Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Oh, how delightful it is to fall in love for the first time! How exciting to go to your first dance when you are a girl of eighteen! But life can also be hard and cruel, if you are young and unexperienced and travelling alone across Europe... or if you are a child from the wrong social class... or a singer without work and the rent to be paid. Set in Europe and New Zealand, these nine stories by Katherine Mansfield dig deep beneath the appearances of life to show us the causes of human happiness and despair.

Àííîòàöèÿ: This outstanding collection features short stories by great writers from America, the United Kingdom, Ireland, and Western Europe. Ranging from the 19th to the 20th centuries, writers include Poe, Chekhov, Joyce, Kafka, Faulkner, Pirandello, Mann, and other major writers of world literature. A wonderfully wide-ranging and enjoyable anthology.

Àííîòàöèÿ: 50 Great Short Stories is a comprehensive selection from the world—s finest short fiction. The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O—Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world—s fiction.

Àííîòàöèÿ: Êíèãà ðàññ÷èòàíà íà øèðîêèé êðóã ÷èòàòåëåé, èçó÷àþùèõ àíãëèéñêèé ÿçûê. Êàæäàÿ ñòðàíèöà òåêñòà ñíàáæåíà ïîñòðàíè÷íûì ñëîâàðåì è êîììåíòàðèåì, à òàêæå ïåðåâîäîì ðàçëè÷íûõ ëåêñè÷åñêèõ è ãðàììàòè÷åñêèõ òðóäíîñòåé.

Àííîòàöèÿ:  ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Àííîòàöèÿ:  ñîñòàâ ñáîðíèêà âêëþ÷åíû ëó÷øèå îáðàçöû íîâåëëèñòè÷åñêîãî íàñëåäèÿ êëàññèêîâ àíãëèéñêîé ëèòåðàòóðû 20 âåêà. Èçäàíèå ñîïðîâîæäàåòñÿ âñòóïèòåëüíûìè ñòàòüÿìè îá àâòîðàõ è êîììåíòàðèÿìè ê òåêñòó.

Àííîòàöèÿ: Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Àííîòàöèÿ: Êíèãà ñîñòîèò èç ðàññêàçîâ èçâåñòíûõ àâñòðàëèéñêèõ, àíãëèéñêèõ è àìåðèêàíñêèõ ïèñàòåëåé XIX-XX ââ. Ðàññêàçû àäàïòèðîâàíû. Ëåêñèêî-ãðàììàòè÷åñêèå òðóäíîñòè îáúÿñíÿþòñÿ â ïîñòðàíè÷íûõ êîììåíòàðèÿõ.

Àííîòàöèÿ: Written during the final stages of her illness, "The Garden Party and Other Stories" is full of a sense of urgency and was Katherine Mansfield's last collection to be published during her lifetime. The fifteen stories, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

Àííîòàöèÿ: Äàííàÿ êíèãà äëÿ ÷òåíèÿ íîñèò õðåñòîìàòèéíûé õàðàêòåð. Îíà ñîäåðæèò ïðîèçâåäåíèÿ ïðîãðåññèâíûõ àíãëèéñêèõ, àìåðèêàíñêèõ è êàíàäñêèõ ïèñàòåëåé. Ïî ñîäåðæàíèþ, ÿçûêó è ñòèëþ ðàññêàçû ñáîðíèêà äîñòóïíû äëÿ ó÷àùèõñÿ Õ êëàññà è ñîîòâåòñòâóþò èõ âîçðàñòíûì îñîáåííîñòÿì. Ñ öåëüþ îáëåã÷åíèÿ ïîíèìàíèÿ îòäåëüíûõ ëåêñèêî-ãðàììàòè÷åñêèõ òðóäíîñòåé â êíèãå èìåþòñÿ ïîñòðàíè÷íûå êîììåíòàðèè ñ îáúÿñíåíèåì êëþ÷åâûõ ñëîâ è âûðàæåíèé íà àíãëèéñêîì ÿçûêå. Çà êàæäûì ðàññêàçîì ñëåäóþò ðàçëè÷íûå óïðàæíåíèÿ.

