Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Dreiser T., Twelve Men — 2018

World-famous for his novels Sister Carrie and Jennie Gerhardt, Theodore Dreiser was also highly accomplished in journalism, autobiography, and travel writing. In 1919 Dreiser proposed to publish a "book of characters" that would collect twelve biographical sketches of individuals who were major influences on Dreiser, both as a man and as a writer. The men profiled in Twelve Men are a diverse and colorful group: from Dreiser's equally famous brother, the song-writer Paul Dreiser, to the entirely obscure railroad foreman Michael Burke, on whose work crew Dreiser had labored in 1903

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., Sister Carrie — 2018

When a girl leaves her home at eighteen, she does one of two things. Either she falls into saving hands and becomes better, or she rapidly assumes the cosmopolitan standard of virtue and becomes worse. The tale of Carrie Meeber's rise to stardom in the theatre and George Hurstwood's slow decline captures the twin poles of exuberance and exhaustion in modern city life as never before. The premier example of American naturalism, Dreiser's remarkable first novel has deeply influenced such key writers as William Faulkner, F. Scott Fitzgerald, Saul Bellow, and Joyce Carol Oates.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., An American Tragedy. Part 1. A Novel in English — 2016 (Çàðóáåæíàÿ êëàññèêà - ÷èòàé â îðèãèíàëå)

Ñåðèÿ êíèã "Çàðóáåæíàÿ êëàññèêà - ÷èòàé â îðèãèíàëå" - ýòî áåññìåðòíûå ïðîèçâåäåíèÿ âåëèêèõ ìàñòåðîâ ïåðà, íàïèñàííûå èìè íà èõ ðîäíîì ÿçûêå è íàðå÷èè. Êíèãè èç ýòîé ñåðèè ïîìîãóò ÷èòàòåëþ óãëóáëåííî èçó÷àòü èíîñòðàííûå ÿçûêè, îáîãàòÿò åãî âíóòðåííèé ìèð è ïî-íîâîìó îòêðîþò ïðîèçâåäåíèÿ èçâåñòíûõ êëàññèêîâ. Ó÷èñü àíãëèéñêîìó ó Òåîäîðà Äðàéçåðà!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ó÷åáíîå ïîñîáèå ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2011

Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

20 Great American Short Stories — 2003 (English)

Âíèìàíèþ ÷èòàòåëåé ïðåäëàãàåòñÿ ïîëíûé, íåàäàïòèðîâàííûé òåêñò äâàäöàòè èçáðàííûõ ðàññêàçîâ èçâåñòíûõ àìåðèêàíñêèõ ïèñàòåëåé. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è ñîâåðøåíñòâóþùèõ ñâîè íàâûêè â íåì.

Ñîäåðæàíèå: Ms.Found in a Bottle/Poe/What Was It?/O'Brien/Luck/Twain/The Outcasts of Poker Flat/Harte/The Damned Thing/Bierce/The Two Faces/James/The Dilettante/Wharton/Masters of Arts/Henry/The Bride Comes to Yellow Sky/Crane/The Lost Phoebe/Dreiser/Death in the Woods/Anderson/To Build a Fire/London/Silent Snow, Secret Snow/Aiken/By the Waters of Babylon/Benet/The Old People/Faulkner/A Man of the World/Hemingway/The Harness/Steinbeck/There Was a Young Lady of Pearth/Saroyan/The Girls in Their Summer Dresses/Shaw/The Lucid Eye in Silver Town/Updike/

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Great American Short Stories — 2002 (Dover. Thrift. Editions)

Featuring 19 of the finest works in the American short-story tradition, this compilation includes: The Tell-Tale Heart by Edgar Allan Poe, Bartleby by Herman Melville, To Build a Fire by Jack London, Bernice Bobs Her Hair by F. Scott Fitzgerald, The Killers by Ernest Hemingway, plus stories by Hawthorne, Twain, Cather, and others

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êàãàíîâà À.Ô., English for Extra-mural Students. ïîñîáèå ïî àíãëèéñêîìó ÿçûêó äëÿ ñòàðøèõ êóðñîâ çàî÷íûõ îòä. èí-òîâ èíîñòð. ÿçûêîâ — 1980

