Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: One of the great Shakespearean tragedies, "Macbeth" is a dark and bloody drama of ambition, murder, guilt and revenge. Prompted by the prophecies of three mysterious witches and goaded by his ambitious wife, the Scottish thane

Àííîòàöèÿ: Romeo and Juliet is the world's most famous drama of tragic young love. Defying the feud which divides their families, Romeo and Juliet enjoy the fleeting rapture of courtship, marriage and sexual fulfilment; but a combination of old animosities and new coincidences brings them to suicidal deaths. This play offers a rich mixture of romantic lyricism, bawdy comedy, intimate harmony and sudden violence. Long successful in the theatre, it has also generated numerous operas, ballets and films; and these have helped to make Romeo and Juliet perennially top

Àííîòàöèÿ: As You Like It is considered by many to be one of Shakespeare's greatest comedies, and the heroine, Rosalind, is praised as one of his most inspiring characters and has more lines than any of Shakespeare's female characters. Rosalind, the daughter of a banished duke falls in love with Orlando the disinherited son of one of the duke's friends. When she is banished from the court by her usurping uncle, Duke Frederick, Rosalind switches genders and as Ganymede travels with her loyal cousin Celia and the jester Touchstone to the Forest of Arden, where her father and his friends live in exile. Observations on life and love follow (including love, aging, the natural world, and death) friends are made, and families are reunited. By the play's end Ganymede, once again Rosalind, marries her Orlando

Àííîòàöèÿ:  èçäàíèè, ïðèóðî÷åííîì ê 100-ëåòèþ ñî äíÿ ðîæäåíèÿ ïîýòà, ðàçíîñòîðîííå ïðåäñòàâëåíà ïåðåâîä÷åñêàÿ äåÿòåëüíîñòü Á.Ë. Ïàñòåðíàêà, åãî ïåðåâîäû ñ àíãëèéñêîãî (Ðýëè, Øåêñïèð, Øåëëè, Êèòñ, Ñóèíáåðí), íåìåöêîãî (Ñàêñ, øòå, Êëåéñò, Ãåðâåã, Ãåéì, Áåõåð, Ðèëüêå, Âåðôåëü), ôðàíöóçñêîãî (Âåðëåí, Âåðõàðí), èñïàíñêîãî (Àëüáåðòè), ïîëüñêîãî (Ñëîâàöêèé, Ëåñüìÿí, Áðîíåâñêèé), ÷åøñêîãî (Íåçâàë), âåíãåðñêîãî (Ïåòåôè) ÿçûêîâ, à òàêæå åãî ñòàòüè è çàìåòêè î ïåðåâîäàõ.

Àííîòàöèÿ:  èçäàíèè, ïðèóðî÷åííîì ê 100-ëåòèþ ñî äíÿ ðîæäåíèÿ ïîýòà, ðàçíîñòîðîííå ïðåäñòàâëåíà ïåðåâîä÷åñêàÿ äåÿòåëüíîñòü Á.Ë. Ïàñòåðíàêà, åãî ïåðåâîäû ñ àíãëèéñêîãî (Ðýëè, Øåêñïèð, Áàéðîí, Øåëëè, Êèòñ, Ñóèíáåðí), íåìåöêîãî (Ñàêñ, Ãåòå, Êëåéñò, Ãåðâåã, Ãåéì, Áåõåð, Ðèëüêå, Âåðôåëü), ôðàíöóçñêîãî (Âåðëåí, Âåðõàðí), èñïàíñêîãî (Àëüáåðòè), ïîëüñêîãî (Ñëîâàöêèé, Ëåñüìÿí, Áðîíåâñêèé), ÷åøñêîãî (Íåçâàë), âåíãåðñêîãî (Ïåòåôè) ÿçûêîâ, à òàêæå åãî ñòàòüè è çàìåòêè î ïåðåâîäàõ

Àííîòàöèÿ: Èçäàíèå âêëþ÷àåò ëó÷øèå îáðàçöû àíãëèéñêîãî ñîíåòà, íà÷èíàÿ ñ òâîð÷åñòâà ïîýòîâ-åëèçàâåòèíöåâ è êîí÷àÿ íåîðîìàíòèêàìè êîíöà XIX â.Ïåðåâîäû íà ðóññêèé ÿçûê âêëþ÷àþò êàê êëàñèêó XIX-XX ââ., òàê è ðàáîòû ñîâðåìåííûõ ïîýòîâ è ïåðåâîä÷èêîâ. Êíèãà ïðåäíàçíà÷åíà øèðîêîìó êðóãó ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ: The penguin book of english verse.

