Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Wood S., A Fly in Amber — 1964

Susan's book begins on the lonely mission station in the heart of Africa where she was born and ends with the celebration of Tanganyika's Independence on a farm in Kilimanjaro. From a flying specialist service developed with her husband there developed the idea of a flying specialist service for reconstructive surgery in East and Central Africa and hospitals on wheels.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Wood M., Film. a very short introduction — [2012] (A Very Short Introduction. 300)

Film: A Very Short Introduction is a brief history and examination of the medium of film, studying its role and impact on society, as well as its future in the digital age. Considered by many to be the most dominant art form of the twentieth century, film is both a means of telling stories through images and sounds, and an instrument of illusion. Drawing on a range of examples from around the world, this VSI considers the paradoxical nature of film as a mass medium and fine art; as technology and fantasy; as documentary and fiction; and as amateur photography and film industry

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíòîíîïóëîñ À. Ì., Îñâàèâàåì Ethereum. ñîçäàíèå ñìàðò-êîíòðàêòîâ è äåöåíòðàëèçîâàííûõ ïðèëîæåíèé — 2022 (O'REILLY) (Ìèðîâîé êîìïüþòåðíûé áåñòñåëëåð)

Ethereum - îêíî â ìèð âñåìèðíûõ äåöåíòðàëèçîâàííûõ âû÷èñëåíèé. Ýòà ïëàòôîðìà ïîçâîëÿåò ðåàëèçîâûâàòü äåöåíòðàëèçîâàííûå ïðèëîæåíèÿ (DApps) è ñìàðò-êîíòðàêòû áåç öåíòðàëüíûõ òî÷åê äîñòóïà èëè êîíòðîëÿ, èíòåãðèðîâàòüñÿ ñ ïëàòåæíîé ñåòüþ è ðàáîòàòü ñ îòêðûòûì áëîê÷åéíîì.  ýòîì ïðàêòè÷åñêîì ïîñîáèè Àíäðåàñ Àíòîíîïóëîñ è Ãýâèí Âóä äàþò âñþ èíôîðìàöèþ, íåîáõîäèìóþ äëÿ ïîñòðîåíèÿ ñìàðò-êîíòðàêòîâ è äåöåíòðàëèçîâàííûõ ïðèëîæåíèé â Ethereum è äðóãèõ áëîê÷åéí ñèñòåìàõ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîðäåéðî Õ. Ñ., Ñìåðòü äîëæíà óìåðåòü. íàóêà î áîðüáå çà íàøå áåññìåðòèå. ïåðåâîä ñ àíãëèéñêîãî — 2021

90% æèòåëåé ðàçâèòûõ ñòðàí óìèðàþò èç-çà ñòàðåíèÿ îðãàíèçìà. Ñâÿçàííûå ñî ñòàðåíèåì ïðîöåññû ïðîâîöèðóþò ðàçâèòèå ñåðäå÷íî-ñîñóäèñòûõ è îíêîëîãè÷åñêèõ çàáîëåâàíèé è äåìåíöèè. Îäíàêî òàê áóäåò íå âñåãäà. Àâòîðû êíèãè - èíæåíåð è ó÷åíûé Õîñå Ëóèñ Êîðäåéðî è ïèîíåð èíäóñòðèè ñìàðòôîíîâ, ñîó÷ðåäèòåëü Symbian èíæåíåð Äýâèä Âóä, âîçãëàâëÿþùèå ìåæäóíàðîäíóþ îðãàíèçàöèþ Humanity+, - óòâåðæäàþò, ÷òî ïðèìåðíî ê 2045 ãîäó â ìèðå áóäåò ïîêîí÷åíî ñî ñìåðòüþ îò åñòåñòâåííûõ ïðè÷èí. Îíè óâåðåíû, ÷òî ìû âñêîðå ñïðàâèìñÿ ñî âñåìè ñìåðòåëüíûìè áîëåçíÿìè, à íîâûå òåõíîëîãèè ïîçâîëÿò èçëå÷èâàòü ñòàðåíèå êàê çàáîëåâàíèå. Óæå ÷åðåç ÷åòâåðòü âåêà ëþäè áóäóò âûãëÿäåòü çíà÷èòåëüíî ìîëîæå, ÷åì ñåé÷àñ. Îïèðàÿñü íà ìíîãîëåòíèå èññëåäîâàíèÿ, àâòîðû äîêàçûâàþò, ÷òî ñðåäíèé âîçðàñò ÷åëîâåêà ìîæíî óâåëè÷èòü äî 140 ëåò, ñîõðàíèâ åãî àêòèâíîñòü è êîãíèòèâíûå ñïîñîáíîñòè. Èõ êíèãà îòêðûâàåò íåâåðîÿòíûå ïåðñïåêòèâû áëèæàéøåãî áóäóùåãî ÷åëîâå÷åñòâà áåç ñòðàäàíèé, áîëåçíåé è ïðåæäåâðåìåííîãî óõîäà èç æèçíè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Áàðêåð Ý., Îñâîáîäè ñåáÿ. Óâåðåííîñòü è ñïîêîéñòâèå çà äåñÿòü ìèíóò â äåíü — 2020

