Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Die Klassiker des deutschen liedes: 1 band von Heinrich Albert bis Franz Schubert: Mittlere stimme: eine auswahl von hundert meisterliedern des 17.-19. jahrhunderts — [?]

Ñîäåðæàíèå: Lob der fruendschaft / H. Albert; Abenddlied / A. Krieger; Bist du bei mir / J. S, Bach; Die fruhen Graber / C. W. Gluck; Eine sehr gewohnliche Geschichte; Lob der Faulheit / J. Haydn; Der Knabe an ein Veilchen / J. A. P. Schulz; Jagers Abendlied / J. F. Reichardt; Der Konig von Thule / K. F. Zelter; Das Veilchen; Sehsucht nach dem Fruhlinge / W. A. Mozart; Die Ehre Gottes aus der Natur: Op. 48 N 4; Adelaide: Op. 46; Mailied: Op. 52 N 4; Freudvoll und leidvoll: Op. 84 N 4; Ich liebe dich / L. V. Beethoven; Reigen: Op. 30 N 5; Heimlicher Liebe Pein: Op. 64 N 3 / C. M. von Weber; Wohin mit der Freud? / F. Silcher; Edward: Op. 1 N 1; Erikonig: Op. 1 N 3; Prinz Eugen: Op. 92; Archibald Douglas: Op. 128 / C. Loewe; Erikonig: Op. 1; Gretchen am Spinnrade: Op. 2; Heidenroslein: Op. 3 N 3; Der Wanderer: Op. 4 N 1; Litanei; Wiegnlied: Op. 98 N 2; An die Musik: Op. 88 N 4; Die Forelle: Op. 32; Sei mir gegrusst: Op. 20 N 1; Der Tod und das Madchen: Op. 7 N 3; Der Musensoh: Op. 92 N 1; Wohin?: Op. 25 N 2; Ungeduld: Op. 25 N 7; Du bist die Ruh: Op. 59 N 3; Im Abendrot; Die Allmacht: Op. 79 N 2; Stanchen; Der Lindenbaum: Op. 89 N 5; Standchen; Aufenhalt; Der Atlas; Der Doppelganger / F. Schubert

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Loewen J. W., Lies my teacher told me. Everything your American history textbook got wrong — 2007

This updated and revised edition of the American Book Award-winner and national bestseller revitalizes the truth of America—s history, explores how myths continue to be perpetrated, and includes a new chapter on 9/11 and the Iraq War.Americans have lost touch with their history, and in Lies My Teacher Told Me Professor James Loewen shows why. After surveying eighteen leading high school American history texts, he has concluded that not one does a decent job of making history interesting or memorable. Marred by an embarrassing combination of blind patriotism, mindless optimism, sheer misinformation, and outright lies, these books omit almost all the ambiguity, passion, conflict, and drama from our past.In this revised edition, packed with updated material, Loewen explores how historical myths continue to be perpetuated in today's climate and adds an eye-opening chapter on the lies surrounding 9/11 and the Iraq War. From the truth about Columbus's historic voyages to an honest evaluation of our national leaders, Loewen revives our history, restoring the vitality and relevance it truly possesses.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

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Bruckner A., Vierte ( romantisce ) Symphonie: ( Es dur ): für großes Orchester — [Ende des XIX - Anfang XX Jahrhundert]

Âëàäåëü÷åñêèé êîíâîëþò îáúåäèíÿåò òðè  ðàçëè÷íûõ èçäàíèÿ ñèìôîíèé — 4, — 7 è — 8 À. Áðóêíåðà â ïåðåëîæåíèÿõ äëÿ ôîðòåïèàíî â 4 ðóêè

Ñîäåðæàíèå: Ñèìôîíèè — 4, — 7, — 8: ïåðåëîæåíèÿ äëÿ ôîðòåïèàíî â 4 ðóêè

Ìåñòîíàõîæäåíèå èçäàíèÿ: Îòäåë èçäàíèé ïî ìóçûêå è ôîíîòåêà

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Loewenstein D., The Cambridge history of early modern English literature — 2004 (The new Cambridge history of English literature)

Now available in paperback, this is the first full-scale history of early modern English literature in nearly a century. It offers new perspectives on English literature produced in Britain between the Reformation and the Restoration. While providing the general coverage and specific information expected of a major history, its twenty-six chapters address recent methodological and interpretive developments in English literary studies. The book has five sections: Modes and Means of Literary Production, Circulation, and Reception, The Tudor Era from the Reformation to Elizabeth I, The Era of Elizabeth and James VI, The Earlier Stuart Era, and The Civil War and Commonwealth Era. While England is the principal focus, literary production in Scotland, Ireland and Wales is treated, as are other subjects less frequently examined in previous histories, including womens writings and the literature of the English Reformation and Revolution. This innovatively-designed history is an essential resource for specialists and students.

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According to The Rolling Stones. Mick Jagger, Keith Richards, Charlie Watts, Ronnie Wood — 2004

According to the Rolling Stones hews closely to the formula set in 2000 by the publication of The Beatles Anthology. Like its predecessor, it's a beautiful coffee table tome with hundreds of gorgeous photographs, from childhood pics of Mick Jagger and Keith Richards to concert shots from the 40 Licks Tour. The text is taken from recent interviews with the band's four latter-day members (Mick, Keith, Charlie Watts, and Ronnie Wood). Notably missing, however, is any contribution from former bassist Bill Wyman, who left the band in the early '90s and published his own history of the band in 2002, Rolling with the Stones. Where Wyman is an obsessive collector and diarist, the other Stones are more impressionistic in their memories, lending an approach to history as casual as the band—s concerts are rigorously planned and staged

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