Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ:  êíèãó âîøëè ïðîèçâåäåíèÿ, îòíîñÿùèåñÿ ê ðàçíûì ïåðèîäàì òâîð÷åñòâà êëàññèêà àìåðèêàíñêîé ëèòåðàòóðû XX âåêà Òîðíòîíà Óàéëäåðà

Àííîòàöèÿ: Ñåðèÿ ñîñòîèò èç ëó÷øèõ ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ àâòîðîâ. Òåêñòû êíèã íå àäàïòèðîâàíû è íå ñîêðàùåíû, ïîýòîìó Âû ñìîæåòå íàñëàäèòüñÿ íàñòîÿùèì ÿçûêîì âåëèêèõ ïèñàòåëåé - ìÿãêèì þìîðîì Ìàðêà Òâåíà, ôàíòàçèåé Ðåäüÿðäà Êèïëèíãà, îñòðîóìèåì Áåðíàðäà Øîó, áåçóêîðèçíåííûì ñòèëåì Ýäãàðà Ïî è ìíîãèì äðóãèì. Ñåðèÿ ïðåäíàçíà÷åíà äëÿ òåõ, êòî õî÷åò äåéñòâèòåëüíî çíàòü ýòîò êðàñèâûé è ìíîãîãðàííûé ÿçûê.

Àííîòàöèÿ: There has been a ghost in the house for three hundred years, and Lord Canterville's family have had enough of it. So Lord Canterville sells his grand old house to an American family. Mr Hiram B. Otis is happy to buy the house and the ghost - because of course Americans don't believe in ghosts. The Canterville ghost has great plans to frighten the life out of the Otis family. But Americans don't frighten easily - especially not two noisy little boys - and the poor ghost has a few surprises waiting for him

Àííîòàöèÿ: Çíàìåíèòûé ðîìàí Îñêàðà Óàéëüäà ïðèîáðåë ñêàíäàëüíóþ èçâåñòíîñòü ñðàçó ïîñëå ïóáëèêàöèè. Óäèâèòåëüíàÿ èñòîðèÿ î êðàñîòå è òâîð÷åñòâå, èñêóøåíèÿõ è òàéíàõ ÷åëîâå÷åñêîé äóøè, ïðåñòóïëåíèè è íàêàçàíèè íàïèñàíà âåëèêîëåïíûì ÿçûêîì «êîðîëÿ àôîðèçìà». Òåïåðü âû ìîæåòå ïðî÷èòàòü çíàìåíèòûé ðîìàí â îðèãèíàëå è áåç ñëîâàðÿ! Ïîñëå êàæäîãî àíãëèéñêîãî àáçàöà âû íàéäåòå êðàòêèé ñëîâàðèê ñ íåîáõîäèìûìè ñëîâàìè è êîììåíòàðèè ê ïåðåâîäó ñëîæíûõ ãðàììàòè÷åñêèõ êîíñòðóêöèé. Ê ñëîâàì, âûçûâàþùèì çàòðóäíåíèÿ ïðè ÷òåíèè, äàíû òðàíñêðèïöèè. Òåêñò ñíàáæåí ëèíãâîñòðàíîâåä÷åñêèìè êîììåíòàðèÿìè íà ðóññêîì ÿçûêå. Ìåòîä êîììåíòèðîâàííîãî ÷òåíèÿ ïîçâîëÿåò îáõîäèòüñÿ ïðè ÷òåíèè áåç ñëîâàðÿ, ýôôåêòèâíî ðàñøèðÿòü ñâîé ñëîâàðíûé çàïàñ, çàïîìèíàòü ãðàììàòè÷åñêèå ôîðìû, ëó÷øå ÷óâñòâîâàòü è ïîíèìàòü èíîñòðàííûé ÿçûê. Ó÷åáíîå ïîñîáèå ïðåäíàçíà÷åíî äëÿ øèðîêîãî êðóãà ëèö, èçó÷àþùèõ èíîñòðàííûé ÿçûê ñ ïðåïîäàâàòåëåì è ñàìîñòîÿòåëüíî.

Àííîòàöèÿ:  ñáîðíèê âêëþ÷åíû íàèáîëåå èçâåñòíûå ïðîèçâåäåíèÿ ïðåäñòàâèòåëÿ àíãëèéñêîãî íåîðîìàíòèçìà Ð.Ë.Còèâåíñîíà: `Äîì íà äþíàõ`, `Àëìàç ðàäæè`, `Ñòðàííûé ñëó÷àé ñ äîêòîðîì Äæåêèëåì è ìèñòåðîì Õàéäîì`, `Íî÷ëåã Ôðàíñóà Âèéîíà`. Ðàçíîîáðàçíûå ïî òåìàòèêå ïðîèçâåäåíèÿ îáúåäèíÿåò óâëåêàòåëüíîñòü ñþæåòà, òîíêèå ïñèõîëîãè÷åñêèå õàðàêòåðèñòèêè, ÿðêèå îáðàçû ïåðñîíàæåé, ïðåêðàñíûé àíãëèéñêèé ÿçûê. Ñáîðíèê ïðåäíàçíà÷åí äëÿ øèðîêîãî êðóãà ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê è èíòåðåñóþùèõñÿ ëèòåðàòóðîé ñòðàíû èçó÷àåìîãî ÿçûêà

