Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Ôåëüäìàí Ê.Â., Âå÷åð ó ìîðÿ — [ìåæäó 1890-1917]

Ñîäåðæàíèå: Âëàäåëü÷åñêèé êîíâîëþò. Ïðèïë. 13 íîò. èçä. è 1 ðóêîï. íîò.: 1). Øòåéíáåðã, Ì.Ê. «Âÿëüöåâà»: âàëüc Ì. Øòåéíáåðãà.-Ñ.-Ïåòåðáóðã: Áåðíãàðä,[ìåæäó 1860-1917].- 7 c. .- Í.ä. Ê. 596 Á.; 2). Ãîëëåíäåð, Âèêòîð. (Hollaender,Victor). Schaukel Walzer = Êà÷åëè-âàëüñ / von Victor Hollaender .-Ìîñêâà: Ýéâàíã, [ìåæäó 1860-1917].- 11 ñ. .- Í.ä. A. 582 S.; 3). ×àìîâ.À. "À ñ÷àñòüå áûëî òàê âîçìîæíî": âàëüñ / Ìóç. À. ×àìîâà.- Ìîñêâà: [Ýéâàíã], [ìåæäó 1870-1917].- 5 c..- Í.ä. 65 ; 4). Ãåðìàí, Ôëîðèàí (Hermann, Florian). Hommage-Valse pour piano: Comp. —21 / par Florian Hermann; .- Nouvelle ™dition.-Moscou: Gutheil [Ãóòõåéëü], [ìåæäó 1870-1917].- 11 ñ. .- Í.ä. À. 5731; 5). Êèòëåð, Ãåðîëüä Ëàâðåíòüåâè÷ (Kittler ,Herold). Îáíîâëåíèå: âàëüñ, Op. 88 / Ñî÷. Ã.Ë. Êèòëåðà .- Ìîñêâà: Ãðîññå, [ìåæäó 1870-1917] .- 5 ñ. .- Í.ä. Ã. 9 Ê.; 6). Áåêêåð, Â. Ëåñíàÿ ñêàçêà: âàëüñ äëÿ ôîðòåïüÿíî /Ñî÷. Â. Áåêêåð.- Ìîñêâà: Ãðîññå, [ìåæäó 1870-1917].- 5 ñ. .- Í.ä. Ñ. 3 Ì.; 7). Êðîóï, Ô.Å. Òîñêà ïî Ðîäèíå: ïåðåëîæ. äëÿ ôîðòåïüÿíî Ô.Å. Êðîóïà .-Õàðüêîâ: Ìàðå÷åê, [ìåæäó 1870-1917].- 3 ñ. .- Í.ä. Í.110 Ì.; 8). Ãëèíêà, Ìèõàèë Èâàíîâè÷ (1804-1857). Æèçíü çà öàðÿ.: èíòðîäóêöèÿ — 1: " áóðþ âî ãðîçó" / ìóç. Ì.È. Ãëèíêè; àðàíæ. äëÿ ôîðòåïüÿíî Ê. Âèëüáîà .- Ìîñêâà: Ãóòõåéëü [Gutheil], [ìåæäó 1870-1917].- 9 ñ. .- Í.ä. À. 2175.; 9). Ëàíãå, Ã. (Lange,G.). Ñåâåðíàÿ ïåñíÿ, Op. 152 / Ã. Ëàíãå .- Moscou: Jurgenson [Þðãåíñîí], [ìåæäó 1870-1917].- 5 ñ. .-Í.ä. 12491; 10). Áàóåð, Ôåðäèíàíä (Beyer,F.). Petite fantaisie sur des motifs de l'opera "Martha" (Ìàëåíüêàÿ ôàíòàçèÿ íà ìîòèâ îïåðû ôîí Ôëîòîâà) / Par F. — Moscou: Gutheil [Ãóòõåéëü], [ìåæäó 1870-1917].- 11 ñ. .- Í.ä. À. 25333 G.; 11). Ñêîòòî, Âèíöåíò(Scotto,Vincent; 1874-1952). Petit Tonkinoise . (Ìàëåíüêàÿ êèòàÿíêà) / Scotto et Christine Scotto et Christine; Òîâàðèùåñòâî "Ñ.Ïåòåðáóðãñêàÿ Òåõíî-õèìè÷åñêàÿëàáîðàòîðèÿ".- ÑÏá.: Íèâà-Ìàðêñ, [ìåæäó 1870-1917].- [2] ë. .- Í.ä. È.164.Í; 12). Ôåëüäìàí,Ê.Â. Marche fun˜bre(Ïåñíü óçíèêà): Ìàðø-ðîìàíñ / Ñî÷. Ê.Â. Ôåëüäìàí.- Ìîñêâà: Ãðîññå, [1898].- 3, [1] ñ. .- Íà òèò. ë. - öåíçóðíîå ðàçðåøåíèå: "Äîçâîëåíî öåíçóðîé, Ìîñêâà 29 èþëÿ 1898 ã." .- Í.ä. Ê. 1 Ô; 13). Ìîíþøêî, Ñòàíèñëàâ(Moniuszko, Stanisòaw; 1819-1872). "Ãàëüêà": Îïåðà â 4-õ äåéñòâèÿõ: ä. 4 —15 Ðå÷èòàòèâ è äóìêà / ïåð. Í.Ê.Ê; ìóç. Ñò. Ìîíþøêî.- Ìîñêâà: Þðãåíñîí, [1882].- 11 ñ. .-"Äîçâîëåíî öåíçóðîþ 10 Îêòÿáðÿ 1882 ã." .- Í.ä. 4685; 14). Êîíòñêèé, Àíòîí Ãðèãîðüåâè÷ (1817-1889)."Áàþøêè-áàþ" [ðóêîïèñíûå íîòû] / Ñëîâà À. Ïîãîñêîãî; Ìóç. Àíò. Êîíòñêîãî, [1908 ã. Äåêàáðÿ 4-ãî äíÿ]. -2 ë.

