Ïîèñê ïî êàòàëîãó ïå÷àòíûõ èçäàíèé

Àííîòàöèÿ: Up The Line To Death: The War Poets 1914—1918 is a poetry anthology edited by Brian Gardner, and first published in 1964. It was a thematic collection of the poetry of World War I.A significant revisiting of the tradition of the war poet, writing in English, it was backed up by strong biographical research on the poets included. Those were mainly British and Irish combatants of World War I; but there are also Australian, Canadian and American poets. The poems are arranged roughly in chronological order, from the start of the war to the end. Some contemporary poems by major poets not involved in the fighting are also given. The title of the anthology comes from the Siegfried Sassoon poem Base Details.

Àííîòàöèÿ: The fifth volume of Poets of the English Language brings together the most representative poets of two latter-day groups. In style and craftsmanship the poetry of the last half of the nineteenth century and first part of the twentieth extended, developed, and refined the discoveries of the early Romantics.

Àííîòàöèÿ: There are fewer tales of Empire than the popular stereotype of Kipling might lead readers to expect... Increasingly he was preoccupied by the condition of England herself, as he rebuked her blindness, folly and complacency, and sought reassurance in group, types, or individuals who might still redeem her backslidings.

Àííîòàöèÿ: 147 poets in a far-ranging survey of the Victorian age s significant poetic achievements. The pleasures of Victorian poetry lie in its multitude of lyric and dramatic voices and, above all, in its rhythmic power and subtlety. Nowhere else can these reading pleasures be better enjoyed than in the pages of Daniel Karlin s enormous selection of poetry written and published during the reign of Queen Victoria (1837-1901). Ranging from the late Romantic period to the brink of high modernism, The Penguin Book of Victorian Verse features a generous sampling of poems.

Àííîòàöèÿ: Ëó÷øèå îáðàçöû ñòèõîòâîðíûõ ïðîèçâåäåíèé Àíãëèè è ÑØÀ ñ áèîãðàôè÷åñêèìè ñïðàâêàìè è êîììåíòàðèÿìè.Èçäàíèå çàòðàãèâàåò òâîð÷åñòâî 176-òè àâòîðîâ è âêëþ÷àåò â ñåáÿ íåàäàïòèðîâàííûå ñòàðèííûå àíãëèéñêèå áàëëàäû, ïðèíàäëåæàùèå ê óñòíîé ôîëüêëîðíîé òðàäèöèè, ìíîæåñòâî ñîíåò, ãóìàíèñòè÷åñêóþ ëèðèêó ýïîõè Âîçðîæäåíèÿ, ðåâîëþöèîííûé ïàôîñ ðîìàíòèêîâ, ìåëàíõîëè÷åñêèå íåãðèòÿíñêèå áëþçû è ìíîãèå äðóãèå ïðîèçâåäåíèÿ, âïëîòü äî XX âåêà.

Àííîòàöèÿ: Ïðåäëàãàåìàÿ âíèìàíèþ ÷èòàòåëÿ Àíòîëîãèÿ àíãëèéñêîé è àìåðèêàíñêîé ïîýçèè ÿâëÿåòñÿ íàèáîëåå ïîëíûì è ïðåäñòàâèòåëüíûì ñîáðàíèåì ñòèõîòâîðåíèé, íàðîäíûõ áàëëàä è ôðàãìåíòîâ èç ïîýì íà àíãëèéñêîì ÿçûêå. Àíòîëîãèÿ ñîäåðæèò 475 ïðîèçâåäåíèé, ïðèíàäëåæàùèõ ïåðó 169 ïîýòîâ. Âñå ïðîèçâåäåíèÿ ðàñïîëîæåíû â õðîíîëîãè÷åñêîì ïîðÿäêå. Êíèãà àäðåñîâàíà ÷èòàòåëþ, âëàäåþùåìó àíãëèéñêèì ÿçûêîì, à òàêæå çíàêîìîìó ñ èñòîðèåé àíãëèéñêîé è àìåðèêàíñêîé ëèòåðàòóðû, ò.å., â ïåðâóþ î÷åðåäü, ñòóäåíòàì ñòàðøèõ êóðñîâ, àñïèðàíòàì è ïðåïîäàâàòåëÿì âûñøèõ ó÷åáíûõ çàâåäåíèé ãóìàíèòàðíîãî ïðîôèëÿ.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå äëÿ ñòóäåíòîâ ïåäàãîãè÷åñêèõ èíñòèòóòîâ ïðåäíàçíà÷åíî äëÿ îçíàêîìëåíèÿ ñòóäåíòîâ ñ ïðîäâèíóòûì çíàíèåì àíãëèéñêîãî ÿçûêà ñ ïðîèçâåäåíèÿìè àíãëèéñêèõ è àìåðèêàíñêèõ ïîýòîâ.

