Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé
Ïðîñòîé ïîèñê
Ðàñøèðåííûé ïîèñê
Ïðîñòîé ïîèñê
Ðàñøèðåííûé ïîèñê
Íàéäåíî ïå÷àòíûõ èçäàíèé: 130
Ïîèñêàòü êíèãè â ýëåêòðîííîì âèäå
Y 2015
Ñìèò Ò., Îñìûñëÿÿ ñîâðåìåííîå êóðàòîðñòâî — Y 2015 (GARAGE Pro)
Àííîòàöèÿ: Äàííîå èçäàíèå — ïåðâûé òîì â ñåðèè GARAGE Pro, íîâîé èíèöèàòèâå Ìóçåÿ ñîâðåìåííîãî èñêóññòâà "Ãàðàæ" è èçäàòåëüñòâà "Àä Ìàðãèíåì Ïðåññ". Çàäà÷à ñåðèè — ïðåäñòàâèòü ðàçìûøëåíèÿ êóðàòîðîâ, õóäîæíèêîâ, êðèòèêîâ è èñêóññòâîâåäîâ èç ðàçíûõ óãîëêîâ ìèðà î êóðàòîðñêîé ïðàêòèêå, ôóíêöèÿõ ñîâðåìåííûõ ìóçååâ è ðàáîòå â ñôåðå èñêóññòâà ñåãîäíÿ.
![Ãàïîí Ï., Îáîðâàííûå ñòðóíû: âàëüñ — [ìåæäó 1890-1917]](/searchcat/covers/RGUB-BIBL-0000885734-note.jpg)
ìåæäó 1890-1917
Ãàïîí Ï., Îáîðâàííûå ñòðóíû: âàëüñ — [ìåæäó 1890-1917]
Ñîäåðæàíèå: Âëàäåëü÷åñêèé êîíâîëþò. Ïðèïë. 14 íîò. èçä.: 1) Äæîéñ, Àð÷èáàëüä (Joyce,Archibald; 1873-1963). "Songe d'Automne": valse (Îñåííèé ñîí: âàëüñ) / Von Archibald Joyce.- St. Petersbourg: Jogansen, [ìåæäó 1860-1917].- 7 ñ..- Í. ä. T.A. 3976 I; 2) Êàçàðèíîâà, O. "Òîñêà î ïðîøëîì": âàëüñ / Ñî÷. Î. Êàçàðèíîâîé.-Ìîñêâà: Ãðîññå, [ìåæäó 1860-1917].- 4 ñ..- Í. ä. È. 2 Á; 3) Äåãåéòåð, Ïüåð (De Geyter,Pierre; 1948-1932). Èíòåðíàöèîíàë äëÿ ôîðòåïüÿíî /Ñðåäàêòèðîâàí êîìèññèåé èç ïðåäñòàâèòåëåé Ïóð'à, Ãëàâïîëèòïðîñâåòà è Ìóçñåêòîðà Ãîñèçäàòà.-Ìîñêâà: Ìóçûêàëüíûé ñåêòîð, 1924 .- 3, [1] c..- Í.ä. Ã.Ì. 5570 È.Ì.; 4) Äþðàí, Ìàðè Îãþñò (Durand, Marie-Auguste; 1830-1909). 2-me valse (Âòîðîé âàëüñ), Op. 86/Ang. Durand.-Moscou: Jurgenson, [ìåæäó 1870-1917] - 7 ñ. .- Í.ä. 18083; 5) Äþðàí, Ìàðè Îãþñò (Durand, Marie-Auguste; 1830-1909). 2-me valse 18133 (Âòîðîé âàëüñ), Op. 56 / B.Godard.-Moscou: Jurgenson, [ìåæäó 1870-1917].- 7 ñ..- Í.ä. 18133; 6) Ãàëîñ,Æèçåëü (Galos,Giselle). Le lac de C¤me (Îçåðî Êîìî): 6-e nocturne, Op.24 / C. Galos.-Moscou: Gutheil [Ãóòõåéëü], [ìåæäó 1870-1917].- 5 ñ..- Í.ä. 7410; 7) Ãëèíêà, Ìèõàèë Èâàíîâè÷ (1804-1857). Æèçíü çà öàðÿ äëÿ ôîðòåïüÿíî. — 7-á. Ìàçóðêà/ ìóç. Ì.È. Ãëèíêè.-Ìîñêâà: Ãóòõåéëü [Gutheil], [ìåæäó 1870-1917].-9 ñ..- Í.ä. A. 2128 G; 8) Äðÿãèí, Ñ. Marche fun˜bre / Ñ. Äðÿãèí.- [Á.ì.], [ìåæäó 1870-1917].-ñ.187-188 [ò.å. 2] ñ..- Í.ä. Ì.1071 II; 9) Ðóáèíøòåéí,Àíòîí Ãðèãîðüåâè÷ (1829-1894). Deux melodies (Äâå ìåëîäèè), Op. 3. — 1 / A. Rubinstein.- Moscou: Jurgenson, [ìåæäó 1870-1917].- 5 ñ. .- Í.ä. Ì.10031; 10) Ðóáèíøòåéí, Àíòîí Ãðèãîðüåâè÷ (1829-1894). 1-re Barcarolle (Áàðêàðîëëà), Op. 30 —1/ A. Rubinstein.- Moscou: Jurgenson, [ìåæäó 1870-1917].- 7 ñ. .-Í.ä. Ì.10038 11) Ñìèò, Ñ. (Smith,Sydney;1839-1889). Le murmure du ruisseau (Æóð÷àíèå ðó÷üÿ), Op. 207 / Sydney Smith.- C.