Àííîòàöèÿ: Äàííàÿ ïîäáîðêà - êðóïíåéøèé èç èçâåñòíûõ ñáîðíèêîâ óàéëüäîâñêèõ àôîðèçìîâ. Îíà áûëà âûïóùåíà â ñâåò â 1905 ã. è ÿâëÿåòñÿ èñòîðè÷åñêîé âåõîé â îñìûñëåíèè òâîð÷åñòâà àíãëèéñêîãî ïèñàòåëÿ. Ïðåäñòàâëÿÿ ñîáîé âïîëíå çàêîí÷åííîå ïðîèçâåäåíèå, êíèãà çàñëóæèâàåò áëàãîñêëîííîãî âíèìàíèÿ ÷èòàòåëÿ.

Àííîòàöèÿ: Ñêàçêè èçâåñòíîãî àíãëèéñêîãî ïèñàòåëÿ XIX â. Îñêàðà Óàéëüäà "Ñ÷àñòëèâûé ïðèíö", "Ñîëîâåé è ðîçà", "Ïðåäàííûé äðóã", "Çàìå÷àòåëüíàÿ ðàêåòà", "Çâåçäíûé ìàëü÷èê", "Äåíü ðîæäåíèÿ èíôàíòû" è äð. ïðèíàäëåæàò ê ëó÷øèì îáðàçöàì ýòîãî æàíðà â ìèðîâîé ëèòåðàòóðå. Ñêàçêè èíòåðåñíû øèðîêîìó êðóãó ÷èòàòåëåé, â òîì ÷èñëå è äåòÿì. Äëÿ ñòóäåíòîâ, èçó÷àþùèõ àíãëèéñêèé ÿçûê, "Ñêàçêè" Î.Óàéëüäà ÿâëÿþòñÿ öåííûì ó÷åáíûì ïîñîáèåì. Èçäàíèå ñíàáæåíî êîðîòêîé âñòóïèòåëüíîé ñòàòüåé î òâîð÷åñòâå Î.Óàéëüäà è ðàçâåðíóòûì êîììåíòàðèåì ê òåêñòó.

Àííîòàöèÿ: This poem — originally published anonymously, written after Wilde's two year's hard labor in Reading prison — is the tale of a man who has been sentenced to hang for the murder of the woman he loved. "The Ballad of Reading Gaol" follows the inmate through his final three weeks, as he stares at the sky and silently drinks his beer ration. Heart-wrenching and eye-opening, the ballad also expresses perfectly Wilde's belief that humanity is made up only of offenders, each of us deserving a greater charity for the severity of our crimes.

Àííîòàöèÿ: Oscar Wilde's story of a fashionable young man who sells his soul for eternal youth and beauty is one of his most popular works. Written in Wilde's characteristically dazzling manner, full of stinging epigrams and shrewd observations, the tale of Dorian Gray's moral disintegration caused something of a scandal when it first appeared in 1890. Wilde was attacked for his decadence and corrupting influence, and a few years later the book and the aesthetic dilemma it presented became issues in the trials occasioned by Wilde's homosexual liaisons. Of the book's value as autobiography, Wilde noted in a letter, "Basil Hallward is what I think I am: Lord Henry what the world thinks me: Dorian what I would like to be--in other ages, perhaps

Àííîòàöèÿ: Wilde's classic comedy of manners, The Importance of Being Earnest, and his other popular plays - Lady Windermere's Fan, An Ideal Husband, and Salome - challenged comtemporary notions of sex and sensibility, class and cultural identity.

Àííîòàöèÿ:  îñíîâó ïîëîæåí áèáëåéñêèé ìèô î Ñàëîìåå, ïàä÷åðèöå èóäåéñêîãî öàðÿ Èðîäà, íåâåðîÿòíî êðàñèâîé è îáîëüñòèòåëüíîé òàíöîâùèöå

Àííîòàöèÿ: Êíèãà àäðåñîâàíà þíûì ÷èòàòåëÿì, êîòîðûå ëþáÿò ÷óäåñà è ïðèêëþ÷åíèÿ, â íåé ïðåäñòàâëåíû ïðîèçâåäåíèÿ Îñêàðà Óàéëüäà èç ñåðèè ñêàçîê "Ãðàíàòîâûé äîìèê", Ôðåíñèñ Ýëèçû Á¸ðíåòò "Òàèíñòâåííûé ñàä", Äæîðäæà Ìàêäîíàëüäà "Íà ñïèíå Ñåâåðíîãî Âåòðà", Õîâàðäà Ïàéëà "Âåñåëûå ïðèêëþ÷åíèÿ Ðîáèíà Ãóäà". Çäåñü ðåáÿòà ñìîãóò íå òîëüêî ïðèìåíèòü ñâîè çíàíèÿ àíãëèéñêîãî ÿçûêà, íî è ïîçíàêîìèòüñÿ ñ íîâûìè èíòåðåñíûìè ãåðîÿìè ïðîèçâåäåíèé àíãëèéñêîé ëèòåðàòóðû.

