Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ:  êíèãå ïðåäñòàâëåíû ïðîèçâåäåíèÿ Ìàðêà Òâåíà «Òîì Ñîéåð çà ãðàíèöåé» è «Òîì Ñîéåð - ñûùèê», ïðîäîëæàþùèå ïðèêëþ÷åíèÿ Òîìà Ñîéåðà è Ãåêëüáåððè Ôèííà. Âñå ïðîèçâåäåíèÿ äàíû íà ÿçûêå îðèãèíàëà. Çíàêîìñòâî ñ îðèãèíàëàìè òâîðåíèé êëàññèêîâ çàðóáåæíîé ëèòåðàòóðû, íàóêè, èñêóññòâà ïîìîæåò ñåãîäíÿøíèì ñòóäåíòàì ñîñòàâèòü áîëåå òî÷íîå ïðåäñòàâëåíèå î íåïîâòîðèìîé ñòèëèñòèêå êàæäîãî àâòîðà, à òàêæå ðàñøèðèò ñëîâàðíûé çàïàñ, çíàíèÿ îá èñòîðèè ÿçûêà, ôðàçåîëîãèè.

Àííîòàöèÿ:  êíèãå ïðåäñòàâëåíû ïðîèçâåäåíèÿ Ìàðêà Òâåíà "Ïðèêëþ÷åíèÿ Òîìà Ñîéåðà è "Ïðèêëþ÷åíèÿ Ãåêëüáåððè Ôèííà". Âñå ïðîèçâåäåíèÿ äàíû íà ÿçûêå îðèãèíàëà.

Àííîòàöèÿ: "Ïðèíö è íèùèé" - îäíî èç ñàìûõ èçâåñòíûõ ïðîèçâåäåíèé ïèñàòåëÿ Ìàðêà Òâåíà, ðàññêàçûâàþùåå î ïðèêëþ÷åíèÿõ ìîëîäîãî ïðèíöà Ýäóàðäà Òþäîðà è ïðîñòîãî îáîðâàíöà Òîìà Êåíòè. Äâóì ìàëü÷èêàì, ïîõîæèì äðóã íà äðóãà êàê äâå êàïëè âîäû, ïðèõîäèòñÿ ïîìåíÿòüñÿ ìåñòàìè. Òîì îêàçûâàåòñÿ â êîðîëåâñêèõ ïîêîÿõ, à Ýäóàðä - íà óëèöàõ Ëîíäîíà. Òåêñò ïðîèçâåäåíèÿ àäàïòèðîâàí è ñîïðîâîæäàåòñÿ ñëîâàðåì. Ïðåäíàçíà÷àåòñÿ äëÿ ïðîäîëæàþùèõ èçó÷àòü àíãëèéñêèé ÿçûê íèæíåé ñòóïåíè (óðîâåíü Pre-Intermediate).

Àííîòàöèÿ: Ðîìàí î Òîìå Ñîéåðå ÿâëÿåòñÿ íàñòîÿùåé êëàññèêîé ïðèêëþ÷åí÷åñêîé ëèòåðàòóðû. Íåâåðîÿòíûå è îïàñíûå ïóòåøåñòâèÿ, âåñåëûå èãðû è ïîèñêè íàñòîÿùåãî êëàäà - æèçíü ïðîñòîãî ìàëü÷èøêè â ìàëåíüêîì ãîðîäå íà Þãå Àìåðèêè íèêàê íåëüçÿ íàçâàòü ñêó÷íîé. Òåêñò ïðîèçâåäåíèÿ àäàïòèðîâàí è ñîïðîâîæäàåòñÿ ñëîâàðåì. Ïðåäíàçíà÷àåòñÿ äëÿ ïðîäîëæàþùèõ èçó÷àòü àíãëèéñêèé ÿçûê íèæíåé ñòóïåíè (óðîâåíü pre-intermediate).