-Ïåòåðáóðã: Èîãàíñåí, [ìåæäó 1870-1917].- 9 ñ. .- Í.ä. 1999; 12) ×àéêîâñêèé, Ïåòð Èëüè÷ (1840-1893). Åâãåíèé Îíåãèí. — 13 ...Âàëüñ / ìóç. Ï.×àéêîâñêîãî.-Ìîñêâà: Þðãåíñîí Ï., [ìåæäó 1870-1917].- 18 ñ..-Í.ä. 5829; 13) Ìîøêîâñêèé,Ìîðèö (Moszkowski, Moritz; 1854-1925).Spanische Tspanische tanze (Èñïàíñêèå òàíöû â ÷åòûðå ðóêè), Op. 12 / Moriitz .-[Á.ì.], [ìåæäó 1870-1917].- 27 ñ..-Í.ä. Ñ.1134 Ë. 14) Ãëèíêà, Ìèõàèë Èâàíîâè÷ (1804-1857).Valse-Fantaisie pour Orchestre (Âàëüñ-ôàíòàçèÿ äëÿ îðêåñòðà) /Compos™e par M. Glinka.-Nouvelle Ed. rev. et corrig™e par N. Rimsky-Korsakow et A. Glazounow.-Leipzig: Belaieff, 1902.- 21 ñ..- Í.ä. 3016;
![Nowell-Smith G., The History of Cinema. A Very Short Introduction — [2017] (Very Short Introduction. 543)](/searchcat/covers/RGUB-BIBL-0000852552.jpg)
2017
Nowell-Smith G., The History of Cinema. A Very Short Introduction — [2017] (Very Short Introduction. 543)
Àííîòàöèÿ: For over a century we have been telling stories on the screen. Cinema was the first, and is arguably still the greatest, of the industrialized art forms to dominate the cultural life of the 20th century. The variety, inventiveness, and artistry throughout its history is staggering: from silent to sound, black and white to colour, and intellectual art house pieces to mass market entertainment. This Very Short Introduction defines the field of cinema, exploring its history within the cultural and aesthetic sphere. Geoffrey Nowell-Smith also considers the influence of the other art forms from which it arose, and the unique role of technological advances in the development of the cinema industry.
![Boney M, Ïàðåíü ñ ïëàíòàöèè — [1980-1988]](/searchcat/covers/RGUB-BIBL-0000877362-vinyl.jpg)
1980-1988
Boney M, Ïàðåíü ñ ïëàíòàöèè — [1980-1988]
Ñîäåðæàíèå: Ïàðåíü ñ ïëàíòàöèè (Plantation Boy (T. King — F. Jay))Y 1977; Äèòÿ áåç ìàòåðè (Motherless Child (F. Farian — Mitchell)) Y 1977; Ñàííè (Sunny (Hebb)) Y 1976 Îðèãèíàëüíûé èñïîëíèòåëü — Bobby Hebb Y 1966; Õî÷åøü ëè òû òàíöåâàòü, äåòêà? (Baby Do You Wanna Bump (Zampi*))Ñ ìûñëüþ î í¸ì (A Man On My Mind (F. Farian — F. Jay)) Y 1976; Îòâåäè óäàð îò ìåíÿ (Take The Heat Off Me (F. Farian — Reyam**)) Y 1976  îðèãèíàëå "Nessuno mai" (G. Bigazzi, G. Bella) — Marcella Y 1974; ß âñ¸ åùå ïå÷àëåí (Still I'm Sad (S. Smith*** — McCarthy)) Y 1977 Îðèãèíàëüíûé èñïîëíèòåëü — The Yardbirds Y 1965; Ëþáèòü èëè ïîêèíóòü (Lovin' Or Leavin' (F. Farian — F. Jay)) Y 1976; Òû êîãäà-íèáóäü âèäåë äîæäü? (Have You Ever Seen The Rain (J. C. Fogerty)) Y 1977 Îðèãèíàëüíûé èñïîëíèòåëü — Creedence Clearwater Revival Y 1970
2020