Àííîòàöèÿ: The Sixth Reader is a book of world-famous stories. The great poems of Greece and Rome, the Bible, the myths of Northern Europe, and the epics and romances of the Age pf Chivalry are all represented. The book is addressed to the pupil. Proper names and the more difficult words and phrases have often been listed with their pronunciations after the lessons inwhich they occur. Other words have been listed For study with the Glossary.

Àííîòàöèÿ: Âàì ïðåäîñòàâëÿåòñÿ âîçìîæíîñòü ïðîñëóøàòü ëó÷øèå ïðîèçâåäåíèÿ âñåìèðíî èçâåñòíûõ ïèñàòåëåé â âåëèêîëåïíîì èñïîëíåíèè íîñèòåëåé ÿçûêà. Äèñê àäðåñîâàí øèðîêîé àóäèòîðèè: ñòóäåíòàì, ïðåïîäàâàòåëÿì, à òàêæå âñåì, êòî æåëàåò ðàñøèðèòü çíàíèå àíãëèéñêîãî ÿçûêà. Ïðîèçâåäåíèÿ àäàïòèðîâàíû äëÿ ñëóøàòåëåé, âëàäåþùèõ ÿçûêîì íà óðîâíå Intermediate. Äèñê ñîäåðæèò òàêæå òåêñòîâûå âåðñèè ðàññêàçîâ è èõ ïåðåâîäû íà ðóññêèé ÿçûê.

Àííîòàöèÿ: Ó÷åáíîå ïîñîáèå ïî ÷òåíèþ íà àíãëèéñêîì ÿçûêå äëÿ ñðåäíåé øêîëû ñîäåðæèò àóòåíòè÷íûå òåêñòû è óïðàæíåíèÿ äëÿ ó÷àùèõñÿ íà îñíîâå àäàïòèðîâàííûõ íîñèòåëÿìè ÿçûêà êíèã äëÿ ÷òåíèÿ ñåðèè Longman Classics. Øèðîêèé âûáîð óïðàæíåíèé ïîçâîëèò ïðåïîäàâàòåëþ ó÷èòûâàòü ïðè îáó÷åíèè èíäèâèäóàëüíûå îñîáåííîñòè ó÷àùèõñÿ è óäåëÿòü îñîáîå âíèìàíèå ðàçâèòèþ ó íèõ ñïîñîáíîñòè ê ñàìîñòîÿòåëüíîé ðàáîòå. Ïîñîáèå îðèåíòèðîâàíî íà ôîðìèðîâàíèå ó ó÷àùèõñÿ ñâîáîäíîãî âëàäåíèÿ ÿçûêîì â öåëîì, âî âçàèìîñâÿçè ìåæäó îòäåëüíûìè íàâûêàìè (÷òåíèå, ïîíèìàíèå íà ñëóõ, ïèñüìåííàÿ è óñòíàÿ ðå÷ü).

Àííîòàöèÿ: Dick Heldar is a war correspondent and an artist, well known for the drawings he sends home to the London papers from wars in exotic places like Sudan. When he returns to London, he attempts to make a career for himself as a serious artist and re-encounters his childhood sweetheart, Maisie. Then he learns that a minor problem with his eyes is actually the onset of an incurable blindness, the result of a head injury during the war. As his vision fails, the light of everything around him—his life, hopes, and dreams—fails with it. Terrible choices must be made between the love of a woman and the love of the men who stood by him at the front.

Àííîòàöèÿ: In his lifetime, Kipling was widely regarded as the unofficial Poet Laureate, and he was awarded the Nobel Prize for Literature in 1907. His poetry is striking for its many rhythms and popular forms of speech, and Kipling was equally at home with dramatic monologues and extended ballads. He is often thought of as glorifying war, militarism, and the British Empire, but an attentive reading of the poems does not confirm that view.

Àííîòàöèÿ: The Second Jungle Book is a sequel to The Jungle Book by Rudyard Kipling. First published in 1895, it features five stories about Mowgli and three unrelated stories, all but one set in India, most of which Kipling wrote while living in Vermont.

Àííîòàöèÿ: In the High and Far-Off Times the Elephant, O Best Beloved, had no trunk. From the opening sentence of each of Rudyard Kipling's classic Best-Loved Children's Stories, the reader is hooked. With their incantatory rhythms and intimate air, the stories are perfect for reading aloud, over and over.