Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Therame V., Hosto-blues. Tom II — cop.1974

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Farlow V., Queen She — cop.1963

This entertaining account of an Old Ladies' Convalescent Home somewhere in London should be taken with more than a grain of salt. The near-incredible stories of the patients and their adventures are recounted by a woman who takes charge for three weeks while the regular Matron is away on what must have been a really well-earned holiday.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Øâàá Â., Ãîðîä ïðèçðàêîâ. [ðîìàí] — 2022 (Êýññèäè Áëåéê)

Ïîñëå òîãî, êàê Êýññèäè ÷óòü íå óòîíóëà, îíà íàó÷èëàñü ïðèîòêðûâàòü çàâåñó, îòäåëÿþùóþ ìèð æèâûõ îò ìèðà ìåðòâûõ. Åå ëó÷øèé äðóã - ïðèçðàê.  åå æèçíè âñå è òàê óæå íåïðîñòî, íî ñòàíåò ãîðàçäî ñëîæíåå, êîãäà åå ðîäèòåëè ïðèìóò ó÷àñòèå â òåëåøîó î ñàìûõ èçâåñòíûõ ìåñòàõ â ìèðå, ñâÿçàííûõ ñî ñâåðõúåñòåñòâåííûìè ÿâëåíèÿìè. Ñåìüÿ Êýññèäè îòïðàâëÿåòñÿ â Øîòëàíäèþ, â Ýäèíáóðã - Ãîðîä ïðèçðàêîâ, ãäå êëàäáèùà è çàìêè êèøàò ïðèâèäåíèÿìè. Êýññ ïðåäñòîèò óçíàòü ìíîãî íîâîãî, è ó÷èòüñÿ ïðèäåòñÿ áûñòðî, âåäü Ãîðîä ïðèçðàêîâ îïàñíåå, ÷åì îíà äóìàåò.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ìèëëåð Ä., Âàøè ëè÷íûå ãðàíèöû. êàê óñòàíîâèòü è ñîõðàíèòü — 2022 (Ïðàêòèêè ñàìîïîìîùè)

Ïðàêòè÷åñêîå ðóêîâîäñòâî ïñèõîòåðàïåâòà Äæåííè Ìèëëåð -÷åòûðåõøàãîâàÿ ñèñòåìà ïðåîäîëåíèÿ æèçíåííûõ òðóäíîñòåé-îò ëè÷íîñòíûõ êîíôëèêòîâ, îòíîøåíèé ñ ðîäèòåëÿìè äî çàòðóäíåíèé â êàðüåðå. Èçäàíèå ñîäåðæèò ìíîæåñòâî ïðèìåðîâ èç ïðàêòèêè è óïðàæíåíèé ñ ýëåìåíòàìè òðàíçàêöèîííîãî àíàëèçà. Âû ïîçàáîòèòåñü î ñåáå (è ðàçáåðåòåñü âî âíóòðåííåì õàîñå), ñòàíåòå êðåï÷å è óâåðåííåå è ïîñòðîèòå çäîðîâûå ïëîäîòâîðíûå îòíîøåíèÿ ñî âñåìè, êòî âàñ îêðóæàåò.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Õèñëîï Â., Îäíàæäû íî÷üþ â àâãóñòå. [ðîìàí] — 2021 (Àçáóêà áåñòñåëëåð)

Ñïóñòÿ ïÿòíàäöàòü ëåò ïîñëå òîãî, êàê óâèäåë ñâåò ðîìàí "Îñòðîâ", Âèêòîðèÿ Õèñëîï âîçâðàùàåòñÿ ê åãî ãåðîÿì è âîñêðåøàåò âðåìÿ, ñòàâøåå äëÿ íàñ äàâíèì ïðîøëûì.  êîíöå 1950-õ áûëî ñîçäàíî ëåêàðñòâî îò ïðîêàçû, è íà ãðå÷åñêîì îñòðîâå Ñïèíàëîíãà ó áåðåãîâ Êðèòà çàêðûëàñü êîëîíèÿ ïðîêàæåííûõ. Ïîáåäà íàä ñòðàøíîé áîëåçíüþ îçíà÷àëà êîíåö ðàçëóêè, êîòîðàÿ åùå íåäàâíî êàçàëàñü âå÷íîé; èñöåëåííûå ëþäè íàêîíåö ñìîãëè îáíÿòü ñâîèõ ðîäíûõ. Ýòî ïðîèçîøëî 25 àâãóñòà 1957 ãîäà. Íî â ðàçãàð ïðàçäíèêà âíåçàïíî ïðîçâó÷àëè âûñòðåëû... Íîâîå ãîðå îáðóøèëîñü íà êðèòÿí è èçìåíèëî ñóäüáû ìíîãèõ ëþäåé. Ó êîãî-òî áûëà îòíÿòà ñâîáîäà, êîìó-òî îíà áûëà äàðîâàíà âìåñòå ñ ïðàâîì òðóäíîãî âûáîðà: íåíàâèäåòü èëè ïðîñòèòü

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õèñëîï Â., Íèòü. [ðîìàí] — 2015

