Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ðîìàí èðëàíäñêîãî ïèñàòåëÿ Äæåéìñà Îóýíà Õàííåÿ

Àííîòàöèÿ: Àðõèòåêòóðíûå òåðìèíû è íàçâàíèÿ óäîáíåå âñåãî èçó÷àòü è çàïîìèíàòü ñ ïîìîùüþ òàêîãî ïðàêòè÷íîãî èíñòðóìåíòà, êàê âèçóàëüíûé ñëîâàðü. Âåëèêîëåïíûå öâåòíûå èëëþñòðàöèè è ïðîñòûå ïîíÿòíûå ÷åðòåæè è ïëàíû ïîçâîëÿò áåç ïîñòîðîííåé ïîìîùè è ïðåäâàðèòåëüíîé ïîäãîòîâêè ðàçîáðàòüñÿ â ðàçëè÷íûõ òèïàõ çäàíèé, ýëåìåíòàõ êîíñòðóêöèé, àðõèòåêòóðíûõ ñòèëÿõ, ñòðîèòåëüíûõ è îòäåëî÷íûõ ìàòåðèàëàõ. Óäîáíûé ãëîññàðèé â êîíöå êíèãè äàåò âîçìîæíîñòü ëåãêî íàéòè ëþáîé èíòåðåñóþùèé âàñ òåðìèí.

Àííîòàöèÿ: Ãîðîä â ìèðå Àìåðèêè ñòèìïàíêà. Êîííûå ýêèïàæè ñîñåäñòâóþò ñ òðàìâàÿìè, æèòåëè îáîæåñòâëÿþò êîøåê, â òðóùîáàõ ñâèðåïñòâóþò ýïèäåìèè õîëåðû è âåòðÿíêè. Òîëüêî ÷òî ïðîèçîøëà ðåâîëþöèÿ, è òåïåðü ñòðàíó ðàçäèðàåò ãðàæäàíñêàÿ âîéíà. Äåâóøêà ïî èìåíè Äè ïðîñèò íàçíà÷èòü åå íà ïîñò Êóðàòîðà Îáùåñòâà èññëåäîâàíèé ñâÿçåé ñ èíûìè ðåàëüíîñòÿìè, ÷òîáû ïîïûòàòüñÿ ðàçûñêàòü óìåðøåãî ñòàðøåãî áðàòà — åñëè íå ñðåäè æèâûõ, òî ñðåäè ìåðòâûõ... èëè â äðóãèõ ìèðàõ. À òåì âðåìåíåì â ñîñåäíåì ïîëóðàçðóøåííîì ìóçåå ñàìè ñîáîé ïîÿâëÿþòñÿ ñòðàííûå ýêñïîíàòû, òàèíñòâåííûé ÷åðíîáîðîäûé îáèòàòåëü áûâøåãî ïîñîëüñòâà äî ñìåðòè ïûòàåò íåâåäîìî êåì ïðåäàííûõ åìó íà ìóêè ëþäåé, è ìðà÷íûé Êîðàáëü-ìîðã ñîáèðàåò ïî íî÷àì êîìàíäó ìåðòâåöîâ...