Ñìèò Ê., Áèîëîãèÿ ñåíñîðíûõ ñèñòåì — 2020 (Àäàïòèâíûå è èíòåëëåêòóàëüíûå ñèñòåìû)
Àííîòàöèÿ: Êíèãà ïîñâÿùåíà ñòðîåíèþ è ðàáîòå îðãàíîâ ÷óâñòâ ÷åëîâåêà è æèâîòíûõ. Ïîìèìî íåéðîáèîëîãè÷åñêèõ ðàññìàòðèâàþòñÿ ýâîëþöèîííûå, ìîëåêóëÿðíûå, ãèñòîëîãè÷åñêèå, àíàòîìè÷åñêèå, à òàêæå ôèëîñîôñêèå àñïåêòû. Ïîêàçàíî ãëóáîêîå åäèíñòâî æèâîòíîãî ìèðà. Èçó÷åíèå ñåíñîðíûõ ñèñòåì æèâîòíûõ ïîçâîëèò îñâîáîäèòüñÿ îò àíòðîïîöåíòðèçìà è "óâèäåòü" îêðóæàþùèé ìèð èíûìè îðãàíàìè ÷óâñòâ
1989
1989
2025
Evans V., Law. Student's book with digibook app. — 2025 (Career Paths)
Àííîòàöèÿ: Career Paths: Law is a new educational resource for legal professionals who want to Improve their English communication skills in a work environment. Incorporating career specifie vocabulary and contexts, each unit offers step-by-step instruction that immerses students in the four key language components: reading, listening, speaking, and writing. Career Paths: Law presents subject matter including basic legal concepts, court processes, legal billing, evidence, and international law. The series is organized into three levels of difficulty and offers over 400 vocabulary terms and phrases. Every unit includes a test of reading comprehension, vocabulary, and listening skills, and leads students through written and oral production. Included Features: A variety of realistic reading passages, Career-specific dialogues, 45 reading and listening comprehension checks, Over 400 vocabulary terms and phrases, Guided speaking and writing exercises, Complete glossary of terms and phrases, The Teacher's Guide contains detailed lesson plans, a full answer key and audioscripts. The audio CDs (downloadable) contain all recorded material. Express DigiBooks. The Digital version of the book contains subject specific videos, instant feedback on all tasks and progress monitoring reports.Ó÷åáíî-ìåòîäè÷åñêèé êîìïëåêñ "Law" ñåðèè "Career Paths" ýòî íîâûé îáðàçîâàòåëüíûé êóðñ àíãëèéñêîãî ÿçûêà äëÿ ó÷àùèõñÿ, ñòóäåíòîâ è ñïåöèàëèñòîâ â îáëàñòè þðèñïðóäåíöèè. Ó÷åáíîå ïîñîáèå ïðåäëàãàåò ðàçíîîáðàçíóþ òåìàòèêó, âêëþ÷àÿ îñíîâû ïðàâà, ñóäåáíûå çàñåäàíèÿ, îïëàòó þðèäè÷åñêèõ óñëóã è ìåæäóíàðîäíîå ïðàâî. Êàæäûé òåìàòè÷åñêèé ðàçäåë ó÷åáíîãî ïîñîáèÿ ñîäåðæèò çàäàíèÿ äëÿ ðàçâèòèÿ ÿçûêîâûõ íàâûêîâ âî âñåõ âèäàõ ðå÷åâîé äåÿòåëüíîñòè (÷òåíèè, àóäèðîâàíèè, ãîâîðåíèè è ïèñüìå). Ó÷åáíîå ïîñîáèå ðàçäåëåíî íà òðè óðîâíÿ ñëîæíîñòè è ïðåäëàãàåò áîëåå 400 ñëîâàðíûõ òåðìèíîâ è ôðàç íà àíãëèéñêîì ÿçûêå, îòíîñÿùèõñÿ ê èçó÷àåìîé ïðîôåññèîíàëüíîé îáëàñòè. Ïîñîáèå ñîäåðæèò ðåàëèñòè÷íûå òåêñòû ðàçëè÷íûõ æàíðîâ, 45 ïðîôåññèîíàëüíî-îðèåíòèðîâàííûõ äèàëîãîâ è çàäàíèÿ íà îòðàáîòêó àóäèðîâàíèÿ.