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Philosophenlexikon — ñîp.1982

Das Lexikon ist als Nachschlagewerk fur einen breiten Benutzerkreis vorgesehen.

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Old Music XVI - XVIII Centuries: for Guitar — [200-]

Ñîäåðæàíèå: Dance; Incomparable dance; Saltarello; Minuet; Country Dance; Aria: ( From Music Book of Anna Magdalena Bach); Lied; Aria; Flon-flon: (Arietta); Minuet: ( From Music Book of Anna Magdalena Bach)/ Anonim. Five pieces; Sonatina/ D. Turk. Allegro/ W.A. Mozart. Ecossaise/ M. Giuliani. Bourree/ L. Mozart. Minuet; Bourree/ J. Krieger. Dutch dance/ H. Neusidler. Minuet/ K. Seixas. Allemande/ J. Haydn. Bransle/ J. Hotteterre.Saint Catherine/ J. Barret. Minuet/ J. Ch. F. Bach. Prelude/ J. Haessler. Allegro/ A. Lang. Old song Variations/ M. Giuliani. Andante/ F. Kemeny. Minuet/ J. Clark. Bransle simple/ F. Caroubel. Minuet/ J.F. Rameau. Minuet/ W.F. Bach. Gavotte/ J.F. D' Andrieu. Aria/ G. Kirchhof. Aria; Fuga/ G. Handel. Hornpipe/ H. Purcell. La Charolaise/ F. Couperin. Sonata; Larghetto; Prelude; Gigue/ D. Scarlatti

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Ëàíæ Ê. äå, 10 ïðîãóëîê ïî ÷åëîâå÷åñêîìó ðàçóìó. ðîæäåñòâåíñêèå ëåêöèè Êîðîëåâñêîãî èíñòèòóòà Âåëèêîáðèòàíèè — 2022

