Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Äæåê Ôîóëè î÷åíü ïðèâëåêàòåëåí: çðåëûé ìóæ÷èíà, õîðîø ñîáîé, íåãëóï, îáõîäèòåëåí, êàê íè ñòðàííî, ïîðÿäî÷íûé ÷åëîâåê. Îêàçûâàåòñÿ, âîâñå íå îáÿçàòåëüíî áûòü ïîëíûì ìåðçàâöåì, åñëè æèâ¸øü íå ïî ïðàâèëàì îáùåñòâà. À Êàðåí Ñèñêî ìîëîäà è î÷åíü êðàñèâà. Îíà îáúåêò ïîñòîÿííîãî âíèìàíèÿ ìóæ÷èí, çíàåò ñåáå öåíó, ìå÷òàåò î ôåäåðàëüíîé êàðüåðå è ñëóæáå â ÔÁÐ. ×óâñòâà åé íå ÷óæäû, íî èç-çà íèõ îíà íå ïîéä¸ò íà íàðóøåíèå çàêîíà, à ñâîè ìàëåíüêèå ãðåõè äàâíî íàó÷èëàñü ñåáå ïðîùàòü. Îíà îõîòíî ñîãëàøàåòñÿ íà êðàòêóþ ëþáîâíóþ ñâÿçü ñî ñáåæàâøèì èç òþðüìû ïðåñòóïíèêîì, íî îáà ïîíèìàþò, ÷òî ó èõ îòíîøåíèé íåò áóäóùåãî. È íå íàäî ñòðîèòü èëëþçèé. Äæåê ñâîáîäîëþáèâ è ïðåäïî÷¸ë áû ïîãèáíóòü â ïåðåñòðåëêå, à íå âî äâîðå òþðüìû ïðè ïîïûòêå ïîáåãà. Íî è òóò åìó íå ïîâåçëî...

Àííîòàöèÿ: Get an accountant, abstain from sex and similes, cut, rewrite, then cut and rewrite again -- if all else fails, pray. Inspired by Elmore Leonard's 10 Rules of Writing, we asked authors for their personal dos and don'ts.

Àííîòàöèÿ: Áûâøàÿ ìîíàõèíÿ, áûâøèé ïîëèöåéñêèé è áûâøèé çàêëþ÷åííûé óçíàþò î íåñêîëüêèõ ìèëëèîíàõ äîëëàðîâ, ãîòîâûõ óïëûòü â Íèêàðàãóà, è ðåøàþò ýòîãî íå äîïóñòèòü. Çà äåíüãàìè îõîòÿòñÿ ìíîãèå, â òîì ÷èñëå ÖÐÓ. Íî Ëþñè, Äæåê è Ðîé ïðèäóìûâàþò ïîòðÿñàþùèé ïëàí.

Àííîòàöèÿ: In Bandits, Elmore Leonard stays true to his form, assembling an odd assortment of trouble makers and dishing out plenty of suspense that will keep you turning the pages.

Àííîòàöèÿ: Book Description No one is more evocative of the dusty, gutsy hey-day of the American West than Elmore Leonard. And no story about a young writer struggling to launch his career ever matched its subject matter better than the tale behind Leonard`s Western oeuvre. In 1950, fresh out of college -- having written two "pointless" stories, as he describes them -- Leonard decided he needed to pick a market, a big one, which would give him a better chance to be published while he learned to write. In choosing between crime and Westerns, the latter had an irresistible pull -- Leonard loved movies set in the West. As he researched deeper into settings, Arizona in the 1880s captured his imagination: the Spanish influence, the standoffs and shootouts between Apache Indians and the U.S. cavalry. His first dozen stories sold for 2 cents a word, for  each. The rest is history. This first-ever complete collection of Leonard`s thirty Western tales will thrill lovers of...

Àííîòàöèÿ: Mob-connected loanshark Chili Palmer is sick of the Miami grind—plus his "friends" have a bad habit of dying there. So when he chases a deadbeat client out to Hollywood, Chili figures he might like to stay. This town with its dreammakers, glitter, hucksters, and liars—plus gorgeous, partially clad would -be starlets everywhere you look—seems ideal for an enterpri

Àííîòàöèÿ: Chili Palmer plunges into the seediest, most dangerous corners of Hollywoods music business.

Àííîòàöèÿ: FREAKY DEAKY spotlights an untamed group of Sixties rejects intent on bombing Detroit, but their seemingly fool-proof plot takes some foul turns as they try to keep the fires of revolution burning.

Àííîòàöèÿ: Èçóìèòåëüíî áåçíðàâñòâåííàÿ èñòîðèÿ...Ëåîíàðä ñîçäà¸ò ïîòðÿñàþùèå õàðàêòåðû...Ýòè íåèñòîâûå,íî íåóäà÷ëèâûå íåãîäÿè íàïèñàíû ñ þìîðîì è ÷óâñòâîì àáñóðäíîãî,îò÷åãî ÷èòàòü ýòó êíèãó ëåãêî è âåñåëî.

Àííîòàöèÿ: Chili Palmer is now in the music business, acting on behalf of a girl singer with a lot of soul and a bright future. The trouble is, Chili can't seem to forget those movies ...