythologising of Blake, and the compound subtleties of Reynolds. The book concludes with a study of the Boydell Shakespeare Gallery and the radically new reading practices it constituted.
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