Õîòèòå ñòàòü áîëåå ñïîêîéíûì, óâåðåííûì è ñ÷àñòëèâûì ÷åëîâåêîì, òîãäà ýòà êíèãà èìåííî òî, ÷òî âàì íóæíî.  íåé âû íàéäåòå ñïåöèàëüíóþ 6-íåäåëüíóþ ïðîãðàììó è ëåãêèå ïîøàãîâûå óïðàæíåíèÿ, êîòîðûå ïîìîãóò âûñâîáîäèòü òîò îãðîìíûé ïîòåíöèàë, ÷òî çàêëþ÷åí â âàñ.Ýòà êíèãà èçìåíèò íå òîëüêî âàøè ÷óâñòâà, íî è äåéñòâèÿ, è ðåàêöèþ

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Àëëåí Â., Ïîáî÷íûå ýôôåêòû. ñáîðíèê. ïåðåâîä ñ àíãëèéñêîãî — 2015 (Corpus. 222)

Âóäè Àëëåí — ëåãåíäàðíûé àìåðèêàíñêèé êèíîðåæèññåð, ïèñàòåëü, ñöåíàðèñò è ïðîäþñåð, íàãðàæäåííûé ÷åòûðüìÿ ñòàòóýòêàìè "Îñêàð", "Çîëîòûì ëüâîì" Âåíåöèàíñêîãî êèíîôåñòèâàëÿ, "Ïàëüìîâîé âåòâüþ ïàëüìîâûõ âåòâåé" Êàííñêîãî è äðóãèìè ïî÷åòíûìè ïðåìèÿìè.  2005 ãîäó ïðîôåññèîíàëû, ðàáîòàþùèå â æàíðå êîìåäèè, ïðèñóäèëè Àëëåíó òðåòüå ìåñòî ñðåäè ëó÷øèõ êîìèêîâ âñåõ âðåìåí. Ïèñàòü þìîðèñòè÷åñêèå ïüåñû è ðàññêàçû Àëëåí íà÷àë åùå ïîäðîñòêîì.  îäíîì èíòåðâüþ îí ïðèçíàëñÿ: "ß âñåãäà ãîâîðþ, ÷òî ÿ ñòàë ïèñàòü ðàíüøå, ÷åì íàó÷èëñÿ ÷èòàòü".  ñåìíàäöàòü îí óæå ñîòðóäíè÷àåò ñ ïîïóëÿðíûìè æóðíàëàìè "Íüþ-Éîðêåð", "Ïëåéáîé", "Ýâåðãðèí", ñî÷èíÿåò ñêåò÷è, âûñòóïàåò êàê àêòåð-êîìèê â íî÷íûõ êëóáàõ, ïèøåò ïüåñû äëÿ áðîäâåéñêèõ òåàòðîâ.Êëàññèê ìèðîâîãî êèíî, Àëëåí ïðîäîëæàåò ïóáëèêîâàòü ñâîè ðàññêàçû â ëó÷øåì ëèòåðàòóðíîì æóðíàëå Àìåðèêè "Íüþ-Éîðêåð". Ñìåøíûå, ïîëíûå èðîíèè è ñàðêàçìà, ïàðîäèé è ãðîòåñêà, îíè âûøëè îòäåëüíûìè êíèãàìè: "Ñâîäÿ ñ÷åòû", "Ïîáî÷íûå ýôôåêòû" è "Áåç ïåðüåâ". Îäèí èç ðàññêàçîâ, "Îáðàç Ñèäíåÿ Êóãåëüìàñà—", îòìå÷åí ïðåñòèæíîé ïðåìèåé "Î'Ãåíðè".

