Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

100 Favorite English and Irish Poems — 2006

Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

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Ïîäðîáíàÿ èíôîðìàöèÿ

Bloom H., The Best Poems of the English Language — 2004

The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêèé ñîíåò XVI-XIX âåêîâ — 1990

Èçäàíèå âêëþ÷àåò ëó÷øèå îáðàçöû àíãëèéñêîãî ñîíåòà, íà÷èíàÿ ñ òâîð÷åñòâà ïîýòîâ-åëèçàâåòèíöåâ è êîí÷àÿ íåîðîìàíòèêàìè êîíöà XIX â.Ïåðåâîäû íà ðóññêèé ÿçûê âêëþ÷àþò êàê êëàñèêó XIX-XX ââ., òàê è ðàáîòû ñîâðåìåííûõ ïîýòîâ è ïåðåâîä÷èêîâ. Êíèãà ïðåäíàçíà÷åíà øèðîêîìó êðóãó ëþáèòåëåé ïîýçèè.

Ñîäåðæàíèå: Àâò.: Ò. Óàéåò, Ã. Ã. Ñåððåé, Ä. Ãàñêîéí, Äæ. Ôëåò÷åð-ñòàðøèé, Ý. Ñïåíñåð, Ó. Ðýëè, Ô. Ñèäíè, Ô. Ãðåâèëë, Ä. ×àïìåí, ×. Áåñò è äð.

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Ïîäðîáíàÿ èíôîðìàöèÿ

The Penguin Book of English Verse — 1983

The penguin book of english verse.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Àíãëèéñêàÿ ïîýçèÿ â ðóññêèõ ïåðåâîäàõ (XIV-XIX âåêà). [ñáîðíèê] — 1981

 àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

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Ïîäðîáíàÿ èíôîðìàöèÿ

Medieval and Renaissance Poets. Langland to Spenser — 1978 (Poets of the English Language)

The poetry in this volume represents that portion of the great poetry of Christendom that was written in English--at first in Middle English, but soon in our own tongue--from the fourteenth century through most of the sixteenth. Its beginnings in the Middle Ages have special meaningfulness for us today, when we are beset by the need to rediscover the unity that was then felt between man and society, feeling and intellect. In the development of allegory, particularly, we find one of its characteristic modes. Following on through these wide-ranging selections, we get an illuminating view of the pre-Shakespearean poetic temper, when verse was universally the popular medium for instruction and entertainment. In addition to Auden s brilliant introduction to the period, this volume contains a helpful guide to the poems in Middle English, and footnote glossaries of unfamiliar words.

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Ïîäðîáíàÿ èíôîðìàöèÿ

An Antology of English and American Verse — 1972

Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Spenser E., Amoretti — 2001

The outstanding poet of the English Renaissance - Edmund Spenser (1552 - 1599) - was in a certain sense unlucky because constantly shining nearby was the colossal figure of his younger (y 12 years) contemporary - William Shakespeare. But having now the distance of 400 years separating us from both, we can, without dazzling ourselves by the dangerous proximity of these poets, do justice to the lyrical glamour of Edmund Spenser.

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Ïîäðîáíàÿ èíôîðìàöèÿ

Spenser E., The Faerie Queene — 1984

The Faerie Queene, Spenser's masterpiece, is among the most influential poems in the English establishing the possibilities of heroic poetry in the English tradition. Milton called Spenser a better teacher that Scotus or Aquinas, and the rhythmical music and rhetorical control of The Faerie Queene, no less that its learning, have delighted poets for four centuries. Eighteenth-century poets imitated Spenser with abandon and Wordsworth, Keats and Tennyson were deeply influenced by the sensuousness of the work.

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Ïîäðîáíàÿ èíôîðìàöèÿ