Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ïðåäëàãàåì âíèìàíèþ ÷èòàòåëåé çíàìåíèòûé ðîìàí çàìå÷àòåëüíîé àíãëèéñêîé ïèñàòåëüíèöû Äæåéí Îñòèí "Ãîðäîñòü è ïðåäóáåæäåíèå". Ðîìàí ìíîãîêðàòíî èçäàâàëñÿ, ïåðåâåäåí íà ìíîãèå ÿçûêè ìèðà è ÿâëÿåòñÿ îáÿçàòåëüíûì äëÿ èçó÷åíèÿ âî âñåõ àíãëèéñêèõ êîëëåäæàõ è óíèâåðñèòåòàõ, ïî íåìó ñíÿòî íåñêîëüêî õóäîæåñòâåííûõ ôèëüìîâ è òåëåñåðèàëîâ. Íåàäàïòèðîâàííûé òåêñò íà ÿçûêå îðèãèíàëà ñíàáæåí ïîñòðàíè÷íûì êîììåíòàðèåì è ñëîâàðåì. Êíèãà àäðåñîâàíà ñòóäåíòàì ÿçûêîâûõ âóçîâ è âñåì ëþáèòåëÿì àíãëèéñêîé ëèòåðàòóðû. Êîììåíòàðèè è ñëîâàðü Ê.Þ. Ìèõíî

Àííîòàöèÿ:  êíèãó âîøåë ñîêðàùåííûé (ñ ñîõðàíåíèåì îñíîâíîé ñþæåòíîé ëèíèè) è óïðîùåííûé òåêñò ðîìàíà àíãëèéñêîé ïèñàòåëüíèöû Äæåéí Îñòåí "Ãîðäîñòü è ïðåäóáåæäåíèå". Óâëåêàòåëüíîå ïîâåñòâîâàíèå, ÿðêèå õàðàêòåðû ïåðñîíàæåé, îñòðîóìíûå äèàëîãè è ðîìàíòè÷åñêàÿ ñîñòàâëÿþùàÿ - âñå ýòî äåëàåò "Ãîðäîñòü è ïðåäóáåæäåíèå" îäíèì èç ñàìûõ ïîïóëÿðíûõ ïðîèçâåäåíèé àíãëèéñêîé ëèòåðàòóðû íà ïðîòÿæåíèè ìíîãèõ ëåò. Ïðåäíàçíà÷àåòñÿ äëÿ ïðîäîëæàþùèõ èçó÷àòü àíãëèéñêèé ÿçûê (óðîâåíü Upper-Intermediate).

Àííîòàöèÿ: Jane Austen is one of the most enduring and skilled English novelists. Early Works remained unpublished during her lifetime even though the last one was completed before she was 17. With her wit, social perception and unerring ability to create some of literature's most charismatic and believable heroines, Jane Austen mesmerizes her readers as much today as she did when her famous novels were first published.

Àííîòàöèÿ: Jane Austen is one of England's most enduring and skilled novelists. With her wit, social precision, and unerring ability to create some of literature's most charismatic and believable heroines, she mesmerises her readers as much today as when her novels were first published.This selection of Jane Austen's earliest writing remained unpublished during her lifetime. The title story was written before she was 15, while the other stories were completed before she was 17.

Àííîòàöèÿ: Three notebooks of Jane Austen's early writings survive. The pieces probably date from 1786 or 1787, around the time that Jane, aged 11 or 12, and her older sister and collaborator Cassandra left school. By this point Austen was already an indiscriminate and precocious reader, devouring pulp fiction and classic literature alike; what she read, she soon began to imitate and parody.Unlike many teenage writings then and now, these are not secret or agonized confessions entrusted to a private journal and for the writer's eyes alone. Rather, they are stories to be shared and admired by a named audience of family and friends. Devices and themes which appear subtly in Austen's later fiction run riot openly and exuberantly across the teenage page. Drunkenness, brawling, sexual misbehavior, theft, and even murder prevail. It is as if Lydia Bennett is the narrator

Àííîòàöèÿ: Áóäó÷è îäíèì èç ðàííèõ ïðîèçâåäåíèé Äæåéí Îñòèí, ðîìàí "Ëåäè Ñüþçàí" óâèäåë ñâåò ëèøü ñïóñòÿ ïîëâåêà ïîñëå åå êîí÷èíû. È òåì íå ìåíåå ýòà èñòîðèÿ îáîëüñòèòåëüíîé èíòðèãàíêè, êîòîðàÿ â ïîïûòêàõ çàïîëó÷èòü âûãîäíóþ ïàðòèþ ãîòîâà ïåðåñòóïèòü ÷åðåç ñ÷àñòüå ñîáñòâåííîé äî÷åðè, óæå â ïîëíîé ìåðå îáëàäàåò äîñòîèíñòâàìè, ïðèíåñøèìè âñåìèðíóþ ñëàâó òàêèì øåäåâðàì, êàê "Ðàçóì è ÷óâñòâî" è "Ãîðäîñòü è ïðåäóáåæäåíèå", - óâëåêàòåëüíîñòüþ ñþæåòà, òî÷íîñòüþ ïèñüìà, ïñèõîëîãè÷åñêîé ãëóáèíîé, òîíêîé èðîíèåé, ìÿãêèì, "èñòèííî àíãëèéñêèì" þìîðîì.