Öåëü ïîñîáèÿ-äàëüíåéøåå ðàçâèòèå íàâûêîâ óñòíîé è ïèñüìåííîé ðå÷è, ðàñøèðåíèå ñëîâàðÿ è çàêðåïëåíèå ÿçûêîâûõ ñòðóêòóð, ÷òî äîñòèãàåòñÿ îïðåäåëåííîé ñèñòåìîé óïðàæíåíèé.  ïîñîáèå âêëþ÷åíû îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ àâòîðîâ ÕÕ â., ðàçíîîáðàçíûå ïî òåìàòèêå, ÿçûêó è ñòèëþ. Ïîñîáèå ïðåäíàçíà÷àåòñÿ äëÿ ñòóäåíòîâ çàî÷íûõ îòäåëåíèé èíñòèòóòîâ èíîñòðàííûõ ÿçûêîâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî ñîâðåìåííîé àìåðèêàíñêîé ëèòåðàòóðå (1917-1941) — 1974

Õðåñòîìàòèÿ ÿâëÿåòñÿ ïðàêòè÷åñêèì ïîñîáèåì äëÿ ñòóäåíòîâ, èçó÷àþùèõ àíãëèéñêèé ÿçûê è àìåðèêàíñêóþ ëèòåðàòóðó.  õðåñòîìàòèè ïðåäñòàâëåíû îòðûâêè èç ïðîèçâåäåíèé êðóïíûõ àìåðèêàíñêèõ ïðîçàèêîâ è ïîýòîâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

50 Great American Short Stories — 1972

A brilliant,far-reaching collection of stories from Washington Irving to John Updike

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., An American Tragedy. Vol.1 — 1949

On one level, An American Tragedy is the story of the corruption and destruction of one man, Clyde Griffiths, who forfeits his life in desperate pursuit of success. On a deeper, more profound level, the novel represents a massive portrayal of the society whose values both shape Clyde s tawdry ambitions and seal his fate: It is an unsurpassed depiction of the harsh realities of American life and of the dark side of the American Dream. Extraordinary in scope and power, vivid in its sense of wholesale human waste, unceasing in its rich compassion, An American Tragedy stands as Theodore Dreiser s supreme achievement. Based on an actual crime case, An American Tragedy was the inspiration for the film A Place in the Sun, winner of six Academy Awards, starring Elizabeth Taylor and Montgomery Clift.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., An American Tragedy. Vol.2 — 1949

On one level, An American Tragedy is the story of the corruption and destruction of one man, Clyde Griffiths, who forfeits his life in desperate pursuit of success. On a deeper, more profound level, the novel represents a massive portrayal of the society whose values both shape Clyde s tawdry ambitions and seal his fate: It is an unsurpassed depiction of the harsh realities of American life and of the dark side of the American Dream. Extraordinary in scope and power, vivid in its sense of wholesale human waste, unceasing in its rich compassion, An American Tragedy stands as Theodore Dreiser s supreme achievement. Based on an actual crime case, An American Tragedy was the inspiration for the film A Place in the Sun, winner of six Academy Awards, starring Elizabeth Taylor and Montgomery Clift.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., Jennie Gerhardt — 2004

Ýòî ðîìàí î íàñòîÿùåé ëþáâè, áåñêîðûñòíîé è âîçâûøåííîé, âñòðå÷àþùåé íà ñâîåì ïóòè ïðåïÿòñòâèÿ, çàêàëÿþùèå õàðàêòåð ãëàâíîé ãåðîèíè, ñïîñîáñòâóþùèå åå ñòàíîâëåíèþ êàê ëè÷íîñòè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., The Financier — 2013 (Classical Literature)

