Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ó÷åáíîå ïîñîáèå ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2011

Ïîñîáèå çíàêîìèò ñ îñíîâíûìè ÿâëåíèÿìè àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû. Ïîñîáèå ñîäåðæèò áèîãðàôè÷åñêèå ñâåäåíèÿ îá àâòîðå, àíàëèç òâîð÷åñòâà è îòðûâêè èç ïðîèçâåäåíèé. Ïîñîáèå ðàññ÷èòàíî íà ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, êîëëåäæåé. Ñòóäåíòîâ âûñøèõ ó÷åáíûõ çàâåäåíèé, ó÷èòåëåé è ïðåïîäàâàòåëåé, à òàêæå øèðîêèé êðóã ëèö, ñàìîñòîÿòåëüíî èçó÷àþùèõ àíãëèéñêèé ÿçûê.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Swift G., Last orders — 2009

Four men once close to Jack Dodds, a London butcher, meet to carry out his peculiar last wish: to have his ashes scattered into the sea. For reasons best known to herself, Jack's widow, Amy, declines to join them. On the surface the tale of a simple if increasingly bizarre day's outing, Last Orders is Graham Swift's most poignant exploration of the complexity and courage of ordinary lives.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Aciman A., Twitterature. The World's Greatest Books. Retold Through Twitter — 2009

Perhaps you once asked yourself, 'What exactly is Hamlet trying to tell me? Why must he mince his words, muse in lyricism and, in short, whack about the shrub?' No doubt such troubling questions would have been swiftly resolved were the Prince of Denmark a registered user on Twitter.com. This, in essence, is Twitterature.Here you will find seventy-five of the greatest works of western literature — from Beowulf to Bronte, from Kafka to Kerouac, and from Dostoevsky to Dickens— each distilled through the voice of Twitter to its purest, pithiest essence. Including a full glossary of online acronyms and Twitterary terms to aid the amateur, Twitterature provides everything you need to master the literature of the civilised world, while relieving you of the burdensome task of reading it.From Hamlet: WTF IS POLONIUS DOING BEHIND THE CURTAIN???From Dante's Inferno: I'm havin a midlife crisis. Lost in the woods. Shoulda brought my iPhone.From Oedipus: PARTY IN THEBES!!! Nobody cares I killed that old dude, plus this woman is all over me. Total MILF.From Paradise Lost: OH MY GOD I'M IN HELL.'The classics are so last century' Guardian

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ñâèôò Ä., Ïóòåøåñòâèÿ Ãóëëèâåðà — 2006 (×èòàåì ïî-àíãëèéñêè)

Ðàçíîóðîâíåâûå òâîð÷åñêèå çàäàíèÿ ñîäåðæàò âîïðîñû íà ïðîâåðêó ïîíèìàíèÿ òåêñòà,íà ôîðìèðîâàíèå ÿçûêîâûõ íàâûêîâ è ðàçâèòèå ðå÷åâûõ óìåíèé,îáðàùàþò âíèìàíèå íà ïðàâèëüíîå ïðîèçíåñåíèå àíãëèéñêèõ ñëîâ, îáëåã÷àþò âîñïðèÿòèå òåêñòà, äàþò ïîâîä ê ðàçìûøëåíèÿì, äèñêóññèÿì è ïîçâîëÿþò ðåàëüíî ïî÷óâñòâîâàòü ïðîãðåññ â èçó÷åíèè àíãëèéñêîãî ÿçûêà. Âû íàó÷èòåñü ïðàâèëüíî ÷èòàòü àíãëèéñêèé òåêñò òàê,÷òîáû ïðîöåññ ÷òåíèÿ ñâîäèëñÿ íå ê ïîèñêó íåçíàêîìûõ ñëîâ è âûðàæåíèé â ñëîâàðå, à ïðåâðàòèëñÿ áû â äèàëîã ìåæäó äåéñòâóþùèìè ëèöàìè êíèãè è ÷èòàòåëåì. Ê óïðàæíåíèÿì è òåñòàì äàíû êëþ÷è.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Wordsworth Book of Horror Stories — 2004

...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Õðåñòîìàòèÿ ïî àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå — 2003 (Ó÷èòåëü è ó÷åíèê)

Õðåñòîìàòèÿ ñîäåðæèò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé ñ äðåâíåéøèõ âðåìåí äî íàøèõ äíåé.  íåé äàíû òàêæå áèîãðàôèè ïèñàòåëåé, ïðèâîäÿòñÿ êðàòêèå ñîäåðæàíèÿ èõ ñàìûõ èçâåñòíûõ è ïîïóëÿðíûõ ïðîèçâåäåíèé. Êðîìå òðàäèöèîííîãî ïåðå÷íÿ àíãëîÿçû÷íûõ àâòîðîâ â õðåñòîìàòèè ïðåäñòàâëåíû òàêèå ïèñàòåëè, êàê Ëîðåíñ Ñòåðí, Ãåíðè Äæåéìñ,Äæåðîì Ê. Äæåðîì, Àðóòð Êîíàí Äîéë, Î. Ãåíðè, Ðè÷àðä Áàõ, Äæîàí Ðîóëèíã è ìíîãèå äðóãèå, ÷üå òâîð÷åñòâî íå îñâåùàëîñü ðàíåå â ïîäîáíûõ ó÷åáíûõ ïîñîáèÿõ.  êîíöå êàæäîãî ðàçäåëà êíèãè ñîäåðæàòñÿ êîíòðîëüíûå âîïðîñû è çàäàíèÿ, ìíîãèå èç êîòîðûõ âûïîëíåíû â ôîðìàòå ÅÃÝ. Äëÿ ó÷àùèõñÿ ñðåäíèõ øêîë, ëèöååâ, ãèìíàçèé, ñòóäåíòîâ ãóìàíèòàðíûõ âóçîâ, ïðåïîäàâàòåëåé, à òàêæå äëÿ âñåõ èíòåðåñóþùèõñÿ àíãëîÿçû÷íîé ëèòåðàòóðîé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collings R., Classic Victorian & Edwardian Ghost Stories — 1996 (Tales of Mystery & the Supernatural Series)

