Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Als ein besonderer Vorzug dieser Veroffentlichung hat die vorzugliche Bildwiedergabe zu gelten. Sie wurde dadurch ermoglicht, dass die Besitzer der Blatter die Originale wochenlang zur Verfugung stellten, so dass eine standige Uberwachung von Reproduktion und Druck erfolgen konnte

Àííîòàöèÿ: Èçâåñòíûé ïñèõîòåðàïåâò Äæîíàòàí Ðîáèíñîí óâåðåí: ïðàâèëüíîå îáùåíèå â ïàðå — çàëîã ñ÷àñòëèâûõ è äîëãèõ îòíîøåíèé. È íàó÷èòüñÿ ýòîìó ñîâñåì íåñëîæíî.  êíèãå îí îïèñûâàåò îñíîâàííûé íà íàó÷íûõ èññëåäîâàíèÿõ ìåòîä, êîòîðûé ïîìîã òûñÿ÷àì ïàð ïðåîäîëåòü ñëîæíûå ïåðèîäû è íàó÷èòüñÿ ëó÷øå ïîíèìàòü äðóã äðóãà. Áëàãîäàðÿ äîñòóïíûì îáúÿñíåíèÿì è áîëüøîìó êîëè÷åñòâó ïðàêòè÷åñêèõ ïðèìåðîâ âû ëåãêî ñìîæåòå âíåäðèòü ýòîò ìåòîä è â ñâîþ æèçíü. Âû î÷åíü áûñòðî îùóòèòå ïîëîæèòåëüíûå ïåðåìåíû: íàó÷èòåñü ðåøàòü ïðîáëåìû ëåãêî è áåç ñêàíäàëîâ; âàø ïàðòíåð áóäåò ñëûøàòü è ïîíèìàòü âàñ; âàøè îòíîøåíèÿ ñòàíóò áîëåå äîâåðèòåëüíûìè; âû ïî÷óâñòâóåòå ñåáÿ ïîëíîñòüþ ëþáèìûìè. Ñîâåòû àâòîðà ñðàáîòàþò, äàæå åñëè âàø ïàðòíåð íå íàñòðîåí ìåíÿòüñÿ!

Àííîòàöèÿ: Àâòîðû ìåæäóíàðîäíîãî áåñòñåëëåðà «Ïî÷åìó îäíè ñòðàíû áîãàòûå, à äðóãèå áåäíûå» â ñâîåé íîâîé êíèãå èññëåäóþò, êàê îäíè ñòðàíû ðàçâèâàþòñÿ è îáåñïå÷èâàþò ñâîáîäó ãðàæäàíàì, à äðóãèå âïàäàþò â äåñïîòèçì èëè áåççàêîíèå. Ñâîáîäà âîçíèêàåò, êîãäà ìåæäó ãîñóäàðñòâîì è îáùåñòâîì, ìåæäó ýëèòàìè è ãðàæäàíàìè óñòàíàâëèâàåòñÿ õðóïêîå è ïîñòîÿííîå ðàâíîâåñèå. Íî êàê èì íàó÷èòüñÿ íå òîëüêî êîíêóðèðîâàòü, íî è ñîòðóäíè÷àòü? Êàê ïðîéòè âåäóùèì ê ñâîáîäå óçêèì êîðèäîðîì, çàæàòûì ìåæäó äåñïîòèçìîì è àíàðõèåé? È ïî÷åìó ýòîò êîðèäîð ñòîëü óçîê? Îòâå÷àÿ íà òàêèå âîïðîñû, Ä. Àäæåìîãëó è Ä. À. Ðîáèíñîí ïîìîãàþò íàì ïîíÿòü ïðîøëîå è íàñòîÿùåå, à òàêæå çàãëÿíóòü â áóäóùåå.

Àííîòàöèÿ: Èç êíèãè âû óçíàåòå, êàê ïðîåêòèðîâàòü è ðåàëèçîâûâàòü ïðèëîæåíèÿ, îñíîâàííûå íà ãðàôîâûõ áàçàõ äàííûõ, ïðèâíîñÿùèõ ìîùü ãðàôîâ â øèðîêèé êðóã ïðèêëàäíûõ îáëàñòåé. Åñëè âàì íåîáõîäèìî óìåíüøèòü âðåìÿ âûïîëíåíèÿ çàïðîñîâ ïîëüçîâàòåëåé èëè ñîçäàòü áàçó äàííûõ, ñïîñîáíóþ ïðèñïîñàáëèâàòüñÿ ïîä áûñòðî ðàçâèâàþùèéñÿ áèçíåñ, ýòà êíèãà ïðîäåìîíñòðèðóåò âàì ïðàêòè÷åñêîå ïðèìåíåíèå ãðàôîâûõ ìîäåëåé.