2024
Evans V., Law. Teacher's guide — 2024
Àííîòàöèÿ: Teacher's GUIDE. Career Paths: Law is a new educational resource for legal professionals who want to improve their English communication skills in a work environment. Incorporating career-specific vocabulary and contexts, each unit offers step-by-step instruction that immerses students in the four key language components reading, listening, speaking. and writing. Career Paths: Law presents subject matter including basic legal concepts, court processes, legal billing, evidence, and international law. The series is organized into three levels of difficulty and offers over 400 vocabulary terms and phrases. Every unit includes a test of reading comprehension, vocabulary. and listening skills, and leads students through written and oral production. Included Features: A variety of realistic reading passages. Career-specific dialogues. 45 reading and listening comprehension checks. Over 400 vocabulary terms and phrases. Guided speaking and writing exercises. Complete glossary of terms and phrases. The Teacher's Guide contains detailed lesson plans, a full answer key and audio scripts. The audio CDs contain all recorded material. Express DigiBooks. The Digital version of the book contains subject specific videos, instant feedback on all tasks and progress monitoring reports. Express PublishingÍàáîð âêëþ÷àåò êíèãó äëÿ ó÷èòåëÿ ñ ïîäðîáíûìè ïëàíàìè óðîêîâ, îòâåòàìè è àóäèîñêðèïòàìè, ó÷åáíèê ñ äîïîëíèòåëüíûìè ðåñóðñàìè, âêëþ÷àþùèìè èíòåðàêòèâíûå óïðàæíåíèÿ, àóäèî- è âèäåîìàòåðèàëû. Career Paths Law - ó÷åáíûé ðåñóðñ äëÿ þðèñòîâ, êîòîðûå õîòÿò óëó÷øèòü ñâîè íàâûêè îáùåíèÿ íà àíãëèéñêîì ÿçûêå â êîíòåêñòå ïðîôåññèè. Îõâàòûâàåò òàêèå òåìû, êàê þðèäè÷åñêèå ïîíÿòèÿ, ñóäåáíûå ïðîöåññû, ñâèäåòåëüñòâà, ìåæäóíàðîäíîå ïðàâî. Cîîòâåòñòâóåò òðåì óðîâíÿì ñëîæíîñòè (A1, A2, B1) — òðè ÷àñòè ïîä îäíîé îáëîæêîé. Ðàçâèâàåò âñå ÷åòûðå ÿçûêîâûõ íàâûêà: ÷òåíèå, ïèñüìî, ñëóøàíèå, ãîâîðåíèå. Êàæäûé þíèò ñîäåðæèò ïðîâåðî÷íûé òåñò. Îáåñïå÷èâàåò ïèñüìåííóþ è óñòíóþ ïðàêòèêó. Ïîøàãîâàÿ ñòðóêòóðà óðîêà. Ìíîæåñòâî ðåàëèñòè÷íûõ òåêñòîâ äëÿ ÷òåíèÿ. Õàðàêòåðíûå äëÿ ïðîôåññèè äèàëîãè. Ïîëíûé ãëîññàðèé áîëåå 400 òåðìèíîâ è ôðàç.
2023
Ñìèò Ý., Çàïèñêè áèáëèîôèëà. ïî÷åìó êíèãè èìåþò âëàñòü íàä íàìè — 2023