×åëîâå÷åñêèé ìîçã - ñàìàÿ ñëîæíàÿ âåùü âî Âñåëåííîé, ñ÷èòàþò ó÷åíûå, ÷üè óñèëèÿ íàïðàâëåíû íà ïîñòèæåíèå åãî òàéí. Ìîçã ãîâîðèò íà ÿçûêå ýëåêòðè÷åñêèõ ñèãíàëîâ, ïîëó÷àÿ ñîîáùåíèÿ îò ìûøö è îðãàíîâ ñî ñêîðîñòüþ 120 ìåòðîâ â ñåêóíäó. Äëÿ íåãî ñâåò - ýòî ýíåðãèÿ, ïîïàäàþùàÿ â ãëàç è ïðåâðàùàþùàÿñÿ â îáúåêòû, êîòîðûå äëÿ íàñ ÷òî-òî çíà÷àò.  íåì õðàíÿòñÿ íàøè âîñïîìèíàíèÿ. È èìåííî îí â èòîãå ñîçäàåò íàøó ëè÷íîñòü. Íî ìîæíî ëè íàó÷èòüñÿ ÷èòàòü ÷óæèå ìûñëè? Ìîãóò ëè ñîâðåìåííûå òåõíîëîãèè óëó÷øèòü ÷åëîâå÷åñêèé ìîçã?  ýòîì ñáîðíèêå ëåêöèé, ïðî÷èòàííûõ â Êîðîëåâñêîì èíñòèòóòå, ðå÷ü ïîéäåò îá îòêðûòèÿõ, êîòîðûå ïîìîãàþò íàì ïîñòè÷ü ñåêðåòû ìîçãà è ñîçíàíèÿ, à çíà÷èò, ëó÷øå ïîíÿòü ñåáÿ

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"Èãðà Ïðåñòîëîâ" è ïñèõîëîãèÿ. äóøà òåìíà è ïîëíà óæàñîâ. [ñáîðíèê]. ïåðåâîä ñ àíãëèéñêîãî — 2022

Òðýâèñ Ëýíãëè ñîáðàë öåëóþ êîìàíäó ïñèõîëîãîâ, ÷òîáû ðàññêàçàòü î ìîòèâàöèÿõ, îòíîøåíèÿõ, ïàòîëîãèÿõ, èçâðàùåíèÿõ è òðàâìàõ ãåðîåâ âåëèêîé ñàãè. È çàîäíî îáúÿñíèë, êàê ëþáèìûé ñåðèàë òðåíèðóåò ìîçã è ñòèìóëèðóåò íåñòàíäàðòíîå ìûøëåíèå.

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Elena Montesinos. Collection Cahiers d`Artistes 2021 [—157] — 2021

Elena Montesinos is a cultural agitator in the best possible sense. She bubbles over with ideas for artistic or curatorial projects. These are not always realised, for a variety of reasons: because of exorbitant production costs, because they are rejected outright, because they are too unsettling, or simply because they are illegal. In her Cahier d—Artistes entitled UNRELEASED, 20 unpublished projects are given a literary staging by The Montesinos Foundation. The Cahier offers audiences a journey through Elena Montesinos— world of fantasy, in which she can realise her activist and transformative potential without restriction.

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Ëàíãåðò Á., Áèòâà çà äîáðûå äåëà. êàê êîìïàíèÿ ÌñDonalds ñòàëà íåóÿçâèìîé — 2021 (Top business awards)

Èñòîðèÿ óñïåõà McDonald—s, ðàññêàçàííàÿ ýêñ-èñïîëíèòåëüíûì äèðåêòîðîì, áîëåå 25 ëåò æèçíè ïîñâÿòèâøèì êîìïàíèè. Óçíàéòå, êàê îáåñïå÷èòü ñâîåìó áèçíåñó óñòîé÷èâîå ðàçâèòèå, îáðàòèòü õåéò â ëîÿëüíîñòü, à ëîÿëüíîñòü — â îáîæàíèå, ïîñòîÿííî óâåëè÷èâàòü ïðîäàæè ïî ïðàâèëàì McDonald—s.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

