Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Aciman A., Twitterature. The World's Greatest Books. Retold Through Twitter — 2009

Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

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Ïîäðîáíàÿ èíôîðìàöèÿ

100 Favorite English and Irish Poems — 2006

Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

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Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêàÿ ïîýçèÿ â ðóññêèõ ïåðåâîäàõ (XIV-XIX âåêà). [ñáîðíèê] — 1981

 àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

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Ïîäðîáíàÿ èíôîðìàöèÿ

Marlowe C., Two Tragedies (Tamburlaine the Great, Parts I and II. The Tragical History of Doctor Faustus) — 1980

"Òàìåðëàí Âåëèêèé" è "Òðàãè÷åñêàÿ èñòîðèÿ äîêòîðà Ôàóñòà" - ëó÷øèå, íàèáîëåå çíà÷èòåëüíûå è ãëóáîêèå ïðîèçâåäåíèÿ ãåíèàëüíîãî àíãëèéñêîãî äðàìàòóðãà Êðèñòîôåðà Ìàðëî, ðîâåñíèêà Øåêñïèðà.  ïåðâîé èç ýòèõ òðàãåäèé äðàìàòóðã, îáðàùàÿñü ê ëåãåíäå î ñðåäíåàçèàòñêîì çàâîåâàòåëå Òèìóðå, ñîçäàë îáðàç ãåðîÿ-òèòàíà, êîòîðûé âíóøàåò îäíîâðåìåííî âîñõèùåíèå è óæàñ. Âòîðàÿ òðàãåäèÿ ïðåäñòàâëÿåò ñîáîé, ïî ñëîâàì àêàäåìèêà Â. Ì. Æèðìóíñêîãî, "ðåøàþùåå çâåíî â äðàìàòè÷åñêîì ïåðåîôîðìëåíèè è èäåéíîì èñòîëêîâàíèè íàðîäíîé ëåãåíäû" î ÷åðíîêíèæíèêå Ôàóñòå, ïðîäàâøåì äóøó äüÿâîëó. Èçäàíèå ñíàáæåíî ïîñëåñëîâèåì, êîììåíòàðèåì è ñëîâàðåì óñòàðåâøèõ è ìàëîóïîòðåáèòåëüíûõ ñëîâ. Ïðåäíàçíà÷àåòñÿ äëÿ ñòóäåíòîâ èíñòèòóòîâ è ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ è ôèëîëîãè÷åñêèõ ôàêóëüòåòîâ óíèâåðñèòåòîâ.

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Ïîäðîáíàÿ èíôîðìàöèÿ

An Anthology of English and American Verse — 1972

Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

An Antology of English and American Verse — 1972

Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

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Ïîäðîáíàÿ èíôîðìàöèÿ

100 Best-Loved Poems — 1995

Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative

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Ïîäðîáíàÿ èíôîðìàöèÿ

Marlowe C., The Complete Plays — 1977 (English Library)

Their texts fully restored by recent scholarship, Marlowe s astonishing works can now be appreciated as originally written. This edition includes all of Marlowe s plays, including two versions of Doctor Faustus.

Ñîäåðæàíèå: Dido,Queen of Carthage;Tamburlaine the Great;Doctor Faustus;The Jew of Malta;Edward the Second;The Massacre at Paris

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Ïîäðîáíàÿ èíôîðìàöèÿ

Marlowe C., Doctor Faustus. A-text(1604) — 2003 (New Longman Literature)

One of the most durable myths in Western culture, the story of Faust tells of a learned German doctor who sells his soul to the devil in exchange for knowledge and power. Early enactments of Faust's damnation were often the raffish fare of clowns and low comedians. But the young Elizabethan playwright Christopher Marlowe (1564—1593) recognized in the story of Faust's temptation and fall the elements of tragedy. In his epic treatment of the Faust legend, Marlowe retains much of the rich phantasmagoria of its origins. There are florid visions of an enraged Lucifer, dueling angels, the Seven Deadly Sins, Faustus tormenting the Pope, and his summoning of the spirit of Alexander the Great. But the playwright created equally powerful scenes that invest the work with tragic dignity, among them the doomed man's calling upon Christ to save him and his ultimate rejection of salvation for the embrace of Helen of Troy. With immense poetic skill, and psychological insight that foreshadowed the later work of Shakespeare and the Jacobean playwrights, Marlowe created in Dr. Faustus one of the first true tragedies in English. Vividly dramatic, rich in poetic grandeur, this classic play remains a robust and lively exemplar of the glories of Elizabethan drama.

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Ïîäðîáíàÿ èíôîðìàöèÿ