Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: "The Lighter and the Princess Dress" is a cult classic novel about coming of age, love, and devotion. The book was among the top ten in all ratings on the Jinjiang platform, amassed over 859 million views, and ranked 5th in the national ranking of Chinese online literature (2016). The story follows two opposites: the defiant genius Li Xun (the "lighter") and the outwardly proper straight-A student Zhu Yun (the "princess"). Their love endures through university, tragedy, imprisonment, and years of separation. The title is symbolic: behind the outer masks lies the true essence — a "princess" in need of protection and a loyal "knight" ready to fight for her to the end.«Çàæèãàëêà è Ïðèíöåññà» — êóëüòîâûé ðîìàí î âçðîñëåíèè, ëþáâè è ïðåäàííîñòè. Êíèãà âõîäèëà â òîï-10 âñåõ ðåéòèíãîâ ïëàòôîðìû «Öçèíüöçÿí», íàáðàëà áîëåå 859 ìèëëèîíîâ ïðîñìîòðîâ è çàíÿëà 5-å ìåñòî â íàöèîíàëüíîì ðåéòèíãå ïðîèçâåäåíèé êèòàéñêîé ñåòåâîé ëèòåðàòóðû (2016). Èñòîðèÿ äâóõ ïðîòèâîïîëîæíîñòåé: äåðçêîãî ãåíèÿ Ëè Ñèíÿ («çàæèãàëêà») è âíåøíå ïðàâèëüíîé îòëè÷íèöû ×æó Þíü («ïðèíöåññà»). Èõ ëþáîâü ïðîõîäèò ÷åðåç óíèâåðñèòåò, òðàãåäèè, òþðåìíîå çàêëþ÷åíèå è äîëãèå ãîäû ðàçëóêè. Íàçâàíèå ñèìâîëè÷íî: çà âíåøíèìè ìàñêàìè ñêðûâàåòñÿ èñòèííàÿ ñóòü — «ïðèíöåññà», íóæäàþùàÿñÿ â çàùèòå, è âåðíûé «ðûöàðü», ãîòîâûé ñðàæàòüñÿ çà íå¸ äî êîíöà.

Àííîòàöèÿ: "The Lighter and the Princess Dress" is a cult classic novel about coming of age, love, and devotion. The book was among the top ten in all ratings on the Jinjiang platform, amassed over 859 million views, and ranked 5th in the national ranking of Chinese online literature (2016). The story follows two opposites: the defiant genius Li Xun (the "lighter") and the outwardly proper straight-A student Zhu Yun (the "princess"). Their love endures through university, tragedy, imprisonment, and years of separation. The title is symbolic: behind the outer masks lies the true essence — a "princess" in need of protection and a loyal "knight" ready to fight for her to the end.«Çàæèãàëêà è Ïðèíöåññà» — êóëüòîâûé ðîìàí î âçðîñëåíèè, ëþáâè è ïðåäàííîñòè. Êíèãà âõîäèëà â òîï-10 âñåõ ðåéòèíãîâ ïëàòôîðìû «Öçèíüöçÿí», íàáðàëà áîëåå 859 ìèëëèîíîâ ïðîñìîòðîâ è çàíÿëà 5-å ìåñòî â íàöèîíàëüíîì ðåéòèíãå ïðîèçâåäåíèé êèòàéñêîé ñåòåâîé ëèòåðàòóðû (2016). Èñòîðèÿ äâóõ ïðîòèâîïîëîæíîñòåé: äåðçêîãî ãåíèÿ Ëè Ñèíÿ («çàæèãàëêà») è âíåøíå ïðàâèëüíîé îòëè÷íèöû ×æó Þíü («ïðèíöåññà»). Èõ ëþáîâü ïðîõîäèò ÷åðåç óíèâåðñèòåò, òðàãåäèè, òþðåìíîå çàêëþ÷åíèå è äîëãèå ãîäû ðàçëóêè. Íàçâàíèå ñèìâîëè÷íî: çà âíåøíèìè ìàñêàìè ñêðûâàåòñÿ èñòèííàÿ ñóòü — «ïðèíöåññà», íóæäàþùàÿñÿ â çàùèòå, è âåðíûé «ðûöàðü», ãîòîâûé ñðàæàòüñÿ çà íå¸ äî êîíöà.