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Òàéñîí Í. Ä., Íà ñëóæáå ó âîéíû: íåãëàñíûé ñîþç àñòðîôèçèêè è àðìèè — 2020 (Áîëüøàÿ íàóêà)

Íîâàÿ êíèãà èçâåñòíîãî àìåðèêàíñêîãî àñòðîôèçèêà Íèëà Äåãðàññà Òàéñîíà, íàïèñàííàÿ â ñîàâòîðñòâå ñ ïèñàòåëåì Ýâèñ Ëýíã, ïîñâÿùåíà èññëåäîâàíèþ ìíîãîëåòíèõ îòíîøåíèé íàóêè è àðìèè. ×òî îáúåäèíÿåò àñòðîôèçèêîâ è âîåííûõ ñïåöèàëèñòîâ, â ÷åì òî÷êè èõ ïåðåñå÷åíèÿ, êàê íàóêà ñëóæèò âîéíå? Êàê âûÿñíÿåòñÿ, ìíîãèå îòêðûòèÿ è äîñòèæåíèÿ àñòðîôèçèêè, òàêèå êàê, íàïðèìåð, ìíîãîñïåêòðàëüíîå îáíàðóæåíèå, äàëüíîñòü, îòñëåæèâàíèå, âèçóàëèçàöèÿ, ÿäåðíûé ñèíòåç è äîñòóï â êîñìîñ - ýòî íå ïðîñòî íàó÷íûå îòêðûòèÿ, à èíñòðóìåíòû â ðóêàõ âîéíû.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

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Ëàíãåðò Á., McDonald's. ìåæäó õåéòîì è õàéïîì — 2020 (Top business awards)

Áîðüáà çà ïîçèòèâíûé èìèäæ è ëîÿëüíîñòü êëèåíòîâ, ìîùíûå PR-ñòðàòåãèè è ñîáñòâåííûå íîó-õàó â ìàðêåòèíãå ñäåëàëè McDonald's îäíîé èç áîãàòåéøèõ êîìïàíèé â ìèðå.Ñåãîäíÿ êîìïàíèÿ âõîäèò â Fortune 500, ÷èñòàÿ ïðèáûëü ñîñòàâëÿåò íåñêîëüêî ìèëëèàðäîâ äîëëàðîâ, à êîëè÷åñòâî ðåñòîðàíîâ ïî âñåìó ìèðó ïåðåâàëèëî çà 37 000

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Çèëáåðíàãëü Ñ., Êëèíè÷åñêàÿ ïàòîôèçèîëîãèÿ. àòëàñ. ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ îáðàçîâàòåëüíûõ ó÷ðåæäåíèé âûñøåãî ïðîôåññèîíàëüíîãî îáðàçîâàíèÿ, îáó÷àþùèõñÿ ïî ñïåöèàëüíîñòÿì "Ëå÷åáíîå äåëî", "Ïåäèàòðèÿ", "Ñòîìàòîëîãèÿ" ïî äèñöèïëèíå "Ïàòîôèçèîëîãèÿ. Êëèíè÷åñêàÿ ïàòîôèçèîëîãèÿ" — 2019

Àòëàñ ñîäåðæèò òåêñò è áîëüøîå êîëè÷åñòâî èëëþñòðàöèé ïî òåìàì è ïðîáëåìíûì âîïðîñàì, ñîîòâåòñòâóþùèì ñîâðåìåííûì ïðîãðàììàì ïî êëèíè÷åñêîé ïàòîôèçèîëîãèè äëÿ ìåäèöèíñêèõ âóçîâ.  èçäàíèè èçëîæåíû ìàòåðèàëû, õàðàêòåðèçóþùèå îñíîâíûå ïîíÿòèÿ íîçîëîãèè, îáùåé ýòèîëîãèè è ïàòîãåíåçà, ñîâðåìåííûå ïðåäñòàâëåíèÿ î òèïîâûõ ïàòîëîãè÷åñêèõ ïðîöåññàõ, òèïîâûõ ôîðìàõ ïàòîëîãèè îðãàíîâ è èõ ñèñòåì. Ðàññìàòðèâàþòñÿ îòäåëüíûå çàáîëåâàíèÿ è êëèíè÷åñêèå ñèíäðîìû, íàèáîëåå ðàñïðîñòðàíåííûå ó ÷åëîâåêà. Äëÿ ñòóäåíòîâ ìåäèöèíñêèõ âóçîâ è âðà÷åé.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî åñòåñòâåííûì è òåõíè÷åñêèì íàóêàì