Àííîòàöèÿ: Êíèãà ïðåäñòàâëÿåò ñîáîé àäàïòàöèþ îäíîãî èç ëó÷øèõ ðîìàíîâ çíàìåíèòîãî àìåðèêàíñêîãî ïèñàòåëÿ Ìàðêà Òâåíà (1835-1910) "Ïðèêëþ÷åíèÿ Òîìà Ñîéåðà". Ýòî óâëåêàòåëüíûé ðàññêàç î âåñåëîì è ñîîáðàçèòåëüíîì ìàëü÷èøêå èç ïðîâèíöèàëüíîãî àìåðèêàíñêîãî ãîðîäêà è åãî äðóçüÿõ, ñ êîòîðûìè ïðîèñõîäÿò óäèâèòåëüíûå ïðèêëþ÷åíèÿ. Äàííîå ïîñîáèå ïîìîæåò ó÷àùèìñÿ ñðåäíåé øêîëû ïîäãîòîâèòüñÿ ê îñíîâíîìó ãîñóäàðñòâåííîìó ýêçàìåíó ïî àíãëèéñêîìó ÿçûêó. Òåêñò ïîñîáèÿ àäàïòèðîâàí â ó÷åáíûõ öåëÿõ äî óðîâíÿ Pre-Intermediate. Êàæäàÿ ãëàâà ñîïðîâîæäàåòñÿ êîììåíòàðèåì, ïåðåâîäîì òðóäíûõ ñëîâ è âûðàæåíèé, à òàêæå óïðàæíåíèÿìè, íàïðàâëåííûìè íà ôîðìèðîâàíèå êîììóíèêàòèâíîé êîìïåòåíöèè ó÷àùèõñÿ. Óïðàæíåíèÿ ïîçâîëÿò ñôîðìèðîâàòü êîììóíèêàòèâíûå óìåíèÿ â ÷òåíèè, ïèñüìåííîé ðå÷è è ãîâîðåíèè, à òàêæå ðàçâèòü ëåêñèêî-ãðàììàòè÷åñêèå íàâûêè.  êîíöå ïîñîáèÿ ïîìåù¸í ñëîâàðü, à òàêæå òåñò â ôîðìàòå ÎÃÝ ñ êëþ÷àìè.

Àííîòàöèÿ:  êíèãó âîøåë óïðîùåííûé è ñîêðàùåííûé òåêñò ïîâåñòè Ìàðêà Òâåíà «Ïðèíö è íèùèé». Êíèãà òàêæå ñîäåðæèò êîììåíòàðèé, ñëîâàðü è óïðàæíåíèÿ íà ïðîâåðêó ïîíèìàíèÿ òåêñòà. Ïðåäíàçíà÷àåòñÿ äëÿ ïðîäîëæàþùèõ èçó÷àòü àíãëèéñêèé ÿçûê (óðîâåíü 2 — Pre-Intermediate).

Àííîòàöèÿ:  ïîñîáèå ïî äîìàøíåìó ÷òåíèþ âêëþ÷åíû ðàññêàçû çíàìåíèòûõ ñåâåðîàìåðèêàíñêèõ àâòîðîâ ïåðèîäà ðàííåãî ðåàëèçìà. Ðàçðàáîòàíû óïðàæíåíèÿ íà ïîíèìàíèå òåêñòîâ, îñâîåíèå ëåêñèêè è ðàçâèòèå íàâûêîâ óñòíîé ðå÷è. ×òåíèå õóäîæåñòâåííîé ëèòåðàòóðû íà ÿçûêå îðèãèíàëà ÿâëÿåòñÿ âàæíûì ñðåäñòâîì â îñâîåíèè èíîñòðàííûõ ÿçûêîâ è ñïîñîáñòâóåò ëè÷íîñòíîìó ôîðìèðîâàíèþ ó÷àùèõñÿ.

Àííîòàöèÿ:  ýòîì èçäàíèè íåàäàïòèðîâàííûå ðàññêàçû Î. Ãåíðè, Ìàðêà Òâåíà, Äæåêà Ëîíäîíà, Ñòèâåíà Ëèêîêà è Ä. Ã. Ëîóðåíñà ñìîãóò ïðî÷èòàòü äàæå òå, êòî ïîêà íå î÷åíü õîðîøî çíàåò àíãëèéñêèé. Ê êàæäîé ñòðàíèöå òåêñòà äà¸òñÿ ñëîâàðü ñàìûõ íóæíûõ ñëîâ è êðàòêèå ãðàììàòè÷åñêèå êîììåíòàðèè. Ñ èõ ïîìîùüþ ÷èòàòåëè ëåãêî óñëåäÿò çà ñþæåòîì è ñàìè íå çàìåòÿò, êàê îñâîÿò íåìàëî íîâûõ ñëîâ è óñòîé÷èâûõ âûðàæåíèé, íàó÷àòñÿ óâåðåííåå óïîòðåáëÿòü ãðàììàòè÷åñêèå êîíñòðóêöèè è áåç ïðîáëåì äîáåðóòñÿ äî ðàçâÿçêè. Êíèãà ïðåäíàçíà÷åíà äëÿ òåõ, êòî èçó÷àåò àíãëèéñêèé ÿçûê íà ïðîäîëæàþùåì óðîâíå è ñòðåìèòñÿ ê ñîâåðøåíñòâîâàíèþ.

