Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Ïî÷òè ñòî ëåò íàçàä ðîìàí áóêâàëüíî ïîòðÿñ ñâîåé îòêðîâåííîñòüþ àíãëèéñêîå îáùåñòâî, ÷òî, ïî-âèäèìîìó, è áûëî ãëàâíîé öåëüþ Ä. Ëîóðåíñà. Ìå÷óùàÿñÿ ãëàâíàÿ ãåðîèíÿ Êîííè ñòðàäàåò îò òîãî, ÷òî ìóæ âåðíóëñÿ ñ âîéíû êàëåêîé è åìó òðåáóåòñÿ ïîñòîÿííûé óõîä. Îíà ìîëîäà, è òàêàÿ ó÷àñòü íå äëÿ íåå. Êîííè èùåò âûõîä ñâîèì åùå ïëîõî îñîçíàâàåìûì ñòðàñòÿì è íå ìîæåò ïîíÿòü, ÷òî ñ íåé ïðîèñõîäèò. Êàæåòñÿ, îíà ëþáèò ìóæà è, íà÷èòàâøèñü â ìîëîäîñòè ïîýçèè, çíàåò, ÷òî íàñòîÿùàÿ ëþáîâü - ýòî âîçâûøåííîå, äóõîâíîå ÷óâñòâî. Íî ïîêîÿ íåò, åå òåëî æàæäåò äðóãîé, òåëåñíîé ëþáâè. È âûáîð îáúåêòà íå òàê óæ âàæåí. Èì ñòàíîâèòñÿ åãåðü Ìåëëîðñ - äîâîëüíî ñòðàííûé, îòðåøåííûé îò æèçíè ÷åëîâåê, íå íàøåäøèé ñåáÿ, íåíàâèäÿùèé âñåõ è âñå âîêðóã. Íî ñâîåé ãîòîâíîñòüþ îòäàòüñÿ åìó öåëèêîì Êîííè ïîäêóïàåò Ìåëëîðñà, è îí ñòàíîâèòñÿ íà ïóòü, êîòîðûé ìîæåò ïðèâåñòè èõ ê ñ÷àñòüþ. Ýòà êíèãà - ãèìí ÷óâñòâåííîñòè, êîòîðàÿ ñòàíîâèòñÿ ëþáîâüþ, åñëè åå ïèòàåò íåæíîñòü.

Àííîòàöèÿ:  ýòîì èçäàíèè íåàäàïòèðîâàííûå ðàññêàçû Î. Ãåíðè, Ìàðêà Òâåíà, Äæåêà Ëîíäîíà, Ñòèâåíà Ëèêîêà è Ä. Ã. Ëîóðåíñà ñìîãóò ïðî÷èòàòü äàæå òå, êòî ïîêà íå î÷åíü õîðîøî çíàåò àíãëèéñêèé. Ê êàæäîé ñòðàíèöå òåêñòà äà¸òñÿ ñëîâàðü ñàìûõ íóæíûõ ñëîâ è êðàòêèå ãðàììàòè÷åñêèå êîììåíòàðèè. Ñ èõ ïîìîùüþ ÷èòàòåëè ëåãêî óñëåäÿò çà ñþæåòîì è ñàìè íå çàìåòÿò, êàê îñâîÿò íåìàëî íîâûõ ñëîâ è óñòîé÷èâûõ âûðàæåíèé, íàó÷àòñÿ óâåðåííåå óïîòðåáëÿòü ãðàììàòè÷åñêèå êîíñòðóêöèè è áåç ïðîáëåì äîáåðóòñÿ äî ðàçâÿçêè. Êíèãà ïðåäíàçíà÷åíà äëÿ òåõ, êòî èçó÷àåò àíãëèéñêèé ÿçûê íà ïðîäîëæàþùåì óðîâíå è ñòðåìèòñÿ ê ñîâåðøåíñòâîâàíèþ.

