Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ ïðåäíàçíà÷åíî äëÿ îçíàêîìëåíèÿ ñòóäåíòîâ ñ ïðîäâèíóòûì çíàíèåì àíãëèéñêîãî ÿçûêà ñ ïðîèçâåäåíèÿìè àíãëèéñêèõ è àìåðèêàíñêèõ ïîýòîâ.

Àííîòàöèÿ: Îá îäíîì èç íàèáîëåå ïîïóëÿðíûõ ìåòîäîâ àíàëèçà è ïðîãíîçèðîâàíèÿ ôèíàíñîâûõ è òîâàðíûõ ðûíêîâ, êîòîðûé ïîëó÷èë íàçâàíèå "ÿïîíñêèå ñâå÷è". Èçâåñòíûé ñïåöèàëèñò â îáëàñòè òåõíè÷åñêîãî àíàëèçà ïîäðîáíî ðàçúÿñíÿåò, êàê ãðàôèêè ñâå÷åé ìîãóò èñïîëüçîâàòüñÿ äëÿ íàõîæäåíèÿ è îöåíêè ãðàôè÷åñêèõ ìîäåëåé. Ñîåäèíèâ ðàñïîçíàâàíèå ìîäåëåé ñâå÷åé è òåõíè÷åñêèå èíäèêàòîðû, àâòîð ñôîðìóëèðîâàë íîâûé ðàöèîíàëüíûé ïîäõîä ê òîðãîâëå.

Àííîòàöèÿ: Set over a long weekend in East Anglia, Blake Morrison's new novel is the chilling story of a rivalrous friendship — as told with deceptive casualness by the narrator, Ian. It opens with a surprise phone call from an old university friend, inviting Ian and his wife, Em, for a few days by the sea. Their hosts, Ollie and Daisy, are a golden couple, and the scene is set for sunlit relaxation. But dangerous tensions quickly emerge. In taut, lucid prose, with flashes of wit and moments of troubling uncertainty, Blake Morrison perfectly conveys the stifling atmosphere of a remote cottage in the hottest days of summer. Ominous revelations from Ian's past slowly intrude. And his rivalry with Ollie intensifies as they resurrect a seemingly forgotten bet made twenty years before. Each day becomes a series of challenges for higher and higher stakes, setting in train actions that will have irreversible consequences. "The Last Weekend" is a deftly crafted page-turner, where little can be taken for granted and nothing is quite as it seems. It offers a dark, haunting tale of friendship, sexual passion and jealousy — and confirms Blake Morrison's reputation as one of Britain's most talented writers.

Àííîòàöèÿ: This is the first vilume of Morris's brilliant and superbly written triptych depicting the rise and deckine of the British Empire, in which the author describes the rise of the Empire until its apogee in 1897.

Àííîòàöèÿ: Sixteen million mutants dead - and that was just the beginning! In one bold stroke, writer Grant Morrison (All-Star Superman, Batman) propelled the X-Men into the 21st century - masterminding a challenging new direction for Marvel's mutant heroes that began with the destruction of Genosha and never let up. Regarded as the most innovative thinker of the current comic-book renaissance, Morrison proceeded to turn the mutant-hero genre on its ear. Gone were the gaudy spandex costumes - replaced by slick, black leather and an attitude to match. Now, his entire Eisner Award-nominated run on New X-Men is collected across three titanic trade paperbacks!

Àííîòàöèÿ: Çà HTML5 è CSS3 áóäóùåå Âñåìèðíîé ïàóòèíû, è "Áîëüøàÿ êíèãà âåá-äèçàéíà" ðàññêàæåò âàì îáî âñåì, ÷òî íåîáõîäèìî çíàòü äëÿ îâëàäåíèÿ ýòèìè èííîâàöèîííûìè ñòàíäàðòàìè. ×èòàÿ êíèãó, âû èçó÷èòå ñîâðåìåííûé ìèð Âñåìèðíîé ïàóòèíû, ðàññìîòðèòå ïðèåìû ïîäãîòîâêè óñïåøíûõ è äîñòóïíûõ âåá-ñàéòîâ, íàó÷èòåñü âåðñòêå íà ÿçûêå HTML5 ñ èñïîëüçîâàíèåì âñåõ íîâûõ ýëåìåíòîâ ñòàíäàðòà. Âû òàêæå îñâîèòå êàñêàäíûå òàáëèöû ñòèëåé (CSS), ñ ïîìîùüþ êîòîðûõ ñìîæåòå ñîçäàòü ñàìûå íåâåðîÿòíûå âåá-ñàéòû. Ïîçíàêîìèâøèñü ñ ÿçûêîì JavaScript, âû íàó÷èòåñü ñîçäàâàòü ïðîñòûå ñöåíàðèè, ïðåâðàùàþùèå âàøè ñòðàíèöû â èíòåðàêòèâíûå ìíîãîôóíêöèîíàëüíûå ðåñóðñû. À èçó÷èâ ãëàâû, ïîñâÿùåííûå ýëåêòðîííîé êîììåðöèè è ïîèñêîâîé îïòèìèçàöèè, íàó÷èòåñü çàðàáàòûâàòü íà ñâîåì ñàéòå äåíüãè