Àííîòàöèÿ:  ñâîåì íåâåðîÿòíî óâëåêàòåëüíîì ïîâåñòâîâàíèè ïðîôåññîð Îêñôîðäà, ñïåöèàëèñò ïî Øåêñïèðó Ýììà Ñìèò ðàññêàçûâàåò îá èñòîðèè êíèã, ìíîãîâåêîâîé è ïîðàçèòåëüíî èíòåðåñíîé, äåëàÿ àêöåíò íå íà ïðèâû÷íîì íàì îáðàçå «àðõèâîâ ìóäðîñòè è çíàíèé», à íà ìàòåðèàëüíûõ ôîðìàõ, â êîòîðûõ ïðåäñòàâàëè êíèãè, è íà òîì, íàñêîëüêî ðàçíûì öåëÿì èì ïîðîé ïðèõîäèëîñü ñëóæèòü. Ïðåäñòàâëÿÿ çàõâàòûâàþùóþ è ðàäèêàëüíî íîâóþ èñòîðèþ êíèãè â ðóêàõ ÷åëîâåêà, àâòîð èùåò îòâåò íà âîïðîñû, êîãäà è êàê òà ïðèîáðåëà âëàñòü íàä íàìè. Ðàññêàçûâàÿ î òîé îãðîìíîé ðîëè, êîòîðóþ öåëîå òûñÿ÷åëåòèå èãðàëè â æèçíè ëþäåé êíèãè, Ñìèò äåëàåò óäèâèòåëüíîå îòêðûòèå î òîì, ÷òî õàðàêòåðíóþ è âåñüìà ìîãóùåñòâåííóþ ìàãèþ êíèã ðîæäàåò íå òîëüêî ñîäåðæàíèå, íî è ôîðìà. Îò Àëìàçíîé ñóòðû äî êíèãè, ñäåëàííîé èç çàâåðíóòûõ â öåëëîôàí ëîìòèêîâ ñûðà, ýòîò ñëîæíûé õóäîæåñòâåííûé îáúåêò óæå ìíîãî âåêîâ âìåùàåò â ñåáÿ è ðàñøèðÿåò âçàèìîîòíîøåíèÿ ìåæäó ÷èòàòåëÿìè, ñòðàíàìè, èäåîëîãèÿìè è êóëüòóðàìè, è äåëàåò ýòî î÷åíü ðåøèòåëüíî è íåïðåäñêàçóåìî. «Ëþáàÿ êíèãà ñóëèò ÷èòàòåëþ òðàíñôîðìàöèþ. Îæèäàíèå ïåðåìåí âõîäèò â íåçðèìûé äîãîâîð ìåæäó êíèãàìè è èõ ÷èòàòåëÿìè.  ýòîì ñìûñëå âñå êíèãè — ýòî êíèãè î òîì, êàê ïîìî÷ü ñàìîìó ñåáå. Åñëè ó íàñ íåò óäîâîëüñòâèÿ èëè ñâÿçè ñ êàêîé-íèáóäü êíèãîé, çíà÷èò, ìû óïîðíî óêëîíÿåìñÿ îò îáÿçàííîñòåé, êîòîðûå äîëæíû âûïîëíÿòü ïî äîãîâîðó ñ íåé». (Ýììà Ñìèò)
2023
Ñìèò Ò., Îäíà è ïÿòü èäåé. Î êîíöåïòóàëüíîì èñêóññòâå è êîíöåïòóàëèçìå — 2023
Àííîòàöèÿ: Òåððè Ñìèò (ðîä. 1944) — àâñòðàëèéñêèé òåîðåòèê, êðèòèê è êóðàòîð ñîâðåìåííîãî èñêóññòâà, áûâøèé ó÷àñòíèê êîëëåêòèâà Art & Language, ñòîÿâøåãî ó èñòîêîâ çàïàäíîãî êîíöåïòóàëèçìà. Ïÿòü åãî ýññå, ñîáðàííûå â ýòîé êíèãå è ïðåäâàðåííûå îáñòîÿòåëüíûì ââåäåíèåì ðåäàêòîðà, íàïèñàíû â ïåðèîä ñ 1972 ïî 2012 ãîä è ïîñâÿùåíû ïðèðîäå êîíöåïòóàëüíîãî èñêóññòâà è êîíöåïòóàëèçìà, ðàññìàòðèâàåìîé â òåîðåòè÷åñêîì, ôèëîñîôñêîì, èäåîëîãè÷åñêîì, ãåîãðàôè÷åñêîì è õóäîæåñòâåííîì àñïåêòàõ. Ñìèò ïðåäñòàâëÿåò ïÿòü ïîäõîäîâ è ïÿòü ãðàíåé ýòîãî èñêóññòâà â èñòîðè÷åñêîé äèíàìèêå, ãëÿäÿ íà íåãî òî èçíóòðè (êàê ó÷àñòíèê ãðóïïû êîíöåïòóàëèñòîâ), òî èçâíå (ñ ïîçèöèé êðèòèêè, ôèëîñîôèè, äðóãèõ âàðèàíòîâ êîíöåïòóàëèçìà è ò. ä.) è îáñóæäàÿ åãî ðîëü ïîñðåäíèêà ìåæäó ïîçäíèì ìîäåðíèçìîì è íîâåéøèì èñêóññòâîì. Èçäàíèå âûïóùåíî â ðàìêàõ ñîâìåñòíîãî ïðîåêòà èçäàòåëüñòâà Masters è èçäàòåëüñòâà Ad Marginem.