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Wild N., Kaboul Requiem. Un th™ avec les Talibans — 2018

Son pouse a beau le supplier de ne plus risquer sa vie en Afghanistan, Sean Langan ne peut d'empcher d'y retourner. Ce pays, le journaliste anglais, le connait comme sa poche depuis son premier reportage l-bas, en octobre 1999, pour la BBC. C'tait avant le 11 septembre, avant l'intervention des troupes occidentales... En 2008, alors que Sean cherche interviewer un chef pachtoune taliban, combattant les forces de l'OTAN, lui et son fixer se font kidnapper en zone tribale pakistanaise. Leur vie ne tient plus qu' un fil... Heureusement, son humour anglais le tient l'abri du dsespoir. Et les complexes mais gnreuses rgles de l'hospitalit pachtounes le protgent finalement des pires menaces. Depuis son cachot, Sean se fait mme l'observateur avis des tensions qui agitent ces tribus d'hommes d'honneur... Au travers des aventures de Sean Langan, Nicolas Wild porte une nouvelle fois un regard dcapant et plein d'humour sur la ralit afghane.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

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Ëàíã Ý., Ìèôîëîãèÿ. ïðîèñõîæäåíèå è ðàñïðîñòðàíåíèå ìèôîâ — 2018 (Àêàäåìèÿ ôóíäàìåíòàëüíûõ èññëåäîâàíèé (ÀÔÈ): Ìèôîëîãèÿ, ðåëèãèÿ, àòåèçì)

Ðåïðèíòíîå èçäàíèå. íàñòîÿùåé êíèãå, íàïèñàííîé àíãëèéñêèì èñòîðèêîì è ýòíîãðàôîì Ýíäðþ Ëàíãîì (1844-1912), ðàññìàòðèâàþòñÿ âîïðîñû ïðîèñõîæäåíèÿ è ðàñïðîñòðàíåíèÿ ìèôîâ. Àâòîð èñïîëüçóåò ñðàâíèòåëüíî-èñòîðè÷åñêèé ìåòîä èññëåäîâàíèÿ è ñòðåìèòñÿ äîêàçàòü, ÷òî èíòåëëåêòóàëüíûå óñëîâèÿ, ïðè êîòîðûõ ñîçäàþòñÿ ìèôû, äîëæíû îòëè÷àòüñÿ îò òåõ óñëîâèé, êîòîðûå ñîñòàâëÿþò ïðèíàäëåæíîñòü öèâèëèçîâàííîãî ÷åëîâåêà. Ñîçäàíèå ìèôîâ àâòîð ðàññìàòðèâàåò êàê ïðèçíàê äèêîñòè - ïðèìåíèòåëüíî êàê ê ýòàïó ðàçâèòèÿ ÷åëîâå÷åñòâà, òàê è ñòåïåíè ðàçâèòèÿ êîíêðåòíîãî ÷åëîâåêà.  êíèãå èññëåäóåòñÿ ïðåäìåò ìèôîëîãèè, ïðîâîäÿòñÿ èñòîðè÷åñêèé è êðèòè÷åñêèé îáçîð ìèôîëîãè÷åñêèõ òåîðèé, ïðè÷åì îñîáîå âíèìàíèå óäåëåíî ðàññìîòðåíèþ àíòðîïîëîãè÷åñêîé òåîðèè ìèôîëîãèè (óìñòâåííîãî ñîñòîÿíèÿ è ïðåäñòàâëåíèé äèêàðåé), à òàêæå ðàññìàòðèâàþòñÿ ðàçëè÷íûå âèäû ìèôîâ.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Bottcher R., Der Fluch der Mumie — 2012 (Lesen und uben. Niveau 1.A1)