Àííîòàöèÿ: Transparent Language has provided this English test as a way for English language learners to evaluate their English proficiency. We have based this test on the standard English vocabulary and English grammar that you would find in any English language learning material, so that this proficiency test can measure your command of the English language regardless of your English language learning background. So if you've been learning English, see how well you do! Transparent Language offers this English language test for self-evaluation purposes only. You may find that your score on this English test is not consistent with other tests you have taken. Transparent Language is solely responsible for the test content.

Àííîòàöèÿ: Âû ãîòîâû ñäåëàòü øàã âïåðåä â ñâîåé ïðàêòèêå âåá-ïðîãðàììèðîâàíèÿ è ïåðåéòè îò âåðñòêè â HTML è CSS ê ñîçäàíèþ ïîëíîöåííûõ äèíàìè÷åñêèõ ñòðàíèö? Òîãäà ïðèøëî âðåìÿ ïîçíàêîìèòüñÿ ñ ñàìûì "ãîðÿ÷èì" ÿçûêîì ïðîãðàììèðîâàíèÿ - JavaScript! Ñ ïîìîùüþ ýòîé êíèãè âû óçíàåòå âñå î ÿçûêå JavaScript: îò ïåðåìåííûõ äî öèêëîâ. Âû ïîéìåòå, ïî÷åìó ðàçíûå áðàóçåðû ïî-ðàçíîìó ðåàãèðóþò íà êîä è êàê íàïèñàòü óíèâåðñàëüíûé êîä, ïîääåðæèâàåìûé âñåìè áðàóçåðàìè. Âàì ñòàíåò ÿñíî, ïî÷åìó ñ êîäîì JavaScript íèêîãäà íå ïðèäåòñÿ áåñïîêîèòüñÿ î ïåðåãðóæåííîñòè ñòðàíèö è îøèáêàõ ïåðåäà÷è äàííûõ. Íå ïóãàéòåñü, äàæå åñëè ðàíåå âû íå íàïèñàëè íè îäíîé ñòðî÷êè êîäà, - áëàãîäàðÿ óíèêàëüíîìó ôîðìàòó ïîäà÷è ìàòåðèàëà ýòà êíèãà ñ ëåãêîñòüþ ïðîâåäåò âàñ ïî âñåìó ïóòè îáó÷åíèÿ: îò íàïèñàíèÿ ïðîñòåéøåãî java-ñêðèïòà äî ñîçäàíèÿ ñëîæíûõ âåá-ïðîåêòîâ, êîòîðûå áóäóò ðàáîòàòü âî âñåõ ñîâðåìåííûõ áðàóçåðàõ. Îñîáåííîñòüþ äàííîãî èçäàíèÿ ÿâëÿåòñÿ óíèêàëüíûé ñïîñîá ïîäà÷è ìàòåðèàëà, âûäåëÿþùèé ñåðèþ "Head First" èçäàòåëüñòâà O'Reilly â ðÿäó ìíîæåñòâà ñêó÷íûõ êíèã, ïîñâÿùåííûõ ïðîãðàììèðîâàíèþ.

Àííîòàöèÿ: A 'gowk storm' is an untimely fall of snow in early Spring - a fitting symbol for the anguished story that unfolds in this novel. Like Chekov's famous play, and even more like the real-life Brontës whose story she told in another book, Morrison tells the story of three girls who were born to a minister and his wife in a remote Highland manse, nearly a hundred years ago. It is narrated by the youngest sister, Lisbet, who describes the love affairs of her older sisters, Julia and Emmy, each of whom falls in love with a man deemed an unacceptable match by their patriarchal, rigid and prejudiced society. These societal strictures are set against approaching womanhood, the growing awareness of a life beyond the safety of home, and the wild beauty of the surrounding countryside.

Àííîòàöèÿ: Wright Morris (1910-1998) wrote thirty-three books, including The Home Place, also available in a Bison Books edition, and Field of Vision, which won the National Book Award. Charles Baxter is a professor of English at the University of Michigan and the author of numerous works, including The Feast of Love.

Àííîòàöèÿ: Meet Leonardo, Donatello, Michelangelo and Raphael - four once-ordinary turtles transformed by radioactive goo into wild, wacky, street-smart warriors. They're ready and willing to stand up and fight for what's right - and they're always ready for another slice of pizza! The lovable hardshells swim into action when their enemy, the evil Shredder, starts causing trouble - in the middle of the Atlantic Ocean!