2023
Ñìèò Ò., Îäíà è ïÿòü èäåé. Î êîíöåïòóàëüíîì èñêóññòâå è êîíöåïòóàëèçìå — 2023
Àííîòàöèÿ: Òåððè Ñìèò (ðîä. 1944) — àâñòðàëèéñêèé òåîðåòèê, êðèòèê è êóðàòîð ñîâðåìåííîãî èñêóññòâà, áûâøèé ó÷àñòíèê êîëëåêòèâà Art & Language, ñòîÿâøåãî ó èñòîêîâ çàïàäíîãî êîíöåïòóàëèçìà. Ïÿòü åãî ýññå, ñîáðàííûå â ýòîé êíèãå è ïðåäâàðåííûå îáñòîÿòåëüíûì ââåäåíèåì ðåäàêòîðà, íàïèñàíû â ïåðèîä ñ 1972 ïî 2012 ãîä è ïîñâÿùåíû ïðèðîäå êîíöåïòóàëüíîãî èñêóññòâà è êîíöåïòóàëèçìà, ðàññìàòðèâàåìîé â òåîðåòè÷åñêîì, ôèëîñîôñêîì, èäåîëîãè÷åñêîì, ãåîãðàôè÷åñêîì è õóäîæåñòâåííîì àñïåêòàõ. Ñìèò ïðåäñòàâëÿåò ïÿòü ïîäõîäîâ è ïÿòü ãðàíåé ýòîãî èñêóññòâà â èñòîðè÷åñêîé äèíàìèêå, ãëÿäÿ íà íåãî òî èçíóòðè (êàê ó÷àñòíèê ãðóïïû êîíöåïòóàëèñòîâ), òî èçâíå (ñ ïîçèöèé êðèòèêè, ôèëîñîôèè, äðóãèõ âàðèàíòîâ êîíöåïòóàëèçìà è ò. ä.) è îáñóæäàÿ åãî ðîëü ïîñðåäíèêà ìåæäó ïîçäíèì ìîäåðíèçìîì è íîâåéøèì èñêóññòâîì. Èçäàíèå âûïóùåíî â ðàìêàõ ñîâìåñòíîãî ïðîåêòà èçäàòåëüñòâà Masters è èçäàòåëüñòâà Ad Marginem.
2023
Ãîäôðè-Ñìèò Ï., Ìåòàçîà. çàðîæäåíèå ðàçóìà â æèâîòíîì ìèðå. ïåðåâîä ñ àíãëèéñêîãî — 2023
Àííîòàöèÿ: Ñòîèò àêâàëàíãèñòó ïîãðóçèòüñÿ â ìîðå, êàê îí ñòàëêèâàåòñÿ ñ ôîðìàìè æèçíè, êîòîðûå êàæóòñÿ çàïðåäåëüíî ÷óæäûìè: çäåñü è ìîðñêèå ãóáêè, è ìÿãêèå êîðàëëû, è ÷åðâè-ñåðïóëèäû, ÷üè ïðè÷óäëèâûå òåëà, çàìûñëîâàòîå ñòðîåíèå è ïîõîæèå íà öâåòû îòðîñòêè íàïîìèíàþò ñêîðåå ðàñòåíèÿ èëè äàæå àðõèòåêòóðíûå ôîðìû, íåæåëè ÷òî-òî æèâîòíîå. È òåì íå ìåíåå âñå ýòè ñîçäàíèÿ - íàøè ðîäñòâåííèêè. Êàê ðàâíîïðàâíûå ïðåäñòàâèòåëè öàðñòâà æèâîòíûõ - ìåòàçîà, îíè ìîãóò íåìàëî ðàññêàçàòü îá ýâîëþöèîííîì ïðîèñõîæäåíèè íå òîëüêî òåëà ÷åëîâåêà, íî è åãî ñîçíàíèÿ. Ïûòàÿñü âæèòüñÿ â èõ îïûò è ïîíÿòü, êàêîâî ýòî - âîñïðèíèìàòü ìèð è âçàèìîäåéñòâîâàòü ñ íèì òàê, êàê ýòî äåëàþò äðóãèå æèâûå ñóùåñòâà, Ïèòåð Ãîäôðè-Ñìèò ïîêàçûâàåò, ÷òî õàðàêòåðíîå äëÿ æèâîòíûõ òåëî, ïîÿâèâøååñÿ áîëåå ïîëóìèëëèàðäà ëåò íàçàä, ñòàëî òåì ñàìûì íîâîââåäåíèåì, êîòîðîå íàïðàâèëî æèçíü ïî ïðèíöèïèàëüíî èíîìó ïóòè
2023
Ïåéòîí Ñìèò Ñ., Ïðèñòàíèùå âåäüì. ðîìàí — 2023 (Ñóïåðâåäüìû) (Áåñòñåëëåð The New York times)
Àííîòàöèÿ: Ôýíòåçè-äåòåêòèâ î øâåå, êîòîðàÿ îêàçûâàåòñÿ â ýïèöåíòðå âîéíû ìåæäó âåäüìàìè è âîëøåáíèêàìè 1911, Íüþ-Éîðê. Ñåìíàäöàòèëåòíÿÿ Ôðýíñèñ Õåëëîóýë ðàáîòàåò øâååé è îïëàêèâàåò áðàòà, çàãàäî÷íî ïîãèáøåãî íåñêîëüêî ìåñÿöåâ íàçàä. Âñå ðåçêî ìåíÿåòñÿ, êîãäà íà íåå íàïàäàåò íà÷àëüíèê. Ôðýíñèñ íå ïîíèìàåò, êàê åãî òðóï c òîð÷àùèìè èç øåè íîæíèöàìè îêàçûâàåòñÿ ó åå íîã— Ïîëèöèÿ íå óñïåâàåò îáâèíèòü