Àííîòàöèÿ: ×òåíèå îðèãèíàëüíûõ ïðîèçâåäåíèé - ïðîñòîé è äåéñòâåííûé ñïîñîá ïîãðóçèòüñÿ â ÿçûêîâóþ ñðåäó è ñîâåðøåíñòâîâàòüñÿ â èíîñòðàííîì ÿçûêå. Ñåðèÿ "Áåñòñåëëåð íà âñå âðåìåíà" - ýòî âîçìîæíîñòü óëó÷øèòü ñâîé àíãëèéñêèé, ÷èòàÿ ëó÷øèå ïðîèçâåäåíèÿ àíãëîÿçû÷íûõ àâòîðîâ, ëþáèìûå ìèëëèîíàìè ÷èòàòåëåé. Äëÿ ëó÷øåãî ïîíèìàíèÿ òåêñòà â êíèãó âêëþ÷åíû êðàòêèé ñëîâàðü è êîììåíòàðèè, ïîÿñíÿþùèå ÿçûêîâûå è ëèíãâîñòðàíîâåä÷åñêèå âîïðîñû, èñòîðè÷åñêèå è êóëüòóðíûå ðåàëèè îïèñûâàåìîé ýïîõè."Ãîðäîñòü è ïðåäóáåæäåíèå" - ýòî íåïðåâçîéäåííàÿ èñòîðèÿ ëþáâè,ñòîÿùåé âûøå ëþäñêèõ ñïëåòåí è ïðåäðàññóäêîâ.Áëàãîäàðÿ âåëèêîëåïíîìó ñëîãó Äæåéí Îñòåí, åå òîíêîé èðîíèè,ãëóáîêîìó çíàíèþ ëþäåé è íåïðåâçîéäåííîìó ñòèëþ ðîìàí ñðàçó çàâîåâàë ñåðäöà ÷èòàòåëåé è ïî ñåé äåíü îñòàåòñÿ áåñòñåëëåðîì. Ýòà êíèãà ïîäàðèò ðàäîñòü îò ÷òåíèÿ è ïîìîæåò óëó÷øèòü ñâîé àíãëèéñêèé

Àííîòàöèÿ: Jane Austen teased readers with the idea of a "heroine whom no one but myself will much like", but Emma is irresistible. "Handsome, clever, and rich", Emma is also an "imaginist", "on fire with speculation and foresight". Her matchmaking maps out relationships that Jane Austen ironically tweaks into a clearer perspective

Àííîòàöèÿ: While staying in Bath, Catherine meets Henry Tilney and his sister Eleanor who invite her to their family estate, Northanger Abbey. A fan of Gothic Romance novels, naive Catherine is soon letting her imagination run wild in the atmospheric abbey, fuelled by her friendship with the vivacious Isabella Thorpe. It is only when the realities of life set in around her that Catherine's fantastical world is shattered. A coming-of-age novel, Austen expertly parodies the Gothic romance novels of her time and reveals much about her unsentimental view of love and marriage in the eighteenth century

Àííîòàöèÿ: "Mansfield Park" is a study of three families - the Bertrams, the Crawfords, and the Prices - with the isolated figure of the heroine, Fanny Price, at its centre. Fanny's quiet passivity, her steadfast loyalty and love for the son of the family who regard her as the poor relation, and who have taken her under their roof, are among the qualities whose true worth is not appreciated until they are tried against the brilliant and witty Mary and Henry Crawford, the unfortunate consequences of whose influence are felt by everyone. Jane Austen uses Fanny`s emotional involvement with the people around her to explore the social and moral values bywhich she and they try to order their lives