Àííîòàöèÿ: Ëþáîå ïðåñòóïëåíèå îñòàâëÿåò ñëåäû. Çàäà÷à êðèìèíàëèñòà - íàéòè è ðàçãàäàòü èõ, è äëÿ ýòîãî â àðñåíàëå ïðîôåññèîíàëîâ åñòü èíñòðóìåíòû è ïðèåìû, ïîìîãàþùèå âûâåñòè íà ÷èñòóþ âîäó äàæå ñàìûõ õèòðûõ, æåñòîêèõ è èçâîðîòëèâûõ ïðåñòóïíèêîâ. Âàñ æä¸ò ïîøàãîâîå èçó÷åíèå 50 "èäåàëüíûõ" ïðåñòóïëåíèé, øèðîêî îñâåùàâøèõñÿ â ìèðîâîé ïðåññå è ðàñêðûòûõ èñêëþ÷èòåëüíî áëàãîäàðÿ îïûòó, ìàñòåðñòâó è òàëàíòó êðèìèíàëèñòîâ. Âû óçíàåòå óâëåêàòåëüíûå ïîäðîáíîñòè îá îòïå÷àòêàõ ïàëüöåâ, îòòèñêàõ èíñòðóìåíòîâ è ñàìûõ ðàçíûõ ñëåäàõ, î ÄÍÊ, áðûçãàõ êðîâè, áàëëèñòèêå, ÿäàõ è íàðêîòèêàõ, à òàêæå àíàëèçå ïî÷åðêà è ãîëîñà.  êàæäîé ãëàâå ðàññìàòðèâàþòñÿ ðàçëè÷íûå âèäû äîêàçàòåëüñòâ è ìåòîäû, èñïîëüçóåìûå äëÿ îáíàðóæåíèÿ àíàëèçà óëèê. Àâòîðû êíèãè ðàññêàçûâàþò, êàê ñêëàäûâàåòñÿ îáû÷íûé ðàáî÷èé äåíü ñîòðóäíèêîâ îòäåëà êðèìèíàëèñòèêè. Êíèãà "Ñàì èëè ïîìîãëè" - íå ïðîñòî ââåäåíèå â êðèìèíàëèñòèêó: îíà ÷èòàåòñÿ, êàê çàõâàòûâàþùèé äåòåêòèâ, à ìíîãî÷èñëåííûå äîêóìåíòàëüíûå èëëþñòðàöèè ñïîñîáñòâóþò áîëåå ÿðêîìó è ïîëíîìó âîñïðèÿòèþ èíôîðìàöèè

Àííîòàöèÿ: For years, rumors of the —Marsh Girl— have haunted Barkley Cove, a quiet town on the North Carolina coast. So in late 1969, when handsome Chase Andrews is found dead, the locals immediately suspect Kya Clark, the so-called Marsh Girl. But Kya is not what they say. Sensitive and intelligent, she has survived for years alone in the marsh that she calls home, finding friends in the gulls and lessons in the sand. Then the time comes when she yearns to be touched and loved. When two young men from town become intrigued by her wild beauty, Kya opens herself to a new life—until the unthinkable happens. Perfect for fans of Barbara Kingsolver and Karen Russell, Where the Crawdads Sing is at once an exquisite ode to the natural world, a heartbreaking coming-of-age story, and a surprising tale of possible murder. Owens reminds us that we are forever shaped by the children we once were, and that we are all subject to the beautiful and violent secrets that nature keeps.

Àííîòàöèÿ: A fight with a tooth fairy, a one-witch band, an outbreak of fleas, and a magical makeover. Get ready for four crazy Winnie and Wilbur adventures!

Àííîòàöèÿ: A tiger mix-up, wild camping, a fun fair fiasco, and some medieval magic! Get ready for four crazy Winnie and Wilbur adventures!

Àííîòàöèÿ: In this Very Short Introduction, leading historian of science Owen Gingerich offers a fascinating portrait of Nicolaus Copernicus (1473-1543), who developed the concept of a heliocentric universe and is a pivotal figure in the birth of modern science.

Àííîòàöèÿ: Èõ ÷åòâåðî â áàíäå. Îíè ïðèäóìàëè îòëè÷íóþ ñõåìó — âûèñêèâàëè â Èíòåðíåòå íå÷èñòîãî íà ðóêó áèçíåñìåíà, ïîõèùàëè åãî è òðåáîâàëè óìåðåííûé âûêóï. Ðàáîòàëè ïðîôåññèîíàëüíî, ñëåäîâ íå îñòàâëÿëè. Íèêòî èç ïîñòðàäàâøèõ ïî ïîíÿòíûì ïðè÷èíàì íå äîíîñèë â ïîëèöèþ, íî îäíàæäû ïðåñòóïíèêè äîïóñòèëè îøèáêó: ÷åëîâåê, êîòîðîãî îíè ïîõèòèëè, îêàçàëñÿ ÷ëåíîì ìàôèîçíîé ñåìüè, è âñå ïîøëî íå òàê — ïîõèùåííûé óáèò. Òåïåðü çà íèìè ãîíÿòñÿ íå òîëüêî êîïû, íî è ãàíãñòåðû, à ýòè èç-ïîä çåìëè äîñòàíóò...