Jan is fifteen and she lives in Berlin. She is interested in Egyptology and she has just learnt that the Egyptian museum in Berlin has just bought the mummy of the ancient general, Thoukanis.So she goes straight to see it with her friend Stefan. The two friends see some strange hieroglyphics on the sarcophagus. From that moment strange and unexplainable things start happening— Jan and Stefan start investigating and make some disturbing discoveries.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ich schenk dir eine Geschichte 2011. Mutgeschichten — 2011 (Welttag des Buches)

Renommierte Autorinnen und Autoren erzahlen spannende Mutgeschichten: Von einem nachtlichen Friedhof, einer Autofahrt durch ein Gewitter, einer Verbrecherjagd auf einem Kreuzfahrtschiff u. v. m. Die Geschichten laden dazu ein, sich in das Abenteuer Lesen zu sturzen und eine neue Welt zu entdecken

Ñîäåðæàíèå: Cassandras Geheimnis / M. Borlik. Wie Timmy zum Hund kam / S. Flegel. "Geh nicht mit, Jasper!" / A. Langen. Blauer Montag / S. Ludwig. Ein Brief aus Indonesien / R. Rusch. Nur nicht den Mut verlieren! / U. Scheffler. Nina / A. Tuckermann

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Bottcher R., Erich ist verschwunden — 2011 (Lesen und uben. Niveau Eins. A1)

Íårr Kommissar. Mein Sohn ist verschwunden. "Das ist der Anfang einer spannenden Geschichte. Erich ist nicht aus der Schule zuruckgekommen. Wo ist er?Was ist geschehen? Ist er ausgerissen? Wurde er entfuhrt? Erichs Eltern sind sehr besorgt; aber Kommissar Gandolf lost den Fall auf seine Weise.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Ëàíãåð È., Äåâÿòü âðàò. òàèíñòâà õàñèäîâ — 2011 (×åéñîâñêàÿ êîëëåêöèÿ)

Õàñèäñêèå ëåãåíäû Èðæè Ëàíãåðà, ñîñòàâèâøèå êíèãó "Äåâÿòü âðàò", ïëåíÿþò ïðåäåëüíîé èñêðåííîñòüþ, ïîýòè÷íîñòüþ, âëþáëåííîñòüþ àâòîðà â ñâîèõ ãåðîåâ - ðàââèíîâ è ìóäðåöîâ, ñïîñîáíûõ òâîðèòü ÷óäåñà

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë õóäîæåñòâåííîé ëèòåðàòóðû è èñêóññòâà

Ïîäðîáíàÿ èíôîðìàöèÿ

Ëýíã Ä., Ãðóçèíû — 2006 (Çàãàäêè äðåâíèõ öèâèëèçàöèé)

Äýâèä Ëýíã íà îñíîâå àðõåîëîãè÷åñêèõ îò÷åòîâ è ìàòåðèàëîâ èñòîðè÷åñêèõ èññëåäîâàíèé âîñïðîèçâîäèò ðåëèãèîçíûå ïðåäñòàâëåíèÿ, áûò äðåâíèõ ïëåìåí, íàñåëÿâøèõ òåððèòîðèþ Ãðóçèè.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû ïî îáùåñòâåííûì è ãóìàíèòàðíûì íàóêàì

Ïîäðîáíàÿ èíôîðìàöèÿ

Ellington D., Ìèð Äþêà Ýëëèíãòîíà — 2004 (Ïåðâûå øàãè â äæàçå)