Ôðýíñèñ â óáèéñòâå: çà íåé ïðèåçæàþò äâå ìåäñåñòðû è çàáèðàþò åå â ñàíàòîðèé "Êîëäîñòàí" - ÿêîáû ïîòîìó, ÷òî îíà ñòðàøíî áîëüíà. Âïðî÷åì, ñêîðî âûÿñíÿåòñÿ, ÷òî ýòî âîâñå íèêàêîé íå ñàíàòîðèé, à àêàäåìèÿ äëÿ âåäüì. Äèðåêòðèñà ïðåäóïðåæäàåò íîâîèñïå÷åííóþ ó÷åíèöó î òîì, êàê îïàñíà ñèëüíàÿ ìàãèÿ, íî Ôðýíñèñ ìàëî òåõ ïðîñòåíüêèõ çàêëèíàíèé, êîòîðûì ó÷àò â àêàäåìèè. Îíà î÷àðîâàíà Ôèííîì, òàèíñòâåííûì ìîëîäûì ÷åëîâåêîì, êîòîðûé âîçíèêàåò â åå ñíàõ è îáåùàåò íàó÷èòü áîëåå çàìûñëîâàòûì ôîðìàì êîëäîâñòâà - òàêèì, ÷òî ïîìîãóò åé îòûñêàòü óáèéöó áðàòà....
2022
Ñìèò Ä., 50 ñòðàòåãèé, êîòîðûå èçìåíèëè èñòîðèþ. Îò âîåííûõ äåéñòâèé äî áèçíåñà — 2022 (Ïîäàðî÷íûå èçäàíèÿ. Áèçíåñ)
Àííîòàöèÿ:  òî âðåìÿ êàê ñóäüáà ÷åëîâåêà èëè äàæå âñåãî ìèðà ìîãëà çàâèñåòü îò ñëó÷àéíîñòåé èëè êàêèõ-ëèáî áåçóìíûõ îáñòîÿòåëüñòâ, áîëüøàÿ ÷àñòü ÷åëîâå÷åñêîé èñòîðèè îïðåäåëÿëàñü ðåçóëüòàòàìè îñóùåñòâëåíèÿ ñòðàòåãèè. Íà ñòðàíèöàõ ïÿòüäåñÿò ñòðàòåãèé, ñôîðìèðîâàâøèõ òîò ìèð, êîòîðûé ìû çíàåì ñåé÷àñ. Âû óçíàåòå, êàê "Äåíüãè äàþò âëàñòü" ïî çàêîíàì áîãàòåéøåé ñåìüè Ìåäè÷è, èçîáðåòåíèå must-have áðåíäà êàê äðàéâåðà ýêîíîìèêè, ñåêðåòû óñïåõà äèíàñòèè Ðîòøèëüäîâ è äðóãèå ñïëàíèðîâàííûå ñòðàòåãèè ïî äîìèíàöèè
2022
Smith J., Why Has Nobody Told Me This Before? — 2022
Àííîòàöèÿ: Drawing on years of experience as a clinical psychologist, online sensation Dr Julie Smith provides the skills you need to navigate common life challenges and take charge of your emotional and mental health in her debut book. Filled with secrets from a therapist's toolkit, Why Has Nobody Told Me This Before teaches you how to fortify and maintain your mental health, even in the most trying of times. Dr Julie Smith's expert advice and powerful coping techniques will help you stay resilient, whether you want to manage anxiety, deal with criticism, cope with depression, build self-confidence, find motivation, or learn to forgive yourself. Why Has Nobody Told Me This Before tackles everyday issues and offers practical solutions in bite-sized, easy-to-digest entries which make it easy to quickly find specific information and guidance. Your mental well-being is just as important as your physical well-being. Packed with proven strategies, Dr. Julie's empathetic guide offers a deeper understanding of how your mind works and gives you the insights and help you need to nurture your mental health every day. Wise and practical, Why Has Nobody Told Me This Before might just change your life.
