Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Äàííàÿ êíèãà ñîäåðæèò ïîøàãîâûå èíñòðóêöèè ïî èñïîëüçîâàíèþ íîâûõ âîçìîæíîñòåé EÑMAScript 6 âìåñòî óñòàðåâøèõ òðþêîâ è ïðèåìîâ ïðîãðàììèðîâàíèÿ íà JavaScript. Êíèãà íà÷èíàåòñÿ ñî çíàêîìñòâà ñî âñåìè âñòðîåííûìè îáúåêòàìè ES6 è îïèñàíèÿ ñîçäàíèÿ èòåðàòîðîâ ES6. Çàòåì îíà ðàññêàæåò, êàê ïèñàòü àñèíõðîííûé êîä ñ ïîìîùüþ ES6 â îáû÷íîì ñòèëå ñèíõðîííîãî êîäà. Äàëåå îïèñûâàåòñÿ èñïîëüçîâàíèå ïðîãðàììíîãî èíòåðôåéñà ðåôëåêñèè Reflect API äëÿ èññëåäîâàíèÿ è èçìåíåíèÿ ñâîéñòâ îáúåêòîâ. Çàòåì ðàññìàòðèâàåòñÿ ñîçäàíèå ïðîêñè-îáúåêòîâ è èõ ïðèìåíåíèå äëÿ ïåðåõâàòà è èçìåíåíèÿ ïîâåäåíèÿ îïåðàöèé ñ îáúåêòàìè. È, íàêîíåö, äåìîíñòðèðóþòñÿ óñòàðåâøèå ìåòîäû ìîäóëüíîãî ïðîãðàììèðîâàíèÿ, òàêèå êàê IIFE, CommonJS, AMD è UMD, è ñðàâíèâàþòñÿ ñ ìîäóëÿìè ES6, ñïîñîáíûìè çíà÷èòåëüíî óâåëè÷èòü ïðîèçâîäèòåëüíîñòü âåá-ñàéòîâ.

Àííîòàöèÿ: Nataraj, owner of a small, friendly printing press in the enchanted city of Malgudi, has never been very successful at making enemies. Until, that is, he meets Vasu...

Àííîòàöèÿ: Swami is ten years old, and life for him consists mainly of having adventures with his friends, avoiding the misery of homework, and coping as best he can with the teachers and other adults he encounters. His greatest passion is the M.C.C. - the Malgudi Cricket Club - which he founds together with his friends; his greatest day is when the examinations are over and school breaks up - a time for revelry and cheerful riotousness. But the innocent and impulsive Swami lands in trouble when he is carried away by the more serious unrest of India in 1930. Somehow he gets himself expelled from two schools in succession, and when things have gone quite out of hand he is forced to run away from home...

Àííîòàöèÿ: Indian novelist Narayan has produced accessible English translations of the Mahabharata and the Ramayana, the great Sanskrit epics. Drastic abridgment limits their scholarly use — the entire Bhagavid Gita section of the Mahabharata, for example, is condensed into a couple of paragraphs — but they preserve the central stories and characters. In the Mahabharata the five Pandava brothers (Yudhistira, Arjuna, Bhima, Nakula, and Sahadeva) struggle to obtain their inheritance, culminating in the great battle of Kurukshetra. The Ramayana centres on Rama, avatar of Vishnu, covering his marriage, the theft of his wife Sita by the demon-king Ravana, and the search and struggle to recover her. Both epics have a plethora of side stories, covering the adventures of the heroes in exile and the deeds of their supporters and opponents.