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Àëëåí Â., Áåç ïåðüåâ. ñáîðíèê. ïåð. ñ àíãë. — 2014 (Corpus. 212)

Þíûé Àëëåí Ñòþàðò Êåíèãñáåðã íà÷àë ïèñàòü ãàçåòíûå ôåëüåòîíû è þìîðèñòè÷åñêèå ìèíèàòþðû äëÿ íî÷íûõ êëóáîâ óæå â ïÿòíàäöàòü ëåò, ïðèäóìàâ ñåáå òâîð÷åñêèé ïñåâäîíèì Âóäè Àëëåí. Íå çàêîí÷èâ øêîëó, ñòàë ñîòðóäíè÷àòü ñ ïîïóëÿðíûìè æóðíàëàìè New Yorker, Playboy, Evergreen, ãäå ïå÷àòàëèñü åãî þìîðåñêè è ôåëüåòîíû, è, êðîìå òîãî, ñî÷èíÿë ñêåò÷è äëÿ þìîðèñòè÷åñêèõ òåëåâèçèîííûõ ïðîãðàìì.  êèíî Àëëåí äåáþòèðîâàë â 1965 ãîäó êàê àêòåð è ñöåíàðèñò, ñïóñòÿ ÷åòûðå ãîäà ïîñòàâèë ñâîé ïåðâûé ôèëüì, à â 1977-ì - îí óæå îáëàäàòåëü ÷åòûðåõ ñòàòóýòîê "Îñêàð". Ñíèìàÿ â ãîä ïî ôèëüìó, à òî è ïî äâà, èñòèííîé ñâîåé ñòðàñòüþ ñ÷èòàåò ñî÷èíåíèå ðàññêàçîâ. Âóäè Àëëåí - àâòîð øåñòè þìîðèñòè÷åñêèõ êíèã, ÷åòûðå èç íèõ ñáîðíèêè: "Ñâîäÿ ñ÷¸òû" (1971), "Áåç ïåðüåâ" (1975), "Ïîáî÷íûå ýôôåêòû" (1980) è "×èñòàÿ àíàðõèÿ" (2007). "Áåç ïåðüåâ" - ýòî èçÿùíûé òåàòð àáñóðäà, ãäå Àëëåí ñìåøèâàåò æàíðû è ñòèëè, ïàðîäèðóÿ êëàññèêîâ.

Ñîäåðæàíèå: Èç çàïèñíûõ êíèæåê; Ïîïóëÿðíàÿ ïàðàïñèõîëîãèÿ; Ñïóòíèê ìåëîìàíà; Ñâèòêè Êðàñíîãî ìîðÿ; Ðàçìûøëÿÿ î æåíùèíàõ Éîáñåíà; Øëþõà äóõà; Ñìåðòü: ïüåñà; Ðàííèå ýññå; Ñïóòíèê èíàêîìûñëÿùåãî; È òóò ïîÿâèëñÿ èíñïåêòîð Ôîðä... [è äð.]

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Wood J., Leaving Microsoft to Change the World — 2008

John Wood discovered his passion, his greatest success, and his life's work-not at business school or leading Microsoft's charge into Asia in the 1990s-but on a soul-searching trip to the Himalayas. Wood felt trapped between an all-consuming career and a desire to do something lasting and significant. Stressed from the demands of his job, he took a vacation trekking in Nepal because a friend had told him, "If you get high enough in the mountains, you can't hear Steve Ballmer yelling at you anymore." Instead of being the antidote to the rat race, that trip convinced John Wood to divert the boundless energy he was devoting to Microsoft into a cause that desperately needed to be addressed. While visiting a remote Nepalese school, Wood learned that the students had few books in their library. When he offered to run a book drive to provide the school with books, his idea was met with polite skepticism. After all, no matter how well-intentioned, why would a successful software executive take valuable time out of his life and gather books for an impoverished school? But John Wood did return to that school and with thousands of books bundled on the back of a yak. And at that moment, Wood made the decision to walk away from Microsoft and create Room to Read-an organization that has donated more than 1.2 million books, established more than 2,600 libraries and 200 schools, and sent 1,700 girls to school on scholarship-ultimately touching the lives of 875,000 children with the lifelong gift of education. Leaving Microsoft to Change the World chronicles John Wood's struggle to find a meaningful outlet for his managerial talents and entrepreneurial zeal. For every high-achiever who has ever wondered what life might be like giving back, Wood offers a vivid, emotional, and absorbing tale of how to take the lessons learned at a hard-charging company like Microsoft and apply them to one of the world's most pressing problems: the lack of basic literacy

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Busiek K., Action Comics #843. Back In Action. part 3 — 2006

It's the cosmic wrap-up for Superman and his allies as they battle an alien invader who's like nothing they've fought before! Superman discovers a compelling secret ? one that could swing the conflict in his favor ? but without powers, how can he or the Titans prevail?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Vintage Mystery and Detective Stories — 2006