Àííîòàöèÿ:  ñáîðíèê âîøëè íàèáîëåå èçâåñòíûå îáðàçöû øèðîêî ðàñïðîñòðàíåííîãî â àíãëî-àìåðèêàíñêîé ëèòåðàòóðíîé òðàäèöèè æàíðà ïàðîäèè. ×èòàòåëü ïîçíàêîìèòñÿ êàê ñ ïàðîäèÿìè íà òâîð÷åñòâî èçâåñòíûõ ïèñàòåëåé- Äèêêåíñà, Êóïåðà, Ëîíãôåëëî, Ãîëñóîðñè è äð., òàê è ñ ïàðîäèÿìè íà îòäåëüíûå ëèòåðàòóðíûå æàíðû - äåòåêòèâ, ñåíòèìåíòàëüíûé ðîìàí, ëèòåðàòóðîâåä÷åñêóþ ñòàòüþ è ïð. Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè.

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Àííîòàöèÿ: The longest and most powerful tragedy by Shakespeare, Hamlet revolves around the themes of power, betrayal, moral corruption and madness. It was the most popular work by Shakespeare during his lifetime and it still is one of the most performed tragedies in theater.

Àííîòàöèÿ: "Much Ado About Nothing" is the story of Leonato, an Italian nobleman, his daughter, Hero, and his niece, Beatrice. Following a war Leonato welcomes into his house Don Pedro, his good friend; fellow soldiers of Don Pedro, Claudio and Benedick; as well as Don Pedro's illegitimate brother, Don John. Quickly amorous relations develop between Claudio and Hero and later between Benedick and Beatrice. As wedding plans are being made for Claudio and Hero, Don John tricks Claudio into believing that Hero has been unfaithful. The wedding bliss is briefly interrupted until the truth is finally discovered and the play ends in a joyful double wedding.

Àííîòàöèÿ: One of the great Shakespearean tragedies, "Macbeth" is a dark and bloody drama of ambition, murder, guilt and revenge. Prompted by the prophecies of three mysterious witches and goaded by his ambitious wife, the Scottish thane

Àííîòàöèÿ: Romeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young "star-cross`d lovers" whose deaths ultimately unite their feuding families. It was among Shakespeare`s most popular archetypal stories of young, teenage lovers

Àííîòàöèÿ: "The Merchant of Venice" is one of Shakespeare`s most popular comedies, but it remains deeply controversial. The text may well seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. He is a character so intense that he can dominate the play, challenging abrasively its romantic and lyrical affirmations. What results is a bitter-sweet drama, both gratifying and troubling. The lovers may eventually rejoice, but there are strange discords before the final harmony is achieved. Though "The Merchant of Venice" offers some of the traditional pleasures of comedy, it also exposes the perennial operations of prejudice. Thus Shakespeare remains our contemporary.

Àííîòàöèÿ: The Taming of the Shrew is one of the most famous and controversial of Shakespeare s comedies. The central relationship, in which Petruchio boisterously tames a rebellious Kate, has often appeared problematic. In the theatre, it has been treated in a diversity of ways, so that Kate s apparent capitulation varies between the ironic and the sincere. Feminists have been divided in their responses. The provocative vitality of this comedy has been transmitted by numerous adaptations for stage and screen, notably the film directed by Franco Zeffirelli and the Cole Porter musical, Kiss Me, Kate.

Àííîòàöèÿ: Romeo and Juliet is a tragedy written early in the career of playwright William Shakespeare about two young "star-cross`d lovers" whose deaths ultimately unite their feuding families. It was among Shakespeare`s most popular archetypal stories of young, teenage lovers.

Àííîòàöèÿ: Antony and Cleopatra is one of Shakespeare s greatest tragedies: a spectacular, widely-ranging drama of love and war, passion and politics. Antony is divided between the responsibilities of Imperial power and the intensities of his sexual relationship with Cleopatra. She, variously generous and ruthless, loving and jealous, petulant and majestic, emerges as Shakespeare s most complex depiction of a woman: Age cannot wither her, nor custom stale her infinite variety. Unsurpassed in sumptuous eloquence and powerful characterisation, Antony and Cleopatra deservedly retains its popularity in the theatre. Its insights into the corruptions of power and the ambiguities of desire remain timely

Àííîòàöèÿ: The jealous King of Sicily becomes convinced that his wife is carrying the child of his best friend. Imprisoned and put on trial, the Queen collapses when the King refuses to accept the divine confirmation of her innocence. The child is abandoned to die on the coast of Bohemia. But when she is found and raised by a shepherd, it seems redemption may be possible.

Àííîòàöèÿ: For four centuries Twelfth Night has inspired theatre directors and performers. Surveying a dazzling range of Twelfth Night productions - including many significant productions which have not received due critical attention previously - Schafer provides the reader with an indispensable stage history of this popular play, from its first performance to today.