Àííîòàöèÿ: Èäåÿ êëàññè÷åñêîãî ðîìàíà, íàñåëåííîãî ñâåðõúåñòåñòâåííûìè ñóùåñòâàìè èç ñîâðåìåííîé ìèôîëîãèè õîððîðà, îáðåëà íåñëûõàííóþ ïîïóëÿðíîñòü. Íüþ-éîðêñêèé ïèñàòåëü è äðàìàòóðã Áåí Óèíòåðñ, èçâåñòíûé ñâîèì íåçàóðÿäíûì ÷óâñòâîì þìîðà, âíåñ ëåäåíÿùèé äóøó âêëàä â "Ðàçóì è ÷óâñòâà" Äæåéí Îñòèí.Ìíîãîñòðàäàëüíàÿ Àíãëèÿ â íà÷àëå XIX âåêà èç ïîñëåäíèõ ñèë ïðîòèâîñòîèò íàøåñòâèÿì ìîðñêèõ ÷óäîâèù, ñòðåìÿùèõñÿ èñòðåáèòü ðîä ëþäñêîé. Åå ñòîëèöà, íàêðûòàÿ ñòåêëÿííûì êóïîëîì, ïåðåíåñåíà íà ìîðñêîå äíî. È îñòðîâà ïîðîé îêàçûâàþòñÿ âîâñå íå îñòðîâàìè— ýòîé çëîâåùåé àòìîñôåðå ïðåëåñòíûå ñåñòðû Äýøâóä ãëóáîêî ïåðåæèâàþò êàæäàÿ ñâîå íåñ÷àñòüå. Óìíàÿ, ñäåðæàííàÿ Ýëèíîð âëþáëåíà â ÷åëîâåêà, ïîìîëâëåííîãî ñ äðóãîé. Ðîìàíòè÷íàÿ, ïîðûâèñòàÿ Ìàðèàííà áåç óìà îò âåðîëîìíîãî îõîòíèêà çà ñîêðîâèùàìè è äàæå íå ñìîòðèò â ñòîðîíó áëàãîðîäíîãî ïîëêîâíèêà Áðåíäîíà ñ óæàñíûìè îñìèíîæüèìè ùóïàëüöàìè âìåñòî áîðîäû. À ðàçáèòîå ñåðäöå îïàñíî âäâîéíå, êîãäà âîêðóã áóøóåò âðàæäåáíûé îêåàí—

Àííîòàöèÿ: Persuasion begins seven years after the heroine, Anne Elliot, has jilted her lover, Fredrick Wentworth, upon the request of a most beloved mother figure. Although at the time of the refusal the man seems an inadequate match, the tables are now turned: as in most Austen novels - the girl is poor, the boy is rich. To add insult to injury, Anne—s father is going bankrupt and must rent his house to none other than Fredrick—s sister and brother-in-law, bringing Anne and Fredrick in contact again. Through twists and turns of jealousy, romance, poetry, rumors and a serious head injury, Anne and Fredrick always find themselves in uncomfortable situations that brew up old feelings (that were probably never lost

Àííîòàöèÿ: Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Àííîòàöèÿ: The moment I first met you, I noticed your pride, your sense of superiority, and your selfish disdain for the feelings of others. You are the last man in the world whom I could ever be persuaded to marry,' said Elizabeth Bennet. And so Elizabeth rejects the proud Mr Darcy. Can nothing overcome her prejudice against him? And what of the other Bennet girls - their fortunes, and misfortunes, in the business of getting husbands? This famous novel by Jane Austen is full of wise and humorous observation of the people and manners of her times.

Àííîòàöèÿ: This award-winning collection of adapted classic literature and original stories develops reading skills for low-beginning through advanced students. Accessible language and carefully controlled vocabulary build students' reading confidence. Introductions at the beginning of each story, illustrations throughout, and glossaries help build comprehension. Before, during, and after reading activities included in the back of each book strengthen student comprehension. Audio versions of selected titles provide great models of intonation and pronunciation of difficult words.

Àííîòàöèÿ: "Mansfield Park" is a study of three families - the Bertrams, the Crawfords, and the Prices - with the isolated figure of the heroine, Fanny Price, at its centre. Fanny's quiet passivity, her steadfast loyalty and love for the son of the family who regard her as the poor relation, and who have taken her under their roof, are among the qualities whose true worth is not appreciated until they are tried against the brilliant and witty Mary and Henry Crawford, the unfortunate consequences of whose influence are felt by everyone. Jane Austen uses Fanny`s emotional involvement with the people around her to explore the social and moral values bywhich she and they try to order their lives

Àííîòàöèÿ: Jane Austen is without question, one of England`s most enduring and skilled novelists. With her wit, social precision, and unerring ability to create some of literature`s most charismatic and believable heroines, she mesmerises her readers as much today as when her novels were first published. This collection features her novels.

Àííîòàöèÿ: "Northanger Abbey" tells the story of a young girl, Catherine Morland who leaves her sheltered, rural home to enter the busy, sophisticated world of Bath in the late 1790s. Austen observes with insight and humour the interaction between Catherine and the various characters whom she meets there, and tracks her growing understanding of the world about her.

Àííîòàöèÿ: "Young women who have no economic or political power must attend to the serious business of contriving material security". Jane Austen's sardonic humour lays bare the stratagems, the hypocrisy and the poignancy inherent in the struggle of two very different sisters to achieve respectability. Sense and Sensibility is a delightful comedy of manners in which the sisters Elinor and Marianne represent these two qualities. Elinor's character is one of Augustan detachment, while Marianne, a fervent disciple of the Romantic Age, learns to curb her passionate nature in the interests of survival. This book, the first of Austen's novels to be publishsed, remains as fresh a cautionary tale today as it ever was.