Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Êíèãà ïîñâÿùåíà âîêàëèñòó ëåãåíäàðíîé ãðóïïû Joy Division Èýíó ʸðòèñó, ïîêîí÷èâøåìó æèçíü ñàìîóáèéñòâîì â 1980 ãîäó â âîçðàñòå 23 ëåò. È ñïóñòÿ äåñÿòèëåòèÿ îí ïðîäîëæàåò îñòàâàòüñÿ êóëüòîâîé ôèãóðîé. Àâòîðû åãî íîâîé áèîãðàôèè - Ìèê Ìèääëç, æóðíàëèñò, ïåðâûì âçÿâøèé èíòåðâüþ ó Joy Division (è ïîòîì òåñíî îáùàâøèéñÿ ñ ãðóïïîé óæå â âîçðîæä¸ííîì âàðèàíòå New Order), è Ëèíäñè Ðèä, áûâøàÿ ñîó÷ðåäèòåëåì Factory Records âìåñòå ñî ñâîèì òîãäàøíèì ìóæåì Òîíè Óèëñîíîì. Íà îñíîâå äîêóìåíòîâ è èíòåðâüþ ñ ìíîæåñòâîì ëþäåé - îò ÷ëåíîâ ñåìüè ʸðòèñà è åãî áëèæàéøåãî òâîð÷åñêîãî îêðóæåíèÿ äî ñòîðîííèõ ñâèäåòåëåé ñîáûòèé - îíè ïûòàþòñÿ ïðåäñòàâèòü æèçíü ýòîãî íåîðäèíàðíîãî ÷åëîâåêà â å¸ ïðîçàè÷åñêîé ïðàâäå, íà êîòîðîé âûðîñëè è åãî ëè÷íîñòü, è åãî âäîõíîâåíèå, è åãî òðàãåäèÿ.

Àííîòàöèÿ: Óäèâèòåëüíàÿ êîëëåêöèÿ âäîõíîâëÿþùèõ èñòîðèé îò æåíùèí. Êàê îíè ëþáÿò è êàê ïåðåæèâàþò ïîòåðè, êàê æåðòâóþò ìíîãèì ðàäè ñåìüè è ñêîëüêî ðàäîñòè ïîëó÷àþò âçàìåí, êàê îíè ñòàðåþò è ñòàëêèâàþòñÿ ñ áîëåçíÿìè è êàê îíè ïðåêðàñíû è ñèëüíû. Ñòåéñè ðîäèëàñü íå òàêîé êàê âñå, íî ïîëó÷èëà îò æèçíè âñå, ÷òî õîòåëà. Êàêèå òðè ñåêðåòà ñ÷àñòüÿ ïîääåðæèâàëè ìàòü-îäèíî÷êó â ñàìûå òðóäíûå âðåìåíà. Äæîàí ïåðåæèëà â äåòñòâå íàñèëèå è íà÷àëà "çàåäàòü" âíóòðåííþþ áîëü. Àíäæåëà êàðäèíàëüíî èçìåíèëà æèçíü, íàó÷èâøèñü ãîâîðèòü "íåò". 1716 ïèñåì ïîíàäîáèëîñü Ëóèçå, ïðåæäå ÷åì ñîåäèíèòüñÿ ñ ëþáèìûì— Ýòè è äðóãèå 96 èñòîðèé òðîíóò âàøå ñåðäöå, çàñòàâÿò ñìåÿòüñÿ, ïëàêàòü è ñíîâà âëþáèòüñÿ â æèçíü

Àííîòàöèÿ: Ìàòåðèàë êíèãè îõâàòûâàåò áóðíûé è ïðîòèâîðå÷èâûé ïåðèîä ðàçâèòèÿ ñîâðåìåííîãî èñêóññòâà ñ êîíöà XIX äî íà÷àëà 60-õ ãîäîâ ÕÕ âåêà. Êëþ÷åâîå ñëîâî â åå íàçâàíèè - "ñîâðåìåííàÿ" - îïðåäåëèëî âûáîð àâòîðà: îí âûñòðàèâàåò ðÿä ñêóëüïòîðîâ - îò Ðîäåíà äî Ñåçàðà, â òâîð÷åñòâå êîòîðûõ ïðîèçîøåë ðåøèòåëüíûé ðàçðûâ ñ êëàññè÷åñêîé òðàäèöèåé, è àíàëèçèðóåò èõ ðàáîòû, îòâå÷àþùèå äóõó íîâîãî âðåìåíè.