Àííîòàöèÿ: Ïðåäñòàâëåíû òîëüêî îðèãèíàëüíûå òåêñòû ëó÷øèõ ïðîèçâåäåíèé ìèðîâîé ëèòåðàòóðû. Ýòè êíèãè ñòàíóò ýôôåêòèâíûì è óâëåêàòåëüíûì ïîñîáèåì äëÿ èçó÷àþùèõ èíîñòðàííûé ÿçûê íà õîðîøåì «ïðîäîëæàþùåì» è «ïðîäâèíóòîì» óðîâíå. Îíè ïîìîãóò ýôôåêòèâíî ðàñøèðèòü ñëîâàðíûé çàïàñ, ïîäñêàæóò, ãäå è êàê ïðàâèëüíî óïîòðåáëÿòü óñòîé÷èâûå âûðàæåíèÿ è ãðàììàòè÷åñêèå êîíñòðóêöèè, ïîäàðÿò ðàäîñòü îò ÷òåíèÿ.  êîíöå êíèãè äàíà êðàòêàÿ èíôîðìàöèÿ î êóëüòóðíûõ, ñòðàíîâåä÷åñêèõ, èñòîðè÷åñêèõ è ãåîãðàôè÷åñêèõ ðåàëèÿõ îïèñûâàåìîãî ïåðèîäà, êîòîðàÿ ïîìîæåò ëó÷øå îðèåíòèðîâàòüñÿ â òåêñòå ïðîèçâåäåíèÿ.

Àííîòàöèÿ: Women in Love is, however, a profound response to a whole cultural crisis. The "progress" of the modern industrialized world had led to the carnage of the First World War. What, then, did it mean to call ourselves "human"? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships - love, marriage, family, friendship - really worth? And how might they be otherwise?

Àííîòàöèÿ:  ñáîðíèê âîøëè ðàññêàçû èçâåñòíûõ àíãëèéñêèõ ïèñàòåëåé, ìàñòåðîâ æàíðà êîðîòêîãî ðàññêàçà: Ä. Ëîóðåíñà, Ê. Ìýíñôèëä, Ä. Äæîéñà, Ó. Ñîìåðñåòà Ìîýìà, Î. Õàêñëè, È. Âî, Ä. Óýéíà, Ñ. ×àïëèíà. Ïðèâîäÿòñÿ ñâåäåíèÿ î æèçíè è òâîð÷åñòâå àâòîðîâ, çàäàíèÿ äëÿ êîíòðîëÿ è ïîíèìàíèÿ ïðî÷èòàííîãî è äëÿ îáñóæäåíèÿ â àóäèòîðèè. Äëÿ èçó÷àþùèõ àíãëèéñêèé ÿçûê â èíñòèòóòàõ è íà ôàêóëüòåòàõ èíîñòðàííûõ ÿçûêîâ è äëÿ âñåõ íà÷èíàþùèõ ÷èòàòü àíãëèéñêóþ ïðîçó â ïîäëèííèêå.

Àííîòàöèÿ: A novel focusing mainly on the Nottinghamshire of Lawrence s youth, remembering the community and its inhabitants. It is the story of Alvina s rebellion against the ordinariness of life. She undertakes a wild affair with a vaudeville actor and then escapes to a more fulfilling life in Italy.

Àííîòàöèÿ: Õðåñòîìàòèÿ ïðåäñòàâëÿåò ñîáîé ïîñîáèå ïî êóðñó àíãëèéñêîé ëèòåðàòóðû XX âåêà äëÿ ñòóäåíòîâ ôàêóëüòåòîâ èíîñòðàííûõ ÿçûêîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ.  íåå âõîäÿò îòðûâêè èç ïðîèçâåäåíèé àíãëèéñêèõ ïèñàòåëåé è ïîýòîâ. Îòêðûâàåò êíèãó êðàòêèé î÷åðê, õàðàêòåðèçóþùèé àíãëèéñêóþ ëèòåðàòóðó ÕÕ âåêà, åå îñíîâíûå íàïðàâëåíèÿ è òåíäåíöèè. Êàæäîìó ïðåäñòàâëåííîìó â õðåñòîìàòèè àâòîðó ïðåäøåñòâóåò êðàòêàÿ áèîãðàôè÷åñêàÿ ñïðàâêà. Êíèãà çàâåðøàåòñÿ ïîäðîáíûìè ïðèìå÷àíèÿìè, äàþùèìè íåîáõîäèìûå ëèíãâèñòè÷åñêèå, ëèòåðàòóðíûå è èñòîðè÷åñêèå ïîÿñíåíèÿ.

Àííîòàöèÿ: This collection now contains 175 poems by 86 poets and ranges chronologically from W.B.Yeats to Geoffrey Hill.The character of the anthology can be simply indicated.It is a representative collection of English verse written between 1918 and 1960.The present collection, which was first published under the title THE PENGUIN BOOK OF CONTEMPORARY VERSE in 1950 and has been frequently reprinted, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared

Àííîòàöèÿ: These three novellas explore human relationships and the devastating results of war. In The Fox, a predator targets two young women living on a small farm during the First World War. The Captain's Doll explores the complex relationship between a German countess and a married Scottish soldier in occupied Germany. In The Ladybird, a wounded prisoner of war has a disturbing influence on the Englishwoman who visits him in the hospital.

