Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: The opening volume of Morris s Pax Britannica Trilogy, this richly detailed work traces the rise of the British Empire, from the accession of Queen Victoria to the throne in 1837 to the celebration of her Diamond Jubilee in 1897.

Àííîòàöèÿ: The penguin book of english verse.

Àííîòàöèÿ:  ñáîðíèê âîøëè íàèáîëåå èçâåñòíûå îáðàçöû øèðîêî ðàñïðîñòðàíåííîãî â àíãëî-àìåðèêàíñêîé ëèòåðàòóðíîé òðàäèöèè æàíðà ïàðîäèè. ×èòàòåëü ïîçíàêîìèòñÿ êàê ñ ïàðîäèÿìè íà òâîð÷åñòâî èçâåñòíûõ ïèñàòåëåé- Äèêêåíñà, Êóïåðà, Ëîíãôåëëî, Ãîëñóîðñè è äð., òàê è ñ ïàðîäèÿìè íà îòäåëüíûå ëèòåðàòóðíûå æàíðû - äåòåêòèâ, ñåíòèìåíòàëüíûé ðîìàí, ëèòåðàòóðîâåä÷åñêóþ ñòàòüþ è ïð. Ñáîðíèê ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé è êîììåíòàðèÿìè.

Àííîòàöèÿ: Ñòàòüè ñáîðíèêà äàþò ïðåäñòàâëåíèå î ôîðìèðîâàíèè ëèòåðàòóðíî-êðèòè÷åñêîé ìûñëè â Àíãëèè íà ïðîòÿæåíèè ÷åòûðåõ ñòîëåòèé - îò ýïîõè Âîçðîæäåíèÿ äî íàøèõ äíåé. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, ñïðàâêàìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.  ñáîðíèê âîøëè êðèòè÷åñêèå î÷åðêè êðóïíåéøèõ àíãëèéñêèõ ïèñàòåëåé è ëèòåðàòóðíûõ êðèòèêîâ: Ñèäíåÿ, Ôèëäèíãà, Äèêêåíñà, Òåêêåðåÿ, Øîó è äð.

Àííîòàöèÿ: The fifth volume of Poets of the English Language brings together the most representative poets of two latter-day groups. In style and craftsmanship the poetry of the last half of the nineteenth century and first part of the twentieth extended, developed, and refined the discoveries of the early Romantics.

Àííîòàöèÿ: 147 poets in a far-ranging survey of the Victorian age s significant poetic achievements. The pleasures of Victorian poetry lie in its multitude of lyric and dramatic voices and, above all, in its rhythmic power and subtlety. Nowhere else can these reading pleasures be better enjoyed than in the pages of Daniel Karlin s enormous selection of poetry written and published during the reign of Queen Victoria (1837-1901). Ranging from the late Romantic period to the brink of high modernism, The Penguin Book of Victorian Verse features a generous sampling of poems.

Àííîòàöèÿ: Ðàññêàç (íàðÿäó ñ áàëëàäîé) -"ñàìûé íàöèîíàëüíûé æàíð" àâñòðàëèéñêîé ëèòåðàòóðû, êîòîðûé ïîìîãàåò ïðîñëåäèòü âîçíèêíîâåíèå, ðîñò öåëîé ñòðàíû, íàöèè, çàïå÷àòëåâàåò ðàçâèòèå õóäîæåñòâåííîãî ïîçíàíèÿ ìèðà è ÷åëîâåêà. Ñîñòàâ ýòîãî ñáîðíèêà ìíîãî è äîëãî ïðîäóìûâàëñÿ, óòî÷íÿëñÿ, ìåíÿëñÿ. Àâñòðàëèéñêèå ïèñàòåëè Êàòàðèíà Ñóñàííà Ïðè÷àðä, Ôðýíê Äýëáè Äýâèñîí, Äæîí Ìîððèñîí, Àëàí Ìàðøàëë, Ëèíäîë Õýäîó, Äæóäà Óîòåí, Áèëë Ñàòòîí,Äæåéìñ Õåíäåðñîí, Äæîí Ìýíèôîëä, Ïèòåð Êàóýí, Êëåì Êðèñòåñåí, Àëåê Õîóï, Äæóäèò Ðàéò è äð. ïðèíÿëè ñàìîå çàèíòåðåñîâàííîå ó÷àñòèå â îáñóæäåíèè áóäóùåãî èçäàíèÿ.  äàííîì ñáîðíèêå ðàññêàçû ïðåäñòàâëåíû â îðèãèíàëå-íà àíãëèéñêîì ÿçûêå. ÊÍÈãà ïðåäíàçíà÷åíà ñòóäåíòàì, èçó÷àþùèì àâñòðàëèéñêóþ ëèòåðàòóðó è àíãëèéñêèé ÿçûê, à òàêæå øèðîêîìó êðóãó ÷èòàòåëåé