Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Features 13 captivating tales, including stories by Maria Edgeworth and William Carleton from the beginning of Irish prose fiction in English; the retellings of traditional tales by Lady Gregory and Standish O`Grady from the great age of the Irish Literary Revival; and the 20th-century works of William Butler Yeats, James Stephens, James Joyce, Seumas O`Kelly, and Liam O`Flaherty

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû òâîð÷åñòâà àìåðèêàíñêèõ ïîýòîâ XIX-XX ââ. è èõ ïåðåâîäû íà ðóññêèé ÿçûê. Êíèãà äàåò íàãëÿäíîå ïðåäñòàâëåíèå î òîì, êàê ðàçâèâàëàñü ðóññêàÿ è ñîâåòñêàÿ øêîëà ñòèõîòâîðíîãî ïåðåâîäà è êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àìåðèêàíñêàÿ ïîýçèÿ. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíîé ñòàòüåé, êîììåíòàðèÿìè, ñïðàâêàìè îá àâòîðàõ è ïåðåâîä÷èêàõ è àäðåñîâàíî øèðîêèì êðóãàì ëþáèòåëåé ïîýçèè.

Àííîòàöèÿ:  àíòîëîãèè ïðåäñòàâëåíû ëó÷øèå îáðàçöû àíãëèéñêîé ïîýçèè, íà÷èíàÿ ñ íàðîäíûõ áàëëàä è  äî êîíöà XIX ñòîëåòèÿ. Òåêñòû ñòèõîòâîðíûõ ïåðåâîäîâ âûïîëíåíû èçâåñòíûìè ðóññêèìè è ñîâåòñêèìè ïîýòàìè-ïåðåâîä÷èêàìè (Æóêîâñêèì, Ãíåäè÷åì,Ëåðìîíòîâûì, Òþò÷åâûì, Áëîêîì, Áàëüìîíòîì, Ïàñòåðíàêîì, Ìàðøàêîì, Ëåâèêîì è äð.). Ïîñëåñëîâèå ê ñáîðíèêó àêàäåìèêà Ì.Ï. Àëåêñååâà ïîçíàêîìèò ÷èòàòåëÿ ñ òåì, êàê ðàçâèâàëîñü èñêóññòâî ðóññêîãî ñòèõîòâîðíîãî ïåðåâîäà, êàê âîñïðèíèìàëàñü â íàøåé ñòðàíå àíãëèéñêàÿ ïîýçèÿ. Êíèãà ñîäåðæèò òàêæå ñïðàâêè îá àâòîðàõ è êîììåíòàðèè ê òåêñòó. Èçäàíèå ïðåäíàçíà÷àåòñÿ äëÿ øèðîêîãî êðóãà ëþáèòåëåé ðóññêîé è çàðóáåæíîé ïîýçèè

Àííîòàöèÿ: This anthology traces the complicated evolution of imagism through its poetry from the pre-imagists and the period of the anthologies (1914-17) to the imagists after imagism.

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Ñáîðíèå ðàññêàçîâ ñîâðåìåííûõ àíãëèéñêèõ ïèñàòåëåé ïðåäíàçíà÷àåòñÿ äëÿ ñòóäåíòîâ ñòàðøèõ êóðñîâ ÿçûêîâûõ âóçîâ è ôàêóëüòåòîâ â êà÷åñòâå ìàòåðèàëà äëÿ ÷òåíèÿ.

Àííîòàöèÿ: Darwin's life has received enormous attention - so much so, as Adrian Desmond, James Moore, and Janet Browne note in the preface to this book, that today "historians know more about his career than his family did, and in respects . . . they even know more about the man." Such a massive amount of information can prove difficult to summarize, but the three authors rove more than capable of the task. Each draw upon their particular specialty - Desmond on the politics of evolution, evolution and Darwin's colleagues, Moore on the secular and religious contexts, and Browne on the history of botany - to present a comprehensive portrait of Darwin, one that captures the amazing range of his natural studies. Supplemented with a final chapter on his legacy, the book serves as a good introduction to the famous naturalist, as well as a guide to the mountain of further literature on his life and legacy