Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ðîìàí «Ðåáåíîê Ðîçìàðè» — êëàññèêà õîððîðà — âõîäèò âî âñå ñïèñêè ëó÷øèõ òðèëëåðîâ.  ýòîé èñòîðèè íåò ïðèâèäåíèé è ìîíñòðîâ, íî îíà ïî-íàñòîÿùåìó ïóãàåò. Çäåñü óæàñ íå â ñâåðõúåñòåñòâåííîì, à â îáûäåííîì, ÷òî ïðîèñõîäèò ïðÿìî çäåñü è ñåé÷àñ. È íàñòîÿùèì çëîì îêàçûâàþòñÿ âíåøíå ïðèÿòíûå ëþäè. Äîáðî ïîæàëîâàòü â Áðåìôîðä, çàìå÷àòåëüíûé ìíîãîêâàðòèðíûé äîì íà îêðàèíå Öåíòðàëüíîãî ïàðêà â Íüþ-Éîðêå. Çäåñü ñâåòëûå ïðîñòîðíûå êâàðòèðû, ìèëåéøèå ñîñåäè... è ïðîèñõîäÿò î÷åíü ñòðàííûå âåùè. «Êàæäàÿ êíèãà Ëåâèíà — øåäåâð ïîñòðîåíèÿ ñþæåòà.  ðîìàíå ñàñïåíñà Ëåâèí âñå ðàâíî ÷òî øâåéöàðñêèé õðîíîìåòð, ïî ñðàâíåíèþ ñ íèì ìû âñå — ïÿòèäîëëàðîâûå ÷àñû, êàêèå ìîæíî êóïèòü â ìàãàçèíàõ, ãäå ïðîäàþò âåùè ñî ñêèäêîé», — ýòî ñëîâà Ñòèâåíà Êèíãà. Òåêñò ïå÷àòàåòñÿ ñ íåçíà÷èòåëüíûìè ñîêðàùåíèÿìè è ñíàáæåí êîììåíòàðèÿìè è ñëîâàðåì.

Àííîòàöèÿ: Rosemary Woodhouse and her struggling actor-husband, Guy, move into the Bramford, an old New York City apartment building with an ominous reputation and only elderly residents. Neighbours Roman and Minnie Castavet soon come nosing around to welcome them; despite Rosemary's reservations about their eccentricity and the weird noises that she keeps hearing, her husband starts spending time with them. Shortly after Guy lands a plum Broadway role, Rosemary becomes pregnant, and the Castavets start taking a special interest in her welfare. As the sickened Rosemary becomes increasingly isolated, she begins to suspect that the Castavet's circle is not what it seems.

Àííîòàöèÿ: A powerful, hard-hitting adult story of murder and suspense by one of America's foremost novelists, which since its publication in 1954, has been made into several very successful feature films