Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

ÍÅÇÀÊÎÍÍÎÅ ÏÎÒÐÅÁËÅÍÈÅ ÍÀÐÊÎÒÈ×ÅÑÊÈÕ ÑÐÅÄÑÒÂ; ÏÑÈÕÎÒÐÎÏÍÛÕ ÂÅÙÅÑÒÂ È ÈÕ ÀÍÀËÎÃΠÏÐÈ×ÈÍßÞÒ ÂÐÅÄ ÇÄÎÐÎÂÜÞ; ÈÕ ÍÅÇÀÊÎÍÍÛÉ ÎÁÎÐÎÒ ÇÀÏÐÅÙÅÍ È ÂËÅ×ÅÒ ÓÑÒÀÍÎÂËÅÍÍÓÞ ÇÀÊÎÍÎÄÀÒÅËÜÑÒÂÎÌ ÎÒÂÅÒÑÒÂÅÍÍÎÑÒÜ.

Àííîòàöèÿ: "Ðàçãîâîðû ñ äðóçüÿìè" - ïåðâàÿ êíèãà Ñàëëè Ðóíè, ìãíîâåííî ñäåëàâøàÿ 26-ëåòíþþ âûïóñêíèöó Òðèíèòè-êîëëåäæà âñåìèðíî èçâåñòíîé ïèñàòåëüíèöåé.Ðîìàí, îáëåòåâøèé âåñü ìèð ñî ñêîðîñòüþ ñîîáùåíèÿ â ñíýï÷àòå. Òåêñò, êîòîðûé ïîñòàâèë ïåðåä íàìè âîïðîñ: ïî÷åìó ëþäè òàê ìíîãî ãîâîðÿò, íî ïðè ýòîì ñîâñåì íå çíàþò íè ñåáÿ, íè äðóã äðóãà? Ôðýíñèñ, Áîááè, Íèê è Ìåëèññà çàäàþò äðóã äðóãó áåñ÷èñëåííûå âîïðîñû. Èõ îòíîøåíèÿ ðàçâèâàþòñÿ â ðåàëüíîé æèçíè è îíëàéí,îíè áåñêîíå÷íî ïüþò è ãîâîðÿò, ãîâîðÿò, ãîâîðÿò. Îáñóæäàþò ñåêñ è äðóæáó, èñêóññòâî è ëèòåðàòóðó, ïîëèòèêó è âîïðîñû ïîëà, è êîíå÷íî, äðóã äðóãà.

ÍÅÇÀÊÎÍÍÎÅ ÏÎÒÐÅÁËÅÍÈÅ ÍÀÐÊÎÒÈ×ÅÑÊÈÕ ÑÐÅÄÑÒÂ; ÏÑÈÕÎÒÐÎÏÍÛÕ ÂÅÙÅÑÒÂ È ÈÕ ÀÍÀËÎÃΠÏÐÈ×ÈÍßÞÒ ÂÐÅÄ ÇÄÎÐÎÂÜÞ; ÈÕ ÍÅÇÀÊÎÍÍÛÉ ÎÁÎÐÎÒ ÇÀÏÐÅÙÅÍ È ÂËÅ×ÅÒ ÓÑÒÀÍÎÂËÅÍÍÓÞ ÇÀÊÎÍÎÄÀÒÅËÜÑÒÂÎÌ ÎÒÂÅÒÑÒÂÅÍÍÎÑÒÜ.

Àííîòàöèÿ: Connell and Marianne grow up in the same small town in rural Ireland. The similarities end there; they are from very different worlds. When they both earn places at Trinity College in Dublin, a connection that has grown between them lasts long into the following years. This is an exquisite love story about how a person can change another person's life - a simple yet profound realisation that unfolds beautifully over the course of the novel. It tells us how difficult it is to talk about how we feel and it tells us - blazingly - about cycles of domination, legitimacy and privilege. Alternating menace with overwhelming tenderness, Sally Rooney's second novel breathes fiction with new life.

ÍÅÇÀÊÎÍÍÎÅ ÏÎÒÐÅÁËÅÍÈÅ ÍÀÐÊÎÒÈ×ÅÑÊÈÕ ÑÐÅÄÑÒÂ; ÏÑÈÕÎÒÐÎÏÍÛÕ ÂÅÙÅÑÒÂ È ÈÕ ÀÍÀËÎÃΠÏÐÈ×ÈÍßÞÒ ÂÐÅÄ ÇÄÎÐÎÂÜÞ; ÈÕ ÍÅÇÀÊÎÍÍÛÉ ÎÁÎÐÎÒ ÇÀÏÐÅÙÅÍ È ÂËÅ×ÅÒ ÓÑÒÀÍÎÂËÅÍÍÓÞ ÇÀÊÎÍÎÄÀÒÅËÜÑÒÂÎÌ ÎÒÂÅÒÑÒÂÅÍÍÎÑÒÜ.

Àííîòàöèÿ: Frances is twenty-one years old, cool-headed and observant. A student in Dublin and an aspiring writer, at night she performs spoken word with her best friend Bobbi, who used to be her girlfriend. When they are interviewed and then befriended by Melissa, a well-known journalist who is married to Nick, an actor, they enter a world of beautiful houses, raucous dinner parties and holidays in Provence, beginning a complex menage-a-quatre. But when Frances and Nick get unexpectedly closer, the sharply witty and emotion-averse Frances is forced to honestly confront her own vulnerabilities for the first time.