"Ôèíàíñèñò" - ïåðâàÿ ÷àñòü ìîíóìåíòàëüíîé "Òðèëîãèè æåëàíèé", â êîòîðóþ âõîäÿò òàêæå ðîìàíû "Òèòàí" è "Ñòîèê".  åå îñíîâó ïîëîæåíà èñòîðèÿ æèçíè ìèëëèîíåðà ×àðëçà Èåðêñà. Ãëàâíûé ãåðîé òðèëîãèè - Ôðýíê Êàóïåðâóä. Êîììåð÷åñêàÿ ñðåäà, îêðóæàâøàÿ Ôðýíêà ñ äåòñòâà, ôîðìèðóåò â íåì ïñèõîëîãèþ ïðåäïðèíèìàòåëÿ. Íà÷àâ ñ ìåëêèõ ñïåêóëÿöèé, ïîñòåïåííî âòÿãèâàÿñü â ñìåëûå è ðèñêîâàííûå îïåðàöèè, â óñëîâèÿõ æåñòîêîé áîðüáû Êàóïåðâóä ïðèîáðåòàåò ñîñòîÿíèå. Íàïîðèñòîñòü, ýíåðãèÿ è òàëàíò äåëàþò ãåðîÿ ôèíàíñîâûì ãåíèåì. Îñîçíàâ ñèëó íàêîïëåííûõ èì êàïèòàëà è ïðîôåññèîíàëüíîãî îïûòà, Ôðýíê Êàóïåðâóä ïðîâîçãëàøàåò ñâîé æèçíåííûé ëîçóíã, äàâøèé íàçâàíèå âñåé òðèëîãèè: "Ìîè æåëàíèÿ ïðåæäå âñåãî". Íåàäàïòèðîâàííûé òåêñò ïðèâîäèòñÿ ñ íåêîòîðûìè ñîêðàùåíèÿìè è ñíàáæåí ïîñòðàíè÷íûìè êîììåíòàðèÿìè è ñëîâàðåì.  ñëîâàðå îñîáîå âíèìàíèå óäåëÿåòñÿ ôèíàíñîâî-ýêîíîìè÷åñêèì òåðìèíàì. Êíèãà ïðåäíàçíà÷åíà äëÿ ñòóäåíòîâ âóçîâ, ñëóøàòåëåé êóðñîâ èíîñòðàííûõ ÿçûêîâ è òåõ, êòî èçó÷àåò àíãëèéñêèé ÿçûê ñàìîñòîÿòåëüíî.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., Short Stories — 1994 (Dover Thrift Editions)

In his stories and in such landmark novels as Sister Carrie and An American Tragedy, Theodore Dreiser (1871—1945) defied literary propriety and broke new ground in American fiction by focusing on life as it is, rather than as it ought to be. Sherwood Anderson, introducing a collection of Dreiser stories, said of him: "If there is a modern movement in American prose writing, a movement toward greater courage and fidelity to life in writing, then Theodore Dreiser is the pioneer and the hero of the movement." Indeed, his bold example paved the way for a new generation of American writers. The five superb stories in this volume vividly attest to the sincerity and depth of Dreiser's gifts as a powerful and original storyteller. They are "Free," the story of a man trying, as his wife lies dying, to understand why he never found happiness in marriage; "The Second Choice" and "Married," two insightful tales of the complex relationships of men and women; "Nigger Jeff," a powerful, disturbing story of a lynching; and "The Lost Phœbe," a poignant tale of a man's search for a lost life partner.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., Sister Carrie — 1968

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., The Stoic — 1962

The Stoic is a novel by Theodore Dreiser, first published in 1947. It is the conclusion to A Trilogy of Desire, his series of novels about Frank Cowperwood. The book was published posthumously.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., Jennie Gerhardt — 1972