Àííîòàöèÿ: Àðõèòåêòóðíûå òåðìèíû è íàçâàíèÿ óäîáíåå âñåãî èçó÷àòü è çàïîìèíàòü ñ ïîìîùüþ òàêîãî ïðàêòè÷íîãî èíñòðóìåíòà, êàê âèçóàëüíûé ñëîâàðü. Âåëèêîëåïíûå öâåòíûå èëëþñòðàöèè è ïðîñòûå ïîíÿòíûå ÷åðòåæè è ïëàíû ïîçâîëÿò áåç ïîñòîðîííåé ïîìîùè è ïðåäâàðèòåëüíîé ïîäãîòîâêè ðàçîáðàòüñÿ â ðàçëè÷íûõ òèïàõ çäàíèé, ýëåìåíòàõ êîíñòðóêöèé, àðõèòåêòóðíûõ ñòèëÿõ, ñòðîèòåëüíûõ è îòäåëî÷íûõ ìàòåðèàëàõ. Óäîáíûé ãëîññàðèé â êîíöå êíèãè äàåò âîçìîæíîñòü ëåãêî íàéòè ëþáîé èíòåðåñóþùèé âàñ òåðìèí.

Àííîòàöèÿ: Compact anthology features many of the best works by 59 poets writing in English - from the complex rhyme schemes of Elizabethan poet Edmund Spenser and Shakespeare's lovely sonnets to William Blake's visionary works and John Keats' profound insights into the nature of beauty, art, and mortality. Includes an introduction and brief commentaries on the poets represented

Àííîòàöèÿ: Published in paperback for the opening of the Jameel Gallery of Islamic Art at the V&A, this fascinating introduction to Islamic art and culture draws on examples from magnificent collections of the V&A. It is an invaluable overview of a complex subject, exploring the cultural significance of objects in different media, from ceramics, miniature painting and textiles to wood-carving and metalwork, while the superb photographs highlight their unique craftsmanship

Àííîòàöèÿ: The colossus among critics (New York Times Magazine) presents his personal selection, with commentary, of the finest poems in the English language. An anthology of poems which attempts to give readers the possession of six centuries of great British and American poetry.

Àííîòàöèÿ: Popular, well-known poetry: "The Passionate Shepherd to His Love," "Shall I compare thee to a summer's day?" "Death, be not proud," "The Raven," "The Road Not Taken," plus works by Blake, Wordsworth, Byron, Coleridge, Shelley, Emerson, Browning, Keats, Kipling, Sandburg, Pound, Auden, Thomas, and many others. Includes 13 selections from the Common Core State Standards Initiative.

Àííîòàöèÿ: Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Àííîòàöèÿ: The penguin book of english verse.

Àííîòàöèÿ: This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Àííîòàöèÿ: Up The Line To Death: The War Poets 1914—1918 is a poetry anthology edited by Brian Gardner, and first published in 1964. It was a thematic collection of the poetry of World War I.A significant revisiting of the tradition of the war poet, writing in English, it was backed up by strong biographical research on the poets included. Those were mainly British and Irish combatants of World War I; but there are also Australian, Canadian and American poets. The poems are arranged roughly in chronological order, from the start of the war to the end. Some contemporary poems by major poets not involved in the fighting are also given. The title of the anthology comes from the Siegfried Sassoon poem Base Details.

Àííîòàöèÿ: The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ ïðåäíàçíà÷åíî äëÿ îçíàêîìëåíèÿ ñòóäåíòîâ ñ ïðîäâèíóòûì çíàíèåì àíãëèéñêîãî ÿçûêà ñ ïðîèçâåäåíèÿìè àíãëèéñêèõ è àìåðèêàíñêèõ ïîýòîâ.