Àííîòàöèÿ: Ëó÷øèå ðàññêàçû àíãëèéñêèõ ïèñàòåëåé íà àíãëèéñêîì ÿçûêå â èñïîëíåíèè íîñèòåëåé ÿçûêà

Àííîòàöèÿ: ×èòàòåëÿì ïðåäëàãàåòñÿ ïîëíûé, íåàäàïòèðîâàííûé òåêñò ïîïóëÿðíîãî ðîìàíà. Èçäàíèå ðàññ÷èòàíî íà ëèö, âëàäåþùèõ îñíîâàìè àíãëèéñêîãî ÿçûêà è ñîâåðøåíñòâóþùèõ ñâîè íàâûêè.

Àííîòàöèÿ: Wolves and panthers and bears roamed the deep Wisconsin woods in the 1860's. But Pa Ingalls preferred to live miles from his nearest neighbors. Pa built a snug log cabin for Ma and his three daughters, Mary and Laura and Baby Carrie. He hunted and trapped and farmed. Ma knew how to make her own cheese and sugar. At night the wind moaned lonesomely, but Pa plaed his fiddle and sang to his little girls.

Àííîòàöèÿ: While Laura was roaming across America with her pioneering father, her future husband was working hard on his father's farm in New York State. This was a very different childhood from hers, but just as interesting, and is described with the same loving detail as she uses in her other seven books.

Àííîòàöèÿ:  ñáîðíèê èçáðàííûõ ïðîèçâåäåíèé èçâåñòíîãî àìåðèêàíñêîãî ïèñàòåëÿ XX âåêà Ò. Óàéëäåðà âêëþ÷åíû íå ïóáëèêîâàâøèåñÿ íà ðóññêîì ÿçûêå ðîìàíû "Êàááàëà" è "Ê íåáó ìîé ïóòü", à òàêæå ïüåñà "Íàø ãîðîäîê", âîøåäøàÿ â êëàññè÷åñêèé ðåïåðòóàð àìåðèêàíñêîãî òåàòðà.

Àííîòàöèÿ: "De Profundis" is Oscar Wilde's eloquent and bitter reproach from prison to his lover, Lord Alfred Douglas ("Bosie"). In an extended letter, Wilde accuses Lord Alfred of selfishness, shallowness, parasitism, greed, extravagance, tantrums, pettiness, and neglect. He contrasts this behaviour towards him with the selfless devotion of his close friend, Robert Ross, who became Wilde's literary executor, gave the work its title (from the opening of Psalm 130) and who published a shortened version of it in 1905.This collection also includes the essay "The Soul of Men Under Socialism", Wilde's most outspoken defence of anarchy, one of his Platonic dialogues, "The Decay of Lying" and poems.

Àííîòàöèÿ: Ñêàçêè èçâåñòíîãî àíãëèéñêîãî ïèñàòåëÿ XIX âåêà Îñêàðà Óàéëüäà "ñ÷àñòëèâûé ïðèíö", "Ñîëîâåé è ðîçà", "Ïðåäàííûé äðóã", "Çàìå÷àòåëüíàÿ ðàêåòà", "Çâåçäíûé ìàëü÷èê", "Äåíü ðîæäåíèÿ èíôàíòû" è äð. ïðèíàäëåæàò ê ëó÷øèì îáðàçöàì ýòîãî æàíðà â ìèðîâîé ëèòåðàòóðå. ñêàçêè èíòåðåñíû øèðîêîìó êðóãó ÷èòàòåëåé, â òîì ÷èñëå è äåòÿì. Äëÿ ñòóäåíòîâ, èçó÷àþùèõ àíãëèéñêèé ÿçûê, "Ñêàçêè" Î. Óàéëüäà ÿâëÿþòñÿ öåííûì ó÷åáíûì ïîñîáèåì.

Àííîòàöèÿ: The portrait which Basil Hallward painted of Dorian Gray revealed the face of an Adonis, and when he saw the finished picture of himself, the beautiful young aethete exclaimed: "Why should it keep what i must lose? Every moment that passes takes something from me, and gives something to it. Oh, if it were only the other way! If the picture could change, and i could be always what i am now!" His perverse aspiration was strangely fulfilled. Abandoning himself to every sin which his profligate mind could devise, the wealthy and exquisite young man brought misery and disgrace on all who accepted his companionship, but Dorian Gray still wore the outward appearance of serene beauty. It was upon the portrait, locked away in his attic, that the marks of degeneration mysteriously appeared, for the painting of Adonis slowly transformed into the likeness of a satyr.