Ãðåöèÿ — êîëûáåëü åâðîïåéñêîé öèâèëèçàöèè. Ñàëîíèêè — êðóïíåéøèé ãîðîä-ïîðò íà ñåâåðå ñòðàíû, äðåâíèé ãîðîä, íàçâàííûé â ÷åñòü ñåñòðû Àëåêñàíäðà Ìàêåäîíñêîãî. Ãîðîä, â êîòîðîì âåêàìè æèëè ëþäè ðàçíûõ íàöèîíàëüíîñòåé è âåðîèñïîâåäàíèé. «Íèòü» — áëåñòÿùèé ðàññêàç î äðóæáå è ëþáâè, âåðíîñòè è ïðåäàòåëüñòâå. Çàõâàòûâàþùàÿ ñåìåéíàÿ ñàãà, íàñûùåííàÿ ãëóáîêèìè ÷óâñòâàìè è ñèëüíûìè ñòðàñòÿìè, ðàçâîðà÷èâàåòñÿ â Ñàëîíèêàõ íà ôîíå òðàãè÷åñêèõ ñîáûòèé äâàäöàòîãî âåêà. Ýòî ðîìàí î òåõ íèòÿõ, ÷òî ñâÿçûâàþò ðàçíûå ïîêîëåíèÿ...

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Õèñëîï Â., Îñòðîâ. [ðîìàí] — 2015

«Åå äëèííûå òåìíûå âîëîñû ðàçâåâàëèñü íà âåòðó, à ïîõîäêà áûëà óñòàâøåé. Ëîäêà êà÷àëàñü â ïðîõëàäíûõ âîëíàõ, îñòàëîñü ëèøü îïóñòèòüñÿ â íåå. È âñå — â ïðåæíþþ æèçíü áîëüøå íå áóäåò âîçâðàòà». Ãåðîèíÿ ðîìàíà Àëåêñ Ôèëäèíã õî÷åò ïîáîëüøå óçíàòü î ïðîøëîì ñâîåé ìàòåðè, íî òà òùàòåëüíî ñêðûâàåò åãî: èçâåñòíî ëèøü, ÷òî îíà âûðîñëà â ìàëåíüêîì ãîðîäêå íà îñòðîâå Êðèò è â þíîñòè ïåðåáðàëàñü â Ëîíäîí. Âî âðåìÿ ïóòåøåñòâèÿ ïî Êðèòó Àëåêñ ïðèåçæàåò â ñåëåíèå Ïëàêà, ãäå äî ñèõ ïîð æèâåò ïîäðóãà ðîäñòâåííèöû åå ìàòåðè. Äåðåâóøêà íè÷åì íå ïðèìå÷àòåëüíà. Îäíî èç ìíîãî÷èñëåííûõ ïîñåëåíèé, çàòåðÿâøèõñÿ íà ãðå÷åñêèõ çåìëÿõ. Ãîðû, ñèíü ìîðÿ, à ñêâîçü ýòó ñèíü âèäåí íåáîëüøîé îñòðîâ, ÷òî ñòûäëèâî õðàíèò ñâîþ áîëü. Êàêóþ ðîëü â æèçíè åå ïðåäêîâ ñûãðàë ýòîò îñòðîâ è êàêèå òàéíû ñêðûâàåò âíåøíå áëàãîïîëó÷íàÿ æèçíü?

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Carl K. H., William Turner — 2013 (Art Gallery)

A true free radical of his era, J.M.W.Turner was known as "the painter of light" and was a revelation for the Impressionist movement. This traveller-landscapist—s paintings intensified over time to definitively leave figurative reality behind, offering instead a luminous vision transfigured by nature. A visionary ahead of his time, his art was received with much controversy. In step with his life, his last years were synonymous with self-denial for the benefit of his art, and upon his death he bequeathed over 20,000 works to the British state.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Áóòåíêî Â., Ðàçóìíîå ñûðîåäåíèå. 13-é øàã ê çäîðîâüþ — 2013 (Ïîõóäåé)