This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on. Within these pages you will find G.K. Chesterton's Mr. Pond, Ernest Bramah's blind detective, Max Carrados, Craifg Kennedy, 'the American Sherlock Holmes' and further tales by Charles Dickens, Wilkie Collins, Rudyard Kipling and A.C. Doyle.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Wood B., Human evolution. a very short introduction — 2005 (A Very Short Introductions. 142)

The recent discovery of the diminutive Homo floresiensis (nicknamed "the Hobbit") in Indonesia has sparked new interest in the study of human evolution. In this Very Short Introduction, renowned evolutionary scholar Bernard Wood traces the history of paleoanthropology from its beginnings in the eighteenth century to today's latest fossil finds. Along the way we are introduced to the lively cast of characters, past and present, involved in evolutionary research. Although concentrating on the fossil evidence for human evolution, the book also covers the latest genetic evidence about regional variations in the modern human genome that relate to our evolutionary history. Wood draws on over thirty years of experience to provide an insiders view of the field, and demonstrates that our understanding of human evolution is critically dependent on advances in related sciences such as paleoclimatology, geochronology, systematics, genetics, and developmental biology. This is an ideal introduction for anyone interested in the origins and development of humankind

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àëëåí Â., Øóòêè Ãîñïîäà. ñáîðíèê — 2002 (Áèáëèîòåêà æóðíàëà Èíîñòðàííàÿ ëèòåðàòóðà. ÈË) (Èëëþìèíàòîð. Ëó÷øèå êíèãè â ëó÷øèõ ïåðåâîäàõ. 053)

Êíèãà ñîäåðæèò: "Ñâèòêè Êðàñíîãî ìîðÿ", "Îáðàç Ñèäíåÿ Êóãåëüìàñà â ðîìàíå "Ãîñïîæà Áîâàðè", "Îñòîðîæíî, ÍËÎ", "Èñòîðèÿ ìîåãî áåçóìèÿ" è äðóãèå ìàòåðèàëû. Äëÿ øèðîêîãî êðóãà ÷èòàòåëåé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Wood R. W., 39 Easy GEOGRAPHY Activities — 1992 (Science for Kids)

A recent educational survey ranked American students fourth among eight industrialized nations in knowledge of geography. In a sampling of American students tested, more than one in five couldn't locate the United Stater on a world map!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Wood E., Great Systems of Yoga — 1988

This book gives a full yet brief survey of the great schools of both raja and hatha yoga, covering the meditational and other practices, as well as the philosophical and devotional systems. This book recommends modern people some yoga practice in their daily lives.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Here Comes Pob — 1987

Here comes Pob, and he's got lots of new stories and poems for you. Find out how Nod becomes the fastest snail in the world, and what happens when Mr Grumble the garden gnome goes fishing, and why a dog is a better pet than a sausage. And there are happy cowboys and wicked trolls and a clever hen too - and fun on every page!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Guide to Fantasy Art Techniques. Based on interviews between the artists and Martyn Dean — 1984

Based on interviews between the artists and Martyn Dean.Blue cover with silver letters to spine, bumped to top and tail of spine, illustrated, dust jacket worn and torn to edges, and price clipped...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Êîññèî Âóäâîðä Ì., Çåìëÿ Ñàõàðèÿ. [ðîìàí] — 1974 (Ñîâðåìåííàÿ çàðóáåæíàÿ ïîâåñòü)

Ñîäåðæàíèå:  ñîäåðæ.: Áèòâà çà ñàõàð / Â. Çåìñêîâ

Ïîäðîáíàÿ èíôîðìàöèÿ

Wood G. L., The Guinness Book of Animal Facts and Feats — 1972

Presenting new information and trivia, this encyclopedic reference covers the entire range of the animal kingdom, from prehistoric creatures and primitive animals to complex mammals

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Woodward I., Ballet — 1969 (A Ladybird Book Series 662)

Here's a book which will delight all who have some interest in ballet. It will also fascinate the general reader, and inspire many to actually see a ballet in a theatre and experience its excitement and enchantment. The book tells the story of the development of ballet from the early days of dancing in the Royal Courts, explains the language of balley and classical mime and deals with such subjects as styles of dancing, training, clothes, shoes.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Wood C., Drawing at the Circus — 1953 (The How to Draw)

The author describes the particular problems which the author encounted when he set out to draw circus: the speed which must reduce the shapes and forms to essentials: peculiar viewpoints and perspectives and...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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