Àííîòàöèÿ: Êíèãà îñíîâàíà íà èññëåäîâàíèÿõ äåçîêñèðèáîíóêëåèíîâîé êèñëîòû, êîòîðûå äîêàçûâàþò ñëåäóþùåå: ÄÍÊ - ýòî íå îáû÷íàÿ ìîëåêóëà â ÷åëîâå÷åñêîì îðãàíèçìå è äàæå íå ïðîñòî ìîëåêóëà, íåñóùàÿ â ñåáå ïðÿìûå ãåíû ðîäèòåëåé. Ýòî öåëûé çàøèôðîâàííûé èñòîðè÷åñêèé äîêóìåíò! Åãî ðàñøèôðîâêàì è, êàê ñëåäñòâèå, ýêñêóðñó â èñòîðè÷åñêîå ïðîøëîå ÷åëîâå÷åñòâà è ïîñâÿùåíà ýòà êíèãà

Àííîòàöèÿ: Ðûöàðè-õðàìîâíèêè. Íàâåðíîå, ÑÀÌÛÉ ÇÍÀÌÅÍÈÒÛÉ â èñòîðèè îðäåí «âîèíîâ Õðèñòîâûõ» — îðäåí, îâåÿííûé áåñ÷èñëåííûì ìíîæåñòâîì ìèñòè÷åñêèõ ëåãåíä — òî ïðåêðàñíûõ, òî ïóãàþùèõ... Èõ âçëåò áûë ìîëíèåíîñíûì. Èõ âëàñòü — îãðîìíîé. Èõ ïàäåíèå - ÑÒÐÀØÍÛÌ. Íî — ñêîëüêî æå ïðàâäû êðîåòñÿ çà ìèôàìè è ëåãåíäàìè, ïðè÷óäëèâî ñìåøàâøèìè èñòèíó è âûìûñåë? Îòâåò íà ýòîò âîïðîñ äàåò ÏÎÒÐßÑÀÞÙÀß êíèãà Ïèðñà Ïîëà Ðèäà!

Àííîòàöèÿ: This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Àííîòàöèÿ: Up The Line To Death: The War Poets 1914—1918 is a poetry anthology edited by Brian Gardner, and first published in 1964. It was a thematic collection of the poetry of World War I.A significant revisiting of the tradition of the war poet, writing in English, it was backed up by strong biographical research on the poets included. Those were mainly British and Irish combatants of World War I; but there are also Australian, Canadian and American poets. The poems are arranged roughly in chronological order, from the start of the war to the end. Some contemporary poems by major poets not involved in the fighting are also given. The title of the anthology comes from the Siegfried Sassoon poem Base Details.

Àííîòàöèÿ: Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

Àííîòàöèÿ: The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ ïðåäíàçíà÷åíî äëÿ îçíàêîìëåíèÿ ñòóäåíòîâ ñ ïðîäâèíóòûì çíàíèåì àíãëèéñêîãî ÿçûêà ñ ïðîèçâåäåíèÿìè àíãëèéñêèõ è àìåðèêàíñêèõ ïîýòîâ.

Àííîòàöèÿ: There was no othrer place quite like it. Round the market square the life of Caxley revolved, from horse-drawn drays to the noisy new motors and the aeroplanes which the young men of Caxley longed to fly, from the coronation of King Edward VII to the last flowering of the Empire, ending on the muddy battlefields of the Somme.

Àííîòàöèÿ: Through the eyes of many Fairacre friends, we trace Mrs. Pringle's life and her stormy standing as the redoubtable cleaner of the town's school. However maddening she is, life at Fairacre would be poorer without her.

Àííîòàöèÿ: VILLAGE CENTENARY welcomes us back to Miss Read's cozy downland village just in time for the one hundredth anniversary of Fairacre School. Miss Clare, who was a pupil and later a teacher there, points out that such a centenary should be celebrated, and all of Fairacre is quick to offer suggestions -- from a tea party to a full-scale pageant. Deciding how best to stage the grand occasion, however, is only of Miss Read's problems. The ancient skylight in the school is leaking, and Mr. Willetts fears that replacing it will be a difficult job. The new teacher, Miss Briggs, fresh from college and full of idealistic theories, proves a thorn in Miss Read's side. The vicar has decided to keep bees. Miriam Quinn is afraid she might have to leave home. And Mrs. Pringle is her usual dour self. But the seasons continue to change, and the centenary year unfolds with its hopes and fears, its memories and forecasts, its friendships and feuds. VILLAGE CENTENARY marks yet another delightful year in the company of our favorite Fairacre friends.

Àííîòàöèÿ: When a white robin comes to the quiet village of Fairacre, it becomes the focus of nationwide attention. Nicknamed Snowboy, Snowball, Snowflake, the villagers adopt him as their own. But their pride is short-lived and their hopes brutally dashed to the ground when tragedy strikes. However, bitterness does not last in the hearts of those at Fairacre, and it is not too long before their patience and their faith are rewarded.