Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Gilman C.P., The Yellow Wallpaper — 2002 (A literary masterpiece)

The Yellow Wallpaper is a short story by American writer Charlotte Perkins Gilman, first published in January 1892 in The New England Magazine. It is regarded as an important early work of American feminist literature, illustrating attitudes in the nineteenth century toward women's physical and mental health. The story also has been classified as Gothic fiction and horror fiction. "The Yellow Wallpaper" is written in epistolary style, specifically as a collection of first person journal entries written by a woman whose physician husband has confined her to the upstairs bedroom of a house that he has rented for the summer. She is forbidden from working, and has to hide her journal entries from him, so that she can recuperate from what he calls a "temporary nervous depression;a slight hysterical tendency," a diagnosis common to women in that period. Her husband controls her access to the rest of the house. A key locks the door. The story depicts the effect of confinement on the narrator's mental health, and her descent into psychosis. With nothing to stimulate her, she becomes obsessed by the pattern and color of the wallpaper.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïåñíè ïîïóëÿðíûõ èñïîëíèòåëåé ïîä ãèòàðó. Âûï.1. Èãðàþ áåç íîò: [ Ïåñíè è ðîìàíñû ïîä ãèòàðó ]. Âûï. 1 — 1996

Ñîäåðæàíèå: ß âñòðåòèë âàñ / ñë. Ô. Òþò÷åâà. Ïîáóäü ñî ìíîé / Í. Çóáîâ ; ñë. Ì. Ïîéãèíà. Ãîðè, ãîðè, ìîÿ çâåçäà / Ï. Áóëàõîâ. Óòðî òóìàííîå / Â. Àáàçà; ñë. È. Òóðãåíåâà. Ìîé êîñòåð â òóìàíå ñâåòèò / ñë. ß. Ïîëîíñêîãî. Òîëüêî ðàç áûâàåò â æèçíè âñòðå÷à / Á. Ôîìèí; ñë. Ï. Ãåðìàíà. Îí óåõàë / Ñ. Äîíàóðîâ. Êàëèòêà /. À. Îáóõîâ; ñë. À. Áóäèùåâà. Ìèëåíüêèé òû ìîé... Êëåí òû ìîé îïàâøèé / ñë. Ñ. Åñåíèíà. È äð.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Perkins C., Rock And Roll Hall Of Fame Live: Volume 3 — 2017

Ñáîðíèê ïîïóëÿðíûõ ðîê-õèòîâ

Ñîäåðæàíèå: Carl Perkins,Keith Richards,Paul Butterfield,The Rock Hall Jam Band—Blue Suede Shoes;Aretha Franklin—(You Make Me Feel Like)A Natural Woman;John Cougar Mellencamp R.O.C.K.In The U.S.A.;The Allman Brothers Band, Sheryl Crow—Midnight Rider;Damien Rice—Hallelujah; Stevie Wonder, Keith John, Joan Osborne, The Rock Hall Jam Band— IHeard It Through The Grapevine;Ray Charles—Nature Boy;Eric Clapton,Robbie Robertson,Bonnie Raitt,The Rock Hall Jam Band—Sweet Home Chicago;Velvet Revolver— Ain't Talkin 'Bout Love;Traffic—Dear Mr. Fantasy

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïåðêèíñ Ä., Èñïîâåäü ýêîíîìè÷åñêîãî óáèéöû — 2015 (Áåñòñåëëåð "Íüþ-Éîðê Òàéìñ") (Äîêóìåíòàëüíûé äåòåêòèâ)

Êíèãà Äæîíà Ïåðêèíñà - ïåðâûé â ìèðå àâòîáèîãðàôè÷åñêèé ðàññêàç î æèçíè, ïîäãîòîâêå è ìåòîäàõ ðàáîòû îñîáîé ñâåðõçàñåêðå÷åííîé ãðóïïû "ýêîíîìè÷åñêèõ óáèéö", ïðîôåññèîíàëîâ âûñî÷àéøåãî óðîâíÿ, ïðèçâàííûõ ðàáîòàòü ñ âûñøèìè ïîëèòè÷åñêèìè è ýêîíîìè÷åñêèìè ëèäåðàìè èíòåðåñóþùèõ ÑØÀ ñòàí ìèðà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ïåðêèíñ Ä., Èñïîâåäü ýêîíîìè÷åñêîãî óáèéöû — 2012 (Áåñòñåëëåð "Íüþ-Éîðê Òàéìñ") (Äîêóìåíòàëüíûé äåòåêòèâ)

Êíèãà Äæîíà Ïåðêèíñà - ïåðâûé â ìèðå àâòîáèîãðàôè÷åñêèé ðàññêàç î æèçíè, ïîäãîòîâêå è ìåòîäàõ ðàáîòû îñîáîé ñâåðõçàñåêðå÷åííîé ãðóïïû "ýêîíîìè÷åñêèõ óáèéö", ïðîôåññèîíàëîâ âûñî÷àéøåãî óðîâíÿ, ïðèçâàííûõ ðàáîòàòü ñ âûñøèìè ïîëèòè÷åñêèìè è ýêîíîìè÷åñêèìè ëèäåðàìè èíòåðåñóþùèõ ÑØÀ ñòàí ìèðà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Carey M., Mike Carey's One-Sided — 2006