Ìèð ìóçûêè Ýëëèíãòîíà îãðîìåí - ñâûøå òûñÿ÷è ïüåñ ìàëûõ è êðóïíûõ ôîðì. Îíè ïðèçûâàþò ëþäåé ê äóøåâíîìó áëàãîðîäñòâó, ãðàæäàíñêîìó ìóæåñòâó, ïîíèìàíèþ êðàñîòû. È çà ýòî ÷åëîâå÷åñòâî áëàãîäàðíî Ýäâàðäó Êåííåäè Ýëëèíãòîíó, èçâåñòíîìó âî âñåì ìèðå ïîä ïðîçâèùåì Äþê

Ñîäåðæàíèå: Creole Love Call; Cotton Tail; The Mooch; The Jeep Is Jumpin'/ Duke Ellington. Mood Indigo/ Duke Ellington - Barney Bigard - Irving Mills. It Don't Mean A Thing; Ñ Jam Blues/ Duke Ellington - Irving Mills. Solitude/ Duke Ellington - Eddie de Lange - Irving Mills. Sophisticated Lady/ Duke Ellington - Mitchell Paris - Irving Mills. In A Mellow Tone/ Duke Ellington - Milt Gabler - Irving Mills. Do Nothing Till You Hear From Me; Don't Get Around Much Anymore/ Duke Ellington - Bob Russell. I Got It Bad/ Duke Ellington - Paul Francis Webster. In A Sentimental Mood/ Duke Ellington - John Kurtz - Irving Mills. Day Dream/ Duke Ellington - Billy Strayhorn - JohnLatouche. I'm Beginning To See The Light/ Duke Ellington - Johnny Hodges - Harry James - Don George. Satin Doll/ Billy Strayhorn - Duke Ellington - Johnny Merser. Take The «A» Train/ Billy Strayhorn - Joja Sheril. Things Ain't What They Used To Be/ Merser Ellington. I Let A Song Go Out Of My Heart/ Duke Ellington - Irving Mills - Johnny Redmont.Prelude To A Kiss/ Duke Ellington - Irving Gordon- Irving Mills. Perdido/ Juan Tizol - H.J. Lengsfelder - Ervin Drake. Caravan/ Juan Tizol - Duke Ellington - Irving Mills.  èçä. òàêæå: Âîëûíöåâ, À. Ìóçûêàëüíûé ìèð Äþêà Ýëëèíãòîíà: ñ. 3

Ìåñòîíàõîæäåíèå èçäàíèÿ: Ìóçûêàëüíûé ïîäâàë

Ïîäðîáíàÿ èíôîðìàöèÿ

The Wordsworth Book of Horror Stories — 2004

...it is an universal phenomenon of our nature that the mournful, the fearful, even the horrible, allures with irresistible enchantment. - Chaucer Burr, Memoir, 1850. The Wordsworth Book of Horror Stories is a superb collection of some of the greatest tales of the genre, many are classics while others are lesser-known gems unearthed from this vintage era of the supernatural

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ

Collings R., Classic Victorian & Edwardian Ghost Stories — 1996 (Tales of Mystery & the Supernatural Series)

This is a book to be read by a blazing fire on a winter's night, with the curtains drawn close and the doors securely locked. The unquiet souls of the dead, both as fictional creations and as 'real' apparitions, roam the pages of this haunting new selection of ghost stories by Rex Collings.Some of these stories are classics while others are lesser-known gems unearthed from this vintage era of tales of the supernatural. There are stories from distant lands - 'Fisher's Ghost' by John Lang is set in Australia and 'A Ghostly Manifestation' by 'A Clergyman' is set in Calcutta. In this selection, Sir Walter Scott (a Victorian in spirit if not in fact), keeps company with Edgar Allen Poe, Sheridan Le Fanu and other illustrious masters of the genre.

Ìåñòîíàõîæäåíèå èçäàíèÿ: Çàë ëèòåðàòóðû íà èíîñòðàííûõ ÿçûêàõ

Ïîäðîáíàÿ èíôîðìàöèÿ