Àííîòàöèÿ: Knocked unconscious, it is only when mechanic Hank Morgan comes to that he finds himself in 6th-century England rather than 19th-century America. Surrounded by the traditions and customs of Camelot and King Arthur's court, Morgan dislikes the hereditary social class structure and state church and attempts to instil his American idealism and love for technology and progress in King Arthur's people. Hugely comedic and satirical in its take on the British monarchy and society, the book remains one of Twain's most original and best-loved works

Àííîòàöèÿ: Penguin Readers are written by specialist ELT authors. The language, vocabulary, style and content of every book is carefully graded to make sure it suits the learner's own language ability. Every Penguin Reader has a range of activities in the book and accompanying Factsheet to help increase comprehension and develop reading, writing, listening and speaking skills

Àííîòàöèÿ: Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Àííîòàöèÿ: Huck Finn escapes from his alcoholic father by faking his own death and so begins his journey through the Deep South, seeking independence and freedom. On his travels, Huck meets an escaped slave, Jim, who is a wanted man, and together they journey down the Mississippi River. Raising the timeless and universal issues of prejudice, bravery and hope, The Adventures of Huckleberry Finn was and still is considered the great American novel

Àííîòàöèÿ: Ïðåäëàãàåìûé ñáîðíèê ðàññêàçîâ äàñò âàì âîçìîæíîñòü ïîçíàêîìèòüñÿ ñ ïðèêëþ÷åíèÿìè áëàãîðîäíîãî ðàçáîéíèêà Ðîáèí Ãóäà íà ÿçûêå îðèãèíàëà, à çàòåì ïðîâåðèòü ñâîå ïîíèìàíèå òåêñòà, ïðî÷èòàâ ïåðåâîä ïðîèçâåäåíèÿ íà ðóññêèé ÿçûê. ×èòàÿ òåêñò íà àíãëèéñêîì ÿçûêå, ñðàâíèâàÿ åãî ñ ïåðåâîäîì íà ðóññêèé, âû óëó÷øèòå ñâîè íàâûêè ÷òåíèÿ. Ïðåäëàãàåìûé òåêñò îðèãèíàëà íå àäàïòèðîâàí, îäíàêî èñòîðèÿ î áåññòðàøíîì ðàçáîéíèêå è åãî çíàìåíèòûõ óäàëüöàõ èçëîæåíà äîñòàòî÷íî ïðîñòûì ÿçûêîì è íå âûçîâåò çàòðóäíåíèé ó èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Àííîòàöèÿ: Provides another comedy of human foibles starring the irrepressible Tom Sawyer

Àííîòàöèÿ: Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Àííîòàöèÿ: Mark Twain is one of America—s most famous and best-loved writers. He wrote about every important subject of his time. Twain—s stories are usually amusing but with a serious message too. You will read about people—s hopes and fears, happiness and terrible sadness - and wonderful practical jokes!

Àííîòàöèÿ: A level 2 Oxford Bookworms Library graded reader. This version includes an audio book: listen to the story as you read. Retold for Learners of English by Diane Mowat. Who wants to live in a house, wear clean clothes, be good, and go to school every day? Not young Huckleberry Finn, that's for sure. So Huck runs away, and is soon floating down the great Mississippi River on a raft. With him is Jim, a black slave who is also running away. But life is not always easy for the two friends. And there's 300 dollars waiting for anyone who catches poor Jim . .

Àííîòàöèÿ: Who wants to live in a house, wear clean clothes, be good, and go to school every day? Not young Huckleberry Finn, that's for sure. So Huck runs away, and is soon floating down the great Mississippi River on a raft. With him is Jim, a black slave who is also running away. But life is not always easy for the two friends. And there's 300 dollars waiting for anyone who catches poor Jim . . .

Àííîòàöèÿ: A brilliant, far-reaching collection of stories from Washington Irving to John Updike. The Classic Stories Edgar Allan Poe—s Ms. Found in a Bottle, Bret Harte—s The Outcasts of Poker Flat, Sherwood Anderson—s Death in the Woods, Stephen Vincent Ben™t—s By the Waters of Babylon The Great Writers Melville, James, Dreiser, Faulkner, Hemingway, Steinbeck, McCullers The Little-Known Masterpieces Edith Wharton—s The Dilettante, Finley Peter Dunne—s Mr. Dooley on the Popularity of Fireman, Charles M. Flandrau—s A Dead Issue, James Reid Parker—s The Archimandrite's Niece

Àííîòàöèÿ: This is a richly entertaining collection of stories from the golden age of crime fiction - a period when crimes were solved by the wit and ingenuity of the sleuth with only his own intelligence to rely on. Within these pages you will find G.K. Chesterton's Mr. Pond, Ernest Bramah's blind detective, Max Carrados, Craifg Kennedy, 'the American Sherlock Holmes' and further tales by Charles Dickens, Wilkie Collins, Rudyard Kipling and A.C. Doyle.