Àííîòàöèÿ: English Unlimited is a six-level goals-based course for adults. Centred on purposeful, real-life objectives, it prepares learners to use English independently for global communication. The Self-study Pack consists of a Workbook with DVD-ROM. It enables learners to consolidate and build upon work done in class. The Workbook provides extra 'Explore Writing' tasks plus a complete 'Explore Reading' syllabus, as well as 'Over to you' exercises allowing personalisation of language practice. In addition to over 300 interactive practice activities, the DVD-ROM includes video for every unit featuring international speakers, documentary clips, a self-recording and playback tool for pronunciation practice, and customisable "QuickCheck" tests to monitor progress.

Àííîòàöèÿ: English Unlimited is a six-level goals-based course for adults. Centred on purposeful, real-life objectives, it prepares learners to use English independently for global communication. The Self-study Pack consists of a Workbook with DVD-ROM. It enables learners to consolidate and build upon work done in class. The Workbook provides extra 'Explore Writing' tasks plus a complete 'Explore Reading' syllabus, as well as 'Over to you' exercises allowing personalisation of language practice. In addition to over 200 interactive practice activities, the DVD-ROM includes video for every unit featuring international speakers, a self-recording and playback tool for pronunciation practice, animated clips offering speaking practice in everyday situations, and customisable 'QuickCheck' tests to monitor progress.

Àííîòàöèÿ: The Worst Children s Jobs in History takes you back to the days when being a kid was no excuse for getting out of hard labor. This book tells the stories of all the children whose work fed the nation, kept trains running, and put clothes on everyone s backs over the last few hundred years of Britain's history. From a jigger-turner to a turnip-picker, from an orderly boy to a matchbox maker, this book will tell you things you probably didn't want to know about the back-breaking realities of being a child in the past.

Àííîòàöèÿ: The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Àííîòàöèÿ: Íà íåìåöêîì ÿçûêå. Ðåìè Ìàðêîâè÷ ðîäèëñÿ â Öþðèõå â 1957 ãîäó. Æèâåò è ðàáîòàåò â Ëþöåðíå è Áåðëèíå. Ìíîãî÷èñëåííûå âûñòàâêè â Ãåðìàíèè è Øâåéöàðèè."Ïàëåö â êíèãå" - òàê íàçûâàåòñÿ èíñòàëëÿöèÿ Ðåìè Ìàðêîâè÷à. Îäíîèìåííàÿ êíèãà ñîïðîâîæäàëà âûñòàâêó, ïîñâÿùåííóþ ïðèñóæäåíèþ Ðåìè Ìàðêîâè÷ó ïðåìèè "Óñàäüáà Àðò" â 1996 ãîäó, è ïðåäñòàâëÿåò îáðàçöû ñåðèè êàðòèí, âûïóùåííûõ â âèäå ìóëüòèïëèêàòîðîâ, è êàäðû èç íîâîé èíñòàëëÿöèè "×òåíèÿ".

Àííîòàöèÿ: Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative.

Àííîòàöèÿ:  íàñòîÿùåì èçäàíèè ïî÷òè â ïîëíîì îáúåìå âîñïðîèçâåäåíû òðè íàèáîëåå èçâåñòíûõ êàê â íàó÷íûõ, òàê è â øèðîêèõ ÷èòàòåëüñêèõ êðóãàõ ñáîðíèêà ôîëüêëîðíûõ òåêñòîâ, èçäàííûõ íà àíãëèéñêîì è ôðàíöóçñêîì ÿçûêàõ. Òåêñòû ýòè ïðèâëåêàþò âíèìàíèå íå òîëüêî ñàìè ïî ñåáå, íî åùå è òåì. êàê îíè «ïîäàíû» ñîáèðàòåëÿ ìè, êîòîðûå ïîëüçîâàëèñü ñîâåðøåííî ðàçíûìè ìåòîäàìè ñáîðà è îáðàáîòêè ìàòåðèàëîâ

Àííîòàöèÿ: Bad faith as the author calls the dissonance between what we profess to believe, how we act and how we interpret our own behaviour, is more than a theme in Mark Twain. Robinson shows that Twain's bleak view of man's social nature, his nostalgia, his ambivalence about the South and his complex relationship to his audience, can all be traced to an awareness of the deceits at the core of his culture.

