Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ:  êíèãå èçëîæåíû èñòîðèÿ ðàçâèòèÿ è îñíîâíûå äîñòèæåíèÿ ìîëåêóëÿðíîé áèîëîãèè - îò îòêðûòèÿ æèâîé êëåòêè äî âûÿñíåíèÿ ìåõàíèçìîâ áèîñèíòåçà áåëêà, ñòðîåíèÿ è ôóíêöèîíèðîâàíèÿ ãåíîâ. Ðàññìîòðåíû ïåðñïåêòèâû äàëüíåéøåãî ðàçâèòèÿ ìîëåêóëÿðíîé áèîëîãèè è çíà÷åíèå åå äîñòèæåíèé äëÿ ðàñøèôðîâêè òàêèõ ñëîæíûõ ïðîöåññîâ, êàê äèôôåðåíöèðîâêà, ðîñò, âûñøàÿ íåðâíàÿ äåÿòåëüíîñòü è ò. ä. Êíèãà íàïèñàíà æèâî è óâëåêàòåëüíî, íà äîñòàòî÷íî âûñîêîì íàó÷íîì óðîâíå, õîðîøî èëëþñòðèðîâàíà. Ïðåäíàçíà÷åíà äëÿ øèðîêîãî êðóãà ÷èòàòåëåé - áèîëîãîâ, ìåäèêîâ, ôèçèêîâ, õèìèêîâ, ìàòåìàòèêîâ, èíæåíåðîâ, à òàêæå äëÿ ñòóäåíòîâ è ó÷àùèõñÿ ñòàðøèõ êëàññîâ øêîëû

Àííîòàöèÿ: The poetry in this volume represents that portion of the great poetry of Christendom that was written in English--at first in Middle English, but soon in our own tongue--from the fourteenth century through most of the sixteenth. Its beginnings in the Middle Ages have special meaningfulness for us today, when we are beset by the need to rediscover the unity that was then felt between man and society, feeling and intellect. In the development of allegory, particularly, we find one of its characteristic modes. Following on through these wide-ranging selections, we get an illuminating view of the pre-Shakespearean poetic temper, when verse was universally the popular medium for instruction and entertainment. In addition to Auden s brilliant introduction to the period, this volume contains a helpful guide to the poems in Middle English, and footnote glossaries of unfamiliar words.

Àííîòàöèÿ: The penguin book of Irish verse

Àííîòàöèÿ: Êíèãà ðàññêàçûâàåò î ïðîèñõîæäåíèè, ðåëèãèè, ìèôàõ è ïðåäàíèÿõ êåëüòîâ - îäíîãî èç ñàìûõ çàãàäî÷íûõ åâðîïåéñêèõ íàðîäîâ