Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Bennett A., The card. Stage 3 — 2008 (Oxford bookworms library)

Every town should have a'card'- someone who gets talked about, someone who does mad and wonderful things, someone who makes you laugh. Bursley in the Five Towns has a'card': Edward Henry Machin (Denry for short). Denry begins life in a poor little house where the rent is twenty-three pence a week. But before he's thirty, he's made a lot of money, and had more adventures than you and I have had hot dinners. The town of Bursley never stops talking about him. Whatever will young Denry do next?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé ëèòåðàòóðå ÕÕ âåêà — 1985

Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bennett A., The Grand Babylon Hotel — 1984 (Charnwood Library Series)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Idea of Literature. The Foundations of English Criticism — 1979

Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bennett A., The Grand Babylon Hotel — 1976 (Penguin Modern Classics)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bennett A., The Grim Smile of the Five Towns — 1975 (Penguin Modern Classics)

In the short stories which make up THE GRIM SMILE OF THE FIVE TOWNS Arnold Bennett caught some of the manner of Maupassant, one of the French writers on whom he modelled his writing.The redolent tale of the coffin and the cheese, 'In a New Bottle', and 'The Silent Brothers' (who have not addressed one another for ten years) possess the true ring. The pride, pretensions and provincial snobbery of the Potteries are handled by Arnold Bennet with amused tolerance. Most of his stories, like the four linked adventures of Vera Cheswardine, set the home life of middle-class manufactures of earthenware and porcelain against a 'singular scenery of coal dust, potsherds, flame and steam'. But Bennett never ignores the less successful members of families in a region where 'clogs to clogs is only three generations'.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bennett A., Hilda Lessways. Book 2 — 1975

In the second volume of the trilogy, events in Clayhanger are retold from the perspective of Hilda Lessways, who is embarking upon a relationship with George Cannon, a charismatic entrepreneur, whose success has taken him from the Five Towns to Brighton. A disastrous bigamous marriage and pregnancy result. Finally, however, she is reconciled with Edwin Clayhanger and one of Bennett—s most lively heroines must face up to her conflicting emotions, and the reality of her hopes and tragedies.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bennett A., Clayhanger. Book 1 — 1975

In this, the first volume of an ambitious trilogy intending to trace the parallel lives of a man and woman from youth to marriage and from marriage to old age, Bennett introduces the character of Edwin Clayanger. A sober portrait of a boy growing up under a tyrannical father contrasts with young Edwin's glimpses of the mysterious and tantalizing Hilda Lessways. As the lives of these two characters unfold before us, Bennett uses autobiographical detail to beautifully depict the constraints and spiritual adventures of young life in the Potteries.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bennett A., Anna of the Fire Towns — 1982 (Penguin Modern Classics)

1967 is the centenary year of Bennett's birth. To mark the occasion Penguins are reissuing one of the finest of his novels, a brilliantly detailed picture of life in the Potteries; a tightly knit storry of the destructive forces of evangelism and industrial expansion at work in a small community.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bennett A., The Old Wives' Tale — 1983 (The Penguin English Library)

The Old Wives— Tale is a novel by Arnold Bennett, first published in 1908. It deals with the lives of two very different sisters, Constance and Sophia Baines, following their stories from their youth, working in their mother—s draper—s shop, into old age. It is generally regarded as one of Bennett—s finest works. It covers a period of about 70 years from roughly 1840 to 1905, and is set in Burslem and Paris.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