Àííîòàöèÿ: D. H. Lawrence started 'The Sisters' in March 1913, wrote four different versions and claimed to have discarded 'quite a thousand pages' before completing The Rainbow in May 1915. The novel was suppressed, just over a month after publication, in November 1915. Mark Kinkead-Weekes gives the composition history and collates the surviving states of the text to assess the damage done to Lawrence's great novel, and to provide a text as close to that which the author wrote as is now possible. The final manuscript, revisions in the typescript and the first edition are recorded in the full textual apparatus so the reader can follow the development of the novel and evaluate what outside interference might have done to it. Appendixes give the earliest, unpublished fragments from the first two versions and a newly discovered report and summary of the third. Published in two volumes.

Àííîòàöèÿ: Ñáîðíèê ñòàâèò ñâîåé öåëüþ ïîçíàêîìèòü ÷èòàòåëÿ ñ ëó÷øèìè îáðàçöàìè òâîð÷åñòâà àíãëèéñêèõ íîâåëèñòîâ 50-õ - 60-õ ãã.  íåì ïðåäñòàâëåíû ïèñàòåëè íåñêîëüêèõ ïîêîëåíèé, ñîçäàâàÿ êðàñî÷íóþ, ìíîãîëèêóþ êàðòèíó ñåãîäíÿøíåé Àíãëèè. Êíèãè ïðåäñòàâëÿåò ðàçíîîáðàçíûå òåìàòèêè è ñòèëèñòèêè ñîâðåìåííîãî àíãëèéñêîãî ðàññêàçà.

Àííîòàöèÿ: Studies in Classic American Literature, first published in 1923, provides a cross-section of Lawrence's writing on American literature from the previous six years, including landmark essays on Benjamin Franklin, Hector St. John de Crevecoeur, James Fenimore Cooper, Edgar Allan Poe, Nathaniel Hawthorne, Richard Dana, Herman Melville and Walt Whitman. Eight of the essays were first published in the English Review 1918-19, but Lawrence continued to work on his material, with the aim of producing a full-length book; at various times fifteen separate items belonged to it, all of them revised on different occasions, some of them four or five times, and often corrected with the errors of their predecessors preserved.

Àííîòàöèÿ: Aaron is a respected member of mining community, yet his success stifles him. Pinning his faith on his flute-playing, he breaks with his wife, moves south... and meets Rawdon Lilly. The extraordinary relationship between these two men - twin poles of Lawrence s own consciousness - is the central span of this important novel.

Àííîòàöèÿ: Odour of Chrysanthemums, regarded as one of D. H. Lawrence s most accomplished stories, was written in 1909 and published in Ford Madox Hueffer s English Review in June, 1911. A different version, which transformed and expanded the concluding section in which Elizabeth Bates reflects on her married life in the presence of the body of her husband, was published in 1914 in The Prussian Officer and Other Stories. The story s controlled analysis of the harsh industrial setting and of Elizabeth Bates s psychological transformation has been widely admired. H. E. Bates has even argued that Lawrence—s greatest achievement is his short fiction.

Àííîòàöèÿ: In post-war East Midlands, in a home dominated by their difficult grandmother and aunt, Yvette and Lucille are two sisters struggling to bring joy into their lives. Their mother, having run off in scandal, leaves the two to suffer a dysfunctional family life and oppressive domesticity. But one day, Yvette meets a free-spirited gypsy and his family, awakening her sexual desires and compounding her disenchantment.

Àííîòàöèÿ: The present collection, which was first published in 1950 and has been reprinted seventeen times, has been widely acclaimed and remains one of the best known and most constantly used anthologies of modern poetry to have appeared.

Àííîòàöèÿ: Lawrence s first novel The White Peacock was begun in 1906, rewritten three times, and published in 1911. The Cambridge edition uses the final manuscript as base-text, and faithfully recovers Lawrence s words and punctuation from the layers of publishers house-styling and their errors; original passages, changed for censorship reasons, are reinstated. Andrew Robertson s introduction sets out the history of Lawrence s writing and revision, and the generally favourable reception by friends and reviewers. Lawrence incorporated much of his own experience and reading on to the novel which is set just north-east of Eastwood, and modelled characters on his friends and family. The notes identify real-life places and people, explain dialect forms, literary allusions, and historical references, and include sensitive passages deleted before publication. The textual apparatus records all the variant readings and the appendix prints the two surviving fragments from the earliest manuscripts of the novel, then entitled Laetitia.