A retelling of the classic Faust legend with a modern twist gives a new angle to the story of devilish betrayal. Another tale gives readers a poker game with an actor playing Satan, a game that leads to a bet that no one expected, and can—t be covered. The last story is of a man trapped in a clever contraption, with a dozen different ways to die and no sign of escape

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Gothic Short Stories — 2006

This collection contains works by such writers as Poe, Hawthorne, Gaskell, Dickens and M. R. James, alongside that of anonymous authors from Britain to America. It brings together stories from the earliest decades of Gothic writing with later 19th and early 20th century tales.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Great American Short Stories — 2002 (Dover. Thrift. Editions)

Featuring 19 of the finest works in the American short-story tradition, this compilation includes: The Tell-Tale Heart by Edgar Allan Poe, Bartleby by Herman Melville, To Build a Fire by Jack London, Bernice Bobs Her Hair by F. Scott Fitzgerald, The Killers by Ernest Hemingway, plus stories by Hawthorne, Twain, Cather, and others

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories from the Nineteenth Century — 2000 (Wordsworth classics)

Short Stores from the 19th Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of thegreat storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader.All emotions are catered for in these offerings by Charles Dickens, Oscar Wilde, H.G. Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilkie Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

White Fire — 1991

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Perkins C. F., New England — 1985

Ïîäðîáíàÿ èíôîðìàöèÿ

Perkins D., Charles Dickens. A New Perspective — 1982

When, after a prolonged residence in imperial Russia, my great-grandfather told Charles Dickens how widely the latter s books were known and loved in that country, Dickens was silent for a moment and then remarked with utmost seriousness, Yes, there is so much suffering there that what I have tried to say would almost certainly find many hearts open to receive it.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Perkins J., The Secret History of the American Empire — 2008 (Business&Econ / International / Ec)

From the author of the "New York Times" bestseller "Confessions of an Economic Hit Man" comes an expos of international corruption. Perkins suggests how Americans can work to create a more peaceful and stable world for future generations.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

The World's Greatest Short Stories — 2006 (Dover Thrift Editions)

This outstanding collection features short stories by great writers from America, the United Kingdom, Ireland, and Western Europe. Ranging from the 19th to the 20th centuries, writers include Poe, Chekhov, Joyce, Kafka, Faulkner, Pirandello, Mann, and other major writers of world literature. A wonderfully wide-ranging and enjoyable anthology.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Short Stories from the Nineteenth Century — 2000 (Wordsworth Classics)

Short Stores from the 19th Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies. These are tales from the golden age of the great storytellers presenting evocative snapshots from that bygone era while at the same time providing engaging entertainment and stimulation for the modern reader. All emotions are catered for in these offerings by Charles Dickens, Oscar Wilde, H. G. Wells, Arthur Conan Doyle, Robert Louis Stevenson, Bram Stoker, Mrs Gaskell, O Henry, Anthony Trollope, Thomas Hardy, Wilkie Collins, Guy de Maupassant, Anton Chekhov, Charlotte Perkins Gillman and Charles Lamb. Through their words the rich pageant of yesterday springs to vibrant life. Each story has its own introduction and there is a set of informative notes. This volume is ideal reading for the student as well as those who relish a good tale well told.

Ñîäåðæàíèå: Ñîäåðæàíèå: The Black Veil àâòîð: ×àðëüç Äèêêåíñ (Ðàññêàç, ñòð. 2-13); The Withered Arm àâòîð: Òîìàñ Ãàðäè (Ðàññêàç, ñòð. 14-40); The Terribly Strange Bed àâòîð: Óèëüÿì Óèëêè Êîëëèíç (Ðàññêàç, ñòð. 41-55); The Bottle Imp àâòîð: Ðîáåðò Ëüþèñ Ñòèâåíñîí (Ðàññêàç, ñòð. 56-81); The Red-Headed League àâòîð: Àðòóð Êîíàí Äîéë (Ðàññêàç, ñòð. 82-103); The Stolen Bacillus àâòîð: Ãåðáåðò Äæîðäæ Óýëëñ (Ðàññêàç, ñòð. 104-110); The Squire's Story àâòîð: Ýëèçàáåò Ãàñêåëë (Ðàññêàç, ñòð. 111-125); The Journey to Panama àâòîð: Ýíòîíè Òðîëëîï (Ðàññêàç, ñòð. 126-144); The Sphinx Without a Secret àâòîð: Îñêàð Óàéëüä (Ðàññêàç, ñòð. 145-150); The Judge's House àâòîð: Áðýì Ñòîêåð (Ðàññêàç, ñòð. 151-167); The Necklace àâòîð: Ãè äå Ìîïàññàí (Ðàññêàç, ñòð. 168-176); The Kiss àâòîð: Àíòîí ×åõîâ (Ðàññêàç, ñòð. 177-192); The Yellow Wallpaper àâòîð: Øàðëîòòà Ãèëìàí (Ðàññêàç, ñòð. 193-208); Juke Judkins' Courtship àâòîð: ×àðëç Ëýì (Ðàññêàç, ñòð. 209-215); One Dollar's Worth àâòîð: Î. Ãåíðè (Ðàññêàç, ñòð. 216-222)

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