2021
Ñìèò Á., IT êàê îðóæèå. êàêèå îïàñíîñòè òàèò â ñåáå ðàçâèòèå âûñîêèõ òåõíîëîãèé — 2021
Àííîòàöèÿ: Ðàçâèòèå IT-èíäóñòðèè çà íåñêîëüêî äåñÿòèëåòèé òðàíñôîðìèðîâàëî ñîâðåìåííóþ ðåàëüíîñòü. Òåïåðü ìû æèâåì è ðàáîòàåì â öèôðîâîì ìèðå, à âåäóùèå IT-êîìïàíèè âëàäåþò áîëüøèì îáúåìîì ïåðñîíàëüíûõ äàííûõ, ÷åì ëþáîå ïðàâèòåëüñòâî íà ïëàíåòå. Âîçìîæíîñòü ñîáèðàòü è îáðàáàòûâàòü îãðîìíûå îáúåìû èíôîðìàöèè ñòàëî ìîùíûì èíñòðóìåíòîì ïðîãðåññà è ãðîçíûì îðóæèåì îäíîâðåìåííî. Íî êòî èì óïðàâëÿåò íà ñàìîì äåëå? Àâòîðû ýòîé êíèãè, ðóêîâîäèòåëè êîìïàíèè Microsoft, ðàñêðûâàþò ïåðåä ÷èòàòåëÿìè ñàìûå àêòóàëüíûå ïðîáëåìû, êîòîðûå ñòîÿò ïåðåä IT-êîìïàíèÿìè, è ðàññêàçûâàþò î ñâîåì ïóòè èõ ðåøåíèÿ. Êàê â ýòó íîâóþ ýðó íàéòè ïðàâèëüíûé áàëàíñ îáùåñòâåííîé áåçîïàñíîñòè è íåïðèêîñíîâåííîñòè ÷àñòíîé æèçíè? Êàê çàùèòèòüñÿ îò çëîóìûøëåííèêîâ, êîòîðûå èñïîëüçóþò íîâûå òåõíîëîãèè äëÿ êèáåðàòàê íà öåëûå ñòðàíû, êîðïîðàöèè èëè ÷àñòíóþ æèçíü ãðàæäàí? Óäàñòñÿ ëè íàì ñîçäàòü ìèð, â êîòîðîì íàøè äåòè ñìîãóò íàéòè ðàáîòó? Ñìîæåì ëè ìû âîîáùå êîíòðîëèðîâàòü çàðîæäàþùèéñÿ íîâûé ìèð? Âîçìîæíîñòü ñîáèðàòü îãðîìíûå îáúåìû äàííûõ î ïîëüçîâàòåëÿõ — ýòî ïàëêà î äâóõ êîíöàõ. È îò òîãî, êàê IT-êîìïàíèè ðåøàþò ñëîæíåéøèå ýòè÷åñêèå ïðîáëåìû, çàâèñèò óñòðîéñòâî ìèðà, â êîòîðîì íàì ïðåäñòîèò æèòü
2021
Ñìèò Ò., Áåñåäû ñ êóðàòîðàìè — 2021
Àííîòàöèÿ: Èçâåñòíûé èñòîðèê èñêóññòâà, õóäîæíèê è êóðàòîð Òåððè Ñìèò, ðàáîòàþùèé â Àâñòðàëèè è ÑØÀ, àâòîð ðÿäà èññëåäîâàíèé î êîíöåïòóàëèçìå, à òàêæå î òåîðèè è ïðàêòèêå êóðèðîâàíèÿ âûñòàâîê ñîâðåìåííîãî èñêóññòâà, ñîáðàë ïîä îäíîé îáëîæêîé îáñòîÿòåëüíûå áåñåäû ñ íàèáîëåå âëèÿòåëüíûìè êóðàòîðàìè ñîâðåìåííîñòè - îò Äæåðìàíî ×åëàíòà äî Áîðèñà Ãðîéñà, ñíàáäèâøåãî êíèãó ïðåäèñëîâèåì ê ðóññêîìó èçäàíèþ. Âçÿòûå àâòîðîì èíòåðâüþ ñòàíóò èñòî÷íèêîì öåííîé èíôîðìàöèè äëÿ âñåõ çàíèìàþùèõñÿ è èíòåðåñóþùèõñÿ ñîâðåìåííûì èñêóññòâîì.
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![Ãàïîí Ï., Îáîðâàííûå ñòðóíû: âàëüñ — [ìåæäó 1890-1917]](/searchcat/covers/RGUB-BIBL-0000885734-note-large.jpg)
![Nowell-Smith G., The History of Cinema. A Very Short Introduction — [2017] (Very Short Introduction. 543)](/searchcat/covers/RGUB-BIBL-0000852552-large.jpg)
![Boney M, Ïàðåíü ñ ïëàíòàöèè — [1980-1988]](/searchcat/covers/RGUB-BIBL-0000877362-vinyl-large.jpg)