Àííîòàöèÿ:  êíèãó âîøëè ðàññêàçû ïðîãðåññèâíûõ ïèñàòåëåé Àíãëèè, Èðëàíäèè, Àâñòðàëèè è ÑØÀ. Ðàññêàçû îòëè÷àþòñÿ ñîöèàëüíîé òåìàòèêîé, âûñîêèì ëèòåðàòóðíûì è õóäîæåñòâåííûì óðîâíåì, ìàñòåðñòâîì ïîñòðîåíèÿ. Îíè ðàñøèðÿþò ïðåäñòàâëåíèÿ ó÷àùèõñÿ îá àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðå XX âåêà.

Àííîòàöèÿ: Âàì ïðåäîñòàâëÿåòñÿ âîçìîæíîñòü ïðîñëóøàòü ëó÷øèå ïðîèçâåäåíèÿ âñåìèðíî èçâåñòíûõ ïèñàòåëåé â âåëèêîëåïíîì èñïîëíåíèè íîñèòåëåé ÿçûêà. Äèñê àäðåñîâàí øèðîêîé àóäèòîðèè: ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî æåëàåò ðàñøèðèòü çíàíèå àíãëèéñêîãî ÿçûêà. Ïðîèçâåäåíèÿ àäàïòèðîâàíû äëÿ ñëóøàòåëåé, âëàäåþùèõ ÿçûêîì íà óðîâíå Intermediate. Äèñê ñîäåðæèò òàêæå òåêñòîâûå âåðñèè ðàññêàçîâ è èõ ïåðåâîäû íà ðóññêèé ÿçûê.

Àííîòàöèÿ: Ñáîðíèê îáúåäèíÿåò ôèëèãðàííûå ðàññêàçû äâóõ èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé íà÷àëà ÕÕ âåêà: Äæîíà Ãîëñóîðñè è Êýòðèí Ìýíñôèëä, ïèñàòåëüíèöû íîâîçåëàíäñêîãî ïðîèñõîæäåíèÿ, àâòîðà èñêóñíûõ ïñèõîëîãè÷åñêèõ íîâåëë

Àííîòàöèÿ: Here then is a little summary of what I need - power, wealth and freedom. It is the hopelessly insipid doctrine that love is the only thing in the world...which hampers us so cruelly. We must get rid of that bogey - and then, then comes the opportunity of happiness and freedom.

Àííîòàöèÿ: Written during the final stages of her illness, "The Garden Party and Other Stories" is full of a sense of urgency and was Katherine Mansfield's last collection to be published during her lifetime. The fifteen stories, many of them set in her native New Zealand, vary in length and tone from the opening story, "At the Bay, " a vivid impressionistic evocation of family life, to the short, sharp sketch "Mrs. Brill, " in which a lonely woman's precarious sense of self is brutally destroyed when she overhears two young lovers mocking her. Sensitive revelations of human behaviour, these stories reveal Mansfield's supreme talent as an innovator who freed the story from its conventions and gave it a new strength and prestige.

Àííîòàöèÿ: Katherine Mansfield's first published collection of stories and sketches is very different in tone from her later work. There is a gay, boisterous, malicious quality about these impatient tilts at the German way of life in a Bavarian watering-place. However unworthy the author later found these sketches, such characters as the Frau Oberregierungsrat or the greedy Herr Rat or the snobbish Frau Doktor, have worn well and today enlist the reader's sympathy and laughter as often as does the rather prim narrator.

Àííîòàöèÿ: A collection of short stories by Katherine Mansfield, widely recognized as one of the greatest writers of her period, that capture with accuracy those emotionally-charged moments when an individual is most revealing.

Àííîòàöèÿ: A collection of short stories by Katherine Mansfield, widely recognized as one of the greatest writers of her period, that capture with accuracy those emotionally-charged moments when an individual is most revealing.