This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting new selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Butterfield A.S., English-Espanol.Spanish-Ingles — 1986 (Companion Dictionaries)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of English Verse — 1983

The penguin book of english verse.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Way It Was Not. English and American Writers in Parody — 1983

 ñáîðíèê âîøëè íàèáîëåå èçâåñòíûå îáðàçöû øèðîêî ðàñïðîñòðàíåííîãî â àíãëî-àìåðèêàíñêîé ëèòåðàòóðíîé òðàäèöèè æàíðà ïàðîäèè. ×èòàòåëü ïîçíàêîìèòñÿ êàê ñ ïàðîäèÿìè íà òâîð÷åñòâî èçâåñòíûõ ïèñàòåëåé- Äèêêåíñà, Êóïåðà, Ëîíãôåëëî, Ãîëñóîðñè è äð., òàê è ñ ïàðîäèÿìè íà îòäåëüíûå ëèòåðàòóðíûå æàíðû - äåòåêòèâ, ñåíòèìåíòàëüíûé ðîìàí, ëèòåðàòóðîâåä÷åñêóþ ñòàòüþ è ïð. Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêàÿ ïîýçèÿ â ðóññêèõ ïåðåâîäàõ (XIV-XIX âåêà). [ñáîðíèê] — 1981

 àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Irish Verse — 1976

The penguin book of Irish verse.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

An Anthology of English and American Verse — 1972

Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

An Antology of English and American Verse — 1972

Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Swift J., Gulliver s Travels

Shipwrecked and cast adrift, Lemuel Gulliver wakes to find himself on Lilliput, an island inhabited by little people, whose height makes their quarrels over fashion and fame seem ridiculous. His subsequent encounters - with the crude giants of Brobdingnag, the philosophical Houyhnhnms and the brutish Yahoos - give Gulliver new, bitter insights into human behaviour. Swift's savage satire view mankind in a distorted hall of mirrors as a diminished, magnified and finally bestial species, presenting us with an uncompromising reflection of ourselves.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Swift J., Gullivers Travels — 2010 (Collins Classics)

Gulliver's Travels describes the four fantastic voyages of Lemuel Gulliver, a kindly ship's surgeon. Swift portrays him as an observer, a reporter, and a victim of circumstance. His travels take him to Lilliput where he is a giant observing tiny people. In Brobdingnag, the tables are reversed and he is the tiny person in a land of giants where he is exhibited as a curiosity at markets and fairs. The flying island of Laputa is the scene of his next voyage. The people plan and plot as their country lies in ruins. It is a world of illusion and distorted values. The fourth and final voyage takes him to the home of the Houyhnhnms, gentle horses who rule the land. He also encounters Yahoos, filthy bestial creatures who resemble humans

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of Modern British Short Stories — 2011

The short story has become one of the major forms of modern literary expression - in some ways the most modern of them all'. The story of the British short story since the Second World War is one of change and revolution and this powerful and moving collection brilliantly demonstrates the evolution of the form. Containing thirty-four of the most widely regarded postwar British writers, it features tales of love and crime, comedy and the supernatural, the traditional as well as the experimental. This many-storied, many-splendored collection is a brilliant portrait of the generation of writers who have immediately influenced the brightest, sharpest and most intriguing writers who continue to emerge today

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Swift J., English Politicall Writings 1711-1714. The conduct of the allies and other works — 2008 (Cambridge)

In the following month, he took in charge a weekly paper, The Examiner, which had just been started by St. John, 2 and he wrote for it regularly until June, 1711. St. John afterwards said, —We were determined to have you: you were the only one we were afraid of.— 10An attempt to assassinate Harley, in March, 1711, greatly increased the popularity of that minister. Swift was much alarmed while Harley—s life was in danger. He had, Swift said, always treated him with the tenderness of a parent, and never refused him any favour as a friend. The efforts of the party were now devoted to bringing the war with France to an end. Harley was created earl of Oxford, and became lord treasurer. The whigs, opposed to a peace, formed an alliance with Nottingham, previously an extreme tory. Swift, who had givenup his connection with The Examiner, composed, in November and December, 1711, two pamphlets in favour of peace: The Conduct of the Allies and of the late Ministry in beginning and carrying on the present war, and Some Remarks on the Barrier Treaty. He also attacked the duchess of Somerset in The W—ds—r Prophecy, and assisted the government by A Letter to the October Club, which consisted of the more extreme tories. The danger threatening the government from the House of Lords was removed, in December, by the creation of twelve new peers, and by the dismissal of the duke of Marlborough from his employments.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Swift J., Les Voyages de Gulliver — 1971

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Swift J., Gullivers Travels — 1973

Shipwrecked and cast adrift, Lemuel Gulliver wakes to find himself on Lilliput, an island inhabited by little people, whose height makes their quarrels over fashion and fame seem ridiculous. His subsequent encounters - with the crude giants of Brobdingnag, the philosophical Houyhnhnms and the brutish Yahoos - give Gulliver new, bitter insights into human behaviour. Swift's savage satire view mankind in a distorted hall of mirrors as a diminished, magnified and finally bestial species, presenting us with an uncompromising reflection of ourselves.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