Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Íà ïðîòÿæåíèè XVII ñòîëåòèÿ Ôðàíöèÿ ïîäàðèëà ìèðó ïëåÿäó âûäàþùèõñÿ ðèñîâàëüùèêîâ, âûñîêèì óðîâíåì è ñâîåîáðàçèåì ñâîèõ ïðîèçâåäåíèé âïèñàâøèõ íå îäíó ÿðêóþ ñòðàíèöó â èñòîðèþ ìèðîâîãî ãðàôè÷åñêîãî èñêóññòâà. Áåëëàíæ, Êàëëî, Ìåëëàí, Âóý, Ïóññåí, Ëîððåí è ìíîãèå äðóãèå çàìå÷àòåëüíûå õóäîæíèêè îêàçàëè ðåøàþùåå âëèÿíèå íà ðàçâèòèå èñêóññòâà ðèñóíêà âî Ôðàíöèè. Àâòîð àëüáîìà - Ïüåð Ðîçåíáåðã - äîêòîð èñêóññòâîâåäåíèÿ, ãëàâíûé õðàíèòåëü äåïàðòàìåíòà æèâîïèñè Ëóâðà, îäèí èç âèäíåéøèõ ñïåöèàëèñòîâ â îáëàñòè ôðàíöóçñêîãî èñêóññòâà XVII - XVIII âåêîâ.

Àííîòàöèÿ: Ìåòîä íåíàñèëüñòâåííîãî îáùåíèÿ (ÍÍÎ) ðåàëüíî óëó÷øàåò æèçíü òûñÿ÷ ëþäåé. Îí ïðèìåíèì è â ñóïðóæåñêîé ñïàëüíå, è â êëàññíîé êîìíàòå, è çà êðóãëûì ñòîëîì, è íà ëèíèè ôðîíòà. Íèêîãäà íå ïîçäíî îòêàçàòüñÿ îò íàñèëèÿ âî áëàãî âñåõ çàèíòåðåñîâàííûõ ñòîðîí.  ñâîåé ãëàâíîé êíèãå Ìàðøàëë Ðîçåíáåðã ïîäðîáíî îáúÿñíÿåò ñóòü ïðîöåñà ÍÍΠè íà ìíîãî÷èñëåííûõ ïðèìåðàõ èç ñâîåé ïðàêòèêè ìèðîòâîðöà ïîêàçûâàåò, êàê èì ïîëüçîâàòüñÿ.

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Àííîòàöèÿ: The penguin book of english verse.

Àííîòàöèÿ: This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Àííîòàöèÿ: Up The Line To Death: The War Poets 1914—1918 is a poetry anthology edited by Brian Gardner, and first published in 1964. It was a thematic collection of the poetry of World War I.A significant revisiting of the tradition of the war poet, writing in English, it was backed up by strong biographical research on the poets included. Those were mainly British and Irish combatants of World War I; but there are also Australian, Canadian and American poets. The poems are arranged roughly in chronological order, from the start of the war to the end. Some contemporary poems by major poets not involved in the fighting are also given. The title of the anthology comes from the Siegfried Sassoon poem Base Details.

Àííîòàöèÿ: The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Àííîòàöèÿ: How did the West—Europe, Canada, and the United States—escape from immemorial poverty into sustained economic growth and material well-being when other societies remained trapped in an endless cycle of birth, hunger, hardship, and death? In this elegant synthesis of economic history, two scholars argue that it is the political pluralism and the flexibility of the West—s institutions—not corporate organization and mass production technology—that explain its unparalleled wealth.