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû òâîð÷åñòâà àìåðèêàíñêèõ ïîýòîâ XIX-XX ââ. è èõ ïåðåâîäû íà ðóññêèé ÿçûê. Êíèãà äàåò íàãëÿäíîå ïðåäñòàâëåíèå î òîì, êàê ðàçâèâàëàñü ðóññêàÿ è ñîâåòñêàÿ øêîëà ñòèõîòâîðíîãî ïåðåâîäà è êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àìåðèêàíñêàÿ ïîýçèÿ. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, êîììåíòàðèÿìè, ñïðàâêàìè îá àâòîðàõ è ïåðåâîä÷èêàõ è àäðåñîâàíî øèðîêèì êðóãàì ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ: The penguin book of english verse.

Àííîòàöèÿ: The fifth volume of Poets of the English Language brings together the most representative poets of two latter-day groups. In style and craftsmanship the poetry of the last half of the nineteenth century and first part of the twentieth extended, developed, and refined the discoveries of the early Romantics.

Àííîòàöèÿ: 147 poets in a far-ranging survey of the Victorian age s significant poetic achievements. The pleasures of Victorian poetry lie in its multitude of lyric and dramatic voices and, above all, in its rhythmic power and subtlety. Nowhere else can these reading pleasures be better enjoyed than in the pages of Daniel Karlin s enormous selection of poetry written and published during the reign of Queen Victoria (1837-1901). Ranging from the late Romantic period to the brink of high modernism, The Penguin Book of Victorian Verse features a generous sampling of poems.

Àííîòàöèÿ: Ðàññêàç (íàðÿäó ñ áàëëàäîé) -"ñàìûé íàöèîíàëüíûé æàíð" àâñòðàëèéñêîé ëèòåðàòóðû, êîòîðûé ïîìîãàåò ïðîñëåäèòü âîçíèêíîâåíèå, ðîñò öåëîé ñòðàíû, íàöèè, çàïå÷àòëåâàåò ðàçâèòèå õóäîæåñòâåííîãî ïîçíàíèÿ ìèðà è ÷åëîâåêà. Ñîñòàâ ýòîãî ñáîðíèêà ìíîãî è äîëãî ïðîäóìûâàëñÿ, óòî÷íÿëñÿ, ìåíÿëñÿ. Àâñòðàëèéñêèå ïèñàòåëè Êàòàðèíà Ñóñàííà Ïðè÷àðä, Ôðýíê Äýëáè Äýâèñîí, Äæîí Ìîððèñîí, Àëàí Ìàðøàëë, Ëèíäîë Õýäîó, Äæóäà Óîòåí, Áèëë Ñàòòîí,Äæåéìñ Õåíäåðñîí, Äæîí Ìýíèôîëä, Ïèòåð Êàóýí, Êëåì Êðèñòåñåí, Àëåê Õîóï, Äæóäèò Ðàéò è äð. ïðèíÿëè ñàìîå çàèíòåðåñîâàííîå ó÷àñòèå â îáñóæäåíèè áóäóùåãî èçäàíèÿ.  äàííîì ñáîðíèêå ðàññêàçû ïðåäñòàâëåíû â îðèãèíàëå-íà àíãëèéñêîì ÿçûêå. ÊÍÈãà ïðåäíàçíà÷åíà ñòóäåíòàì, èçó÷àþùèì àâñòðàëèéñêóþ ëèòåðàòóðó è àíãëèéñêèé ÿçûê, à òàêæå øèðîêîìó êðóãó ÷èòàòåëåé

Àííîòàöèÿ: Õðåñòîìàòèÿ ÿâëÿåòñÿ ïðàêòè÷åñêèì ïîñîáèåì äëÿ ñòóäåíòîâ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è àìåðèêàíñêóþ ëèòåðàòóðó.  õðåñòîìàòèè ïðåäñòàâëåíû îòðûâêè èç ïðîèçâåäåíèé êðóïíûõ àìåðèêàíñêèõ ïðîçàèêîâ è ïîýòîâ.

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.