Jennie Gerhardt was Theodore Dreiser s second novel and his first true commercial success. Today it is generally regarded as one of his three best novels, along with Sister Carrie and An American Tragedy. But the text of Jennie Gerhardt heretofore known to readers is quite different from the text as Dreiser originally wrote it. In the tradition of the University of Pennsylvania Dreiser Edition, James L. W. West III has recaptured the text as it was originally written, restoring it to its complete, unexpurgated form. As submitted to Harper and Brothers in 1911, Jennie Gerhardt was a powerful study of a woman tragically compromised by birth and fate. Harpers agreed to publish the book but was nervous about its subject matter and moral stance. Jennie has an illegitimate child by one man and lives out of wedlock with another - but Dreiser does not condemn her for her behavior. As a requirement for publication, Harpers insisted on cutting and revising the text. Although Dreiser fought against many of the cuts and succeeded in restoring some material, Harpers shortened the text by 16,000 words and completely revised its style and tone. These changes ultimately transformed Jennie Gerhardt from a blunt, carefully documented work of social realism to a touching love story merely set against a social background. Passages critical of organized religion and of the institution of marriage were reduced and altered. Perhaps most important, Jennie's point of view - her innate romantic mysticism - was largely edited out of the text. As a consequence, the central dialectic of the novel was skewed and the narrative thrown out of balance.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., Life, Art and America. Narratives and Stories. Articles — 1976

His end on St. Helena (not the code Napoleon, or the hieratic and ultra economic arrangement of his material forces) was supposed to have achieved something for society! Similarly Socrates and his death were descanted on as having almost a religious, if not a Christian import. His death was painted as having been brought about by his higher moral views - not his private deeds! The true significance of the man as illustrated by the exact details of his life were utterly ignored. I could go on by the hour, the day, the week. Personally, because my father was a Catholic, and I was baptized in that faith, I was supposed to accept all the dogma, as well as the legends of the Church, as true. In the life around me I saw flourishing the Methodist, the Baptist, the United Brethren, the Christian, the Congregationalist, the what-not churches, each one representing, according to its adherents, the exact historic and truthful development and interpretation of life or the world. As a fourteen or fifteen year old boy, I listened to sermons on hell, where it was, and what was the nature of its torments. As rewards for imaginary good behavior I have been given colored picture cards containing exact reproductions of heaven! Every newspaper that I have ever read, or still can find to read, has had an exact code of morals, by the light of which one might detect at once both Mr. Bad Man and Mr. Good Man, and so save one's self from the machinations of the former! The books which I was advised to read, and for the neglect of which I was frowned upon, were of that naive character known as pure. One should read only good books - which meant, of course, books from which any reference to sex had been eliminated and what followed as a natural consequence was that all intelligent interpretation of character and human nature was immediately discounted.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., The Financier. [íà àíãëèéñêîì ÿçûêå] — 1954

In Philadelphia, Frank Cowperwood, whose father is a banker, makes his first money by buying cheap soaps on the market and selling it back with profit to a grocer. Later, he gets a job in Henry Waterman a. Company, and leaves it for Tighe a. Company. He also marries an affluent widow, in spite of his young age. Over the years, he starts embezzling municipal funds. In 1871, the Great Chicago Fire redounds to a stock market crash, prompting him to be bankrupt and exposed. Although he attempts to browbeat his way out of being sentenced to jail by intimidating Mr Stener, politicians from the Republican Party use their influence to use him as a scapegoat for their own corrupt practices. Meanwhile, he has an affair with Aileen Butler, a young girl, subsequent to losing faith in his wife. She vows to wait for him after his jail sentence. Her father, Mr Butler dies; she grows apart from her family. Frank divorces his wife. Sometime after being released, he invests in stocks subsequent to the Panic of 1873, and becomes a millionaire again. He decides to move out of Philadelphia and start a new life in the West.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Dreiser T., The Titan. [íà àíãëèéñêîì ÿçûêå] — 1957 (English. Classical literature)

Ðîìàí Äðàéçåðå "Òèòàí" äîðîã ñîâåòñêîìó ÷èòàòåëþ êàê çàìå÷àòåëüíîå ïðîèçâåäåíèå áîëüøîãî õóäîæíèêà, êîòîðûé âñþ ñâîþ æèçíü âûñòóïàë ïîñëåäîâàòåëüíûì îáëè÷èòåëåì ñîöèàëüíîãî çëà, çàùèòíèêîì óãíåòåííûõ, ïåâöîì æèçíè è ïðàâäû, ñëàâÿùèì èõ ìîãó÷èì è ñòðàñòíûì ãîëîñîì èñòèííîãî ãóìàíèñòà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