Âû - ñûðîåä? Õîðîøî ëè âû ïåðåíîñèòå ñûðóþ ïèùó? Íåò? Âû íå åäèíñòâåííûé ÷åëîâåê, ó êîòîðîãî â ðåçóëüòàòå óïîòðåáëåíèÿ áëþä æèâîé êóõíè âîçíèêëè ïðîáëåìû ñî çäîðîâüåì. Îêàçûâàåòñÿ, ñòîïðîöåíòíîå ñûðîåäåíèå íå òîëüêî íå áåçâðåäíî, íî ìîæåò áûòü è îïàñíî äëÿ çäîðîâüÿ è êðàñîòû! Ñûðàÿ ïèùà ñïîñîáíà èñöåëÿòü îò ñàìûõ ñòðàøíûõ áîëåçíåé, íî â êà÷åñòâå ïîâñåäíåâíîãî ïèòàíèÿ ìîæåò ïðèíåñòè âðåä! Ó ñûðîåäîâ óõóäøàåòñÿ ñàìî÷óâñòâèå, ñíèæàåòñÿ èëè óâåëè÷èâàåòñÿ âåñ, ìûøöû òåðÿþò òîíóñ - ýòè è ìíîãèå äðóãèå ïðè÷èíû ïîáóäèëè àâòîðîâ êíèãè ïåðåñìîòðåòü ñâîå îòíîøåíèå ê æèâîìó ïèòàíèþ. ×åãî íå õâàòàåò â ñûðîåä÷åñêîé äèåòå? Îòêóäà áðàòü ïîëåçíûå êèñëîòû îìåãà-3? Îòêóäà ïîëó÷àòü êàëîðèè, åñëè íå èç ïîäíàäîåâøèõ îðåõîâ? ×åì ÷ðåâàòî ñòîïðîöåíòíîå ñûðîåäåíèå? Àâòîðû îòâå÷àþò íà ýòè âîïðîñû, à òàêæå ðåêîìåíäóþò íîâûå ðåöåïòû, êîìïåíñèðóþùèå íåäîñòàòêè ñûðîåä÷åñêîãî ïèòàíèÿ. Ýòî êíèãà, êîòîðóþ äîëæåí ïðî÷èòàòü êàæäûé ñûðîåä!

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Áóòåíêî Â., 12 øàãîâ ê ñûðîåäåíèþ — 2013 (Áåç òàáëåòîê. ru)

Êíèãà-îòêðûòèå, êíèãà-îòêðîâåíèå îò àâòîðà, ïåðåâåðíóâøåãî ïðèâû÷íûå ïðåäñòàâëåíèÿ î "ïîëåçíîì" è "âðåäíîì" â ïèòàíèè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

dos Anjos M., Vik Muniz [Òåêñò]. [to Russia with love : exhibition], Gary Tatintsian gallery, Moscow — 2007

Time— magazine called this artist one of the leaders of the new millennium while the New York Times recommended his works as a reliable tranquilizer.For more than a decade Vik Muniz (b. 1961, San Paolo, Brazil) has been intriguing the world with his creations marked by an amazing mixture of techniques, approaches, and interpretations of the surrounding reality. The history of world art for him is not just some dead past but the computer RAM (Random Access Memory) without which you can—t exist for a single day nowadays. This is the basis for his unceasing dialogue with his contemporaries.The younger generation today turns increasingly less frequently to the —irrelevant— experience of the past. Trapped as they are in the new technologies and the modern mass media they have no time for the museums of classical art

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Lopez V., Clave de Sol. nivel 3. Curso de espanol. Guia del Profesor — 2006

Clave de Sol es un metodo destinado a ninos y adolescentes de 10 a 13 anos que comienzan a aprender espanol como lengua extranjera. Logra fomentar la comunicacion a traves de historias y actividades ludicas, faciles de llevar a cabo. Trabaja la comunicacion oral, pero sin descuidar la comprension y la expresion escrita.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Oijer B., Trilogin. Medan Giftet Verkar. Det Forlorade Ordet. Dimman Av Allt — 2002

Bruno K. †ijer har sedan debuten •r 1973 ofta framf¦rt sina dikter inf¦r publik. Under n•gra •r i mitten av 1970-talet turnerade han med Per-Eric S¦der, Eric Fylkeson och Leif Elggren med flera som lyrikgruppen Vesuvius. Under senare •r har †ijer i stort sett bara framtratt p• scen i samband med att han utgivit nya diktsamlingar. Hans mycket personliga sceniska uttryck har beskrivits som "manierat men suggestivt" och ligger nara rockmusiken.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Finlay V., Color. a natural history of the palette — 2002

Discover the tantalizing true stories behind your favorite colors. For example: Cleopatra used saffron — a source of the color yellow — for seduction. Extracted from an Afghan mine, the blue "ultramarine" paint used by Michelangelo was so expensive he couldn't afford to buy it himself. Since ancient times, carmine red — still found in lipsticks and Cherry Coke today — has come from the blood of insects.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Christmas Reader — 1986

The wonderful anthology of verse and prose, short stories, reminiscences and diary entries, ranging from the traditional to the subversive, the whimsical to the sinister, the ironic to the tragic. Exquisitely illustrated with black and white drawings from many periods, The Christmas Reader is a perfect source-book for reading aloud to family and friends.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Tebbs V., Classic Tales Second Edition: Level 1: Lownu Mends the Sky Activity Book & Play

Full-colour English graded readers offering classic tales retold for primary language learners accompanied by e-Books, audio, and Activity Books. Reading in English is one of the most effective ways to improve language skills. Our readers series are highly respected for their grading and content. Children love stories. Bring the magic of good storytelling into your classroom with Classic Tales, and they—ll love their English lessons too. This new edition of the award-winning series uses traditional tales to bring English to life through more than 30 beautifully illustrated stories — now with accompanying: e-Books Audio Packs Activity Books and Plays Project the story and accompanying audio onto the Interactive Whiteboard — a digital —Big Book—! Students can also watch and listen to the story on their home computer or tablets — great for children who prefer computers to books.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Therame